At Abbey Road (1973-1989) [Import]

Hollies | Format: Audio CD

Product Details

• Audio CD (November 10, 1998)
• Number of Discs: 1
• Format: Import
• Label: EMI Import
• ASIN: B00000G6NO
• Also Available in: Audio CD  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #187,095 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

5 of 5 people found the following review helpful:

5.0 out of 5 stars Great Sampler of Late Period, July 2, 2002

By 

Randall E. Adams (Los Angeles, CA United States) - See all my reviews
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This review is from: At Abbey Road (1973-1989) (Audio CD)

The Hollies have been mercilessly exploited in terms of anthologies and reissues. Most of them retread the same old hits. This set covers the mostly neglected period from Allan Clarke's return to the fold in late 1973 to the late 1980s. Included are relatively obscure releases such as "Son of a Rotten Gambler" and the Eagles-esque "Layin' to the Music" as well as late creations such as the rather good "Find Me a Family" and the thoroughly salty guitar-rock "No Rules" created by the troika of Clarke, Hicks and Elliot at the tail end of a session for another song. The unreleased tracks are all quite good. "Tip of the Iceberg" hits the same raunchy rock feel as "Curly Billy." Indeed, you can tell from the fantastic vocal phalanx created by Clarke, Hicks & Sylvester on this track recorded shortly after Clarke's return that they were all glad to be working together again. "Come Down to the Shore" is a pleasant if insubstantial piece of ersatz caribbean charm. "Samuel" is an absolutely anthemic Allan Clarke ballad that would have beefed up the relatively weak "Write On" album considerably. Tony Hicks finishes the track with some terrific acoustic guitar fills. "Lovin' You Ain't Easy" is a great Hollies ballad from the sessions for the 5317704 album in 1979, at least as good as the material that was officially released.

In addition to the above treasures that are really essential for any Hollies fan, the balance of the material highlights some of the group's 1970s era tracks in a new context that really shows them to advantage. This is the period when the Clarke, Hicks & Sylvester vocal blend was honed to perfection. The Hollies had pretty much passed their commercial peak by the time of most of the recordings on here but in fact their craftsmanship just continued to grow and this set makes that point convincingly.

The sound is excellent.

1 of 1 people found the following review helpful:

5.0 out of 5 stars great compilation, May 6, 2009

By 

Eriko Sugo "born 4 decades too late" (California) - See all my reviews
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This review is from: At Abbey Road (1973-1989) (Audio CD)

This is a terrific album. It actually had some songs that I hadn't heard before so I'm really glad I got it. It's got some of their 70s hits like, "Curly Billy", "The Air That I Breathe", "Sandy", "I'm Down", and some of their singles that didn't get much attention like "Find Me A Family" and "No Rules". I really love the songs "Give Me Time" and "Come Down To The Shore" (which has some talking from the recording studio) so I'm pretty happy I bought this. I recommend it to all-- buying these Hollies at Abbey Road albums all separately (and used) is a lot cheaper than buying the three in one collection, by the way.

2.0 out of 5 stars anthology of post nash era, September 3, 2007

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daniel Hernandez "giant rabo" (miami gardens, florida USA) - See all my reviews
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This review is from: At Abbey Road (1973-1989) (Audio CD)

i picked this up after getting the 'epic anthology' disc. while i don't think this is cover to cover good like that compilation is, it does have it's merits. the first song sounds a lot like a rewrite of long cool woman but it's still a pretty cool song. transatlantic westbound train is another great track. the low point in this collection is anything done after about 1979, without nash's replacement terry sylvester, who was a great foil to the hicks,clark,elliot triumvirate. and even the track from the eighties have those great hollies-style harmonies that can make the synthesizer drenched crap sound decent. i would like to point out that vol 1 & 2 are far superior to the volume three installment of hollies at abbey road. you can probably just download the good tracks on this somewhere else versus investing in this collection.