"Asylum" was my first Patrick McGrath novel and it's so good it's definitely turned me into a total "McGrath junkie." I fully intend on reading every work of fiction this very talented man has published.
"Asylum" is the story of beautiful but damaged Stella Raphael, a woman who, it would seem, has much to live for. Stella's decisions, however, as well as her solutions to her problems, are far from the best and she caues herself and those around her both tragedy and pain.
This is a book that could have so easily spilled over into melodrama...but it didn't. McGrath's cool, highly-controlled writing keeps this book believable even at its most tragic points.
I think readers should be warned that even though "Asylum" is a masterpiece, it is a bleak, dark and depressing book. The darkness is not only unrelieved, it grows as one reads on to the ultimate, shattering end. Readers who need something lighter or a book with a "feel good" ending should probably choose something else.
While "Asylum" is a deeply psychological novel, it isn't at all claustrophobic. McGrath's choice of an (almost) impartial narrator (and one who isn't quite reliable) keeps us from ever entering Stella's mind or the mind of Edgar Stark, the madman who so cunningly takes advantage of Stella's vulnerability.
McGrath's masterful use of locale only adds to the rich atmosphere of this book. We meet Stella in high summer in the gentle landscape of southern England when she seems to "have it all." Her seedy affair and descent into depression occur in Cockney London (within the sound of Big Ben). A tragic turing point occurs on the desolate Welsh moors and the book concludes back where it began just as the chestnut trees are beginning to blossom, bringing everything full circle.
I really can't praise this book highly enough. If you like dark, melancholy, tragic novels, psychological studies (without all the psychological jargon) and wonderful, controlled writing, you will probably love "Asylum" just as much as I did.