70 of 71 people found the following review helpful:
5.0 out of 5 stars
A Pox on Rationalists! (At least, these rationalists!), March 22, 2007
"I do not believe they ever meant unkindness."
So Octavian says of those to whom he was an experiment, to those who claimed him as chattel, to those who weighed his excrement daily and compared it to his intake.
It is perhaps this book's most frightening truth that he is correct.
Octavian and his mother were sold into slavery in the 1760s, in Boston, to The Novanglian College of Lucidity. These men were rationalists, and sought to discover - once all of the niceties are removed - whether the Negro was inferior to the European. Octavian was taught "the arts and knowledge of the physical world...the strictest instruction in ethics...kindness, filial duty, piety, obedience, and humility," Latin, Greek, the violin, and while learning these things, he was dressed in silk and lavished with luxuries.
Yet we see the detached scientist immediately in his caretakers, as Octavian describes an experiment whereby they drowned a dog to time its drowning, and another where they dropped alley-cats from high places to "judge the height from which cats no longer shatter," and yet another where they tried to teach a girl "deprived of reason and speech" the usage of verbs, and when the girl could not master verbs, they beat her "to the point of gagging and swooning."
And yet they never meant unkindness.
While this is a book of fiction, it is useful to remember (as the author calls us to at the end) that while the College of Lucidity is a fictional entity, the kind of experiments they conducted indeed took place, and the question of inferiority was one that was much discussed.
Octavian, with his mother, Mr. Gitney, and Dr. Trefusis, excelled. He became literate beyond their hopes, and could play the violin as a virtuoso. Without a doubt, his education was better than the vast majority of children his age, white or black. But then the College's benefactor dies, and a new benefactor arrives, represented by Mr. Sharpe, who presupposes the inferiority of the Negro and demands that Octavian's studies be changed...changed to ensure his failure.
As with all stories, once change is introduced, the stakes increase.
Anderson tells this story with a remarkably sure hand, using spot-on eighteenth century diction and grammar as much as he could without losing his intended audience, young adults. The majority of the story is told through the backward-looking eyes of Octavian himself, but Anderson also employs newspaper clippings and a variety of letters (most entertaining were the set from the soldier, Evidence Goring, to his sister and mother) to further authenticate the tale and ground it.
All of the characters are three-dimensional. The plot is handled with meticulous care, moving cautiously in the beginning, like an orchestral score, building with intensity to the moment of change, the crescendo which, not surprisingly, also occurs side-by-side with a telling of a part of the War.
Setting his story against the backdrop of the Revolutionary War proved brilliant, for the irony of slave-owners sending slaves not promised freedom to fight in their stead for the cause of liberty, can be lost on no one.
This is without question one of the most moving books I have read in some time. The character of Octavian is one of the most unique and fully realized I have ever encountered in young adult fiction.
That this won the National Book Award should be no surprise.
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26 of 27 people found the following review helpful:
5.0 out of 5 stars
one of the best novels I've read in the past year--YA or otherwise, April 26, 2008
This review is from: The Astonishing Life of Octavian Nothing, Traitor to the Nation, Volume I: The Pox Party (Paperback)
I LOVED this book. However, it is most certainly not for everyone. This is a challenging read. The language is difficult and even antiquated in parts, but 1) I make it a habit to read with a dictionary nearby so this didn't faze me, and 2) even when I wasn't in the mood to stop reading to look something up, I was still able to figure out the meaning of the text based on the overall context. Besides, after about 50 pages or so, I became accustomed to the writing style and then I blazed through the rest of the book.
If you're willing to put in the effort, the payoff is huge. The characters are believable. The story is horrific, heartbreaking, and somehow hopeful at the same time. The language is stunningly gorgeous in parts. The subject matter is fascinating, and it made me think about our country's history from a different perspective. Also, if you don't read too many reviews that all but spoil the plot for you (Anderson slowly reveals the reality of the situation to the reader as Octavian begins to realize what's going on), the tension and mystery of it propels you along. The cliffhanger ending was perfect, and I cannot wait for the second book in the series to be published.
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30 of 34 people found the following review helpful:
5.0 out of 5 stars
Don't miss it, August 17, 2006
Read this book and give it to everyone you know or love, whether 15 or 55. It's a stunning, extraordinary look at our own history through the eyes (usually) of Octavian Nothing, an African child slave who is, in this first of two books, the subject of experiments by a group of Boston rationalist philosophers. The purpose of the experiments? For the "philosophers" to learn whether Africans have the same capacity to learn as white children do. Because the Revolutionary War is about to break out, the characters' lives change in unpredictable ways. Every single page of this book, which is told in highly-readable and startlingly rich eighteenth-century language, is filled with brilliance and pain, and there are few characters in contemporary fiction that I care about as much as I care about Octavian. You will, too. Furthermore, there are parallels, resonances, echoes, and consequences for all of us today---your brain will be unusually active as you read, and you won't be able to put the book down or stop thinking about it.
Disclaimer: I'm thanked in the acknowledgments, but this graciousness on Anderson's part in no way affects my opinion of the book.
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