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At the Cut

Vic ChesnuttAudio CD
4.8 out of 5 stars  See all reviews (9 customer reviews)

Price: $14.98 & FREE Shipping on orders over $35. Details
o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o o
 : Includes FREE MP3 version of this album.
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MP3 Music, 10 Songs, 2011 $9.49  
Audio CD, 2009 $14.98  
Vinyl, 2009 $24.79  

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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Coward 5:16$0.99  Buy MP3 
listen  2. When The Bottom Fell Out 3:10$0.99  Buy MP3 
listen  3. Chinaberry Tree 4:10$0.99  Buy MP3 
listen  4. Chain 2:59$0.99  Buy MP3 
listen  5. We Hovered With Short Wings 5:14$0.99  Buy MP3 
listen  6. Philip Guston 3:27$0.99  Buy MP3 
listen  7. Concord Country Jubilee 4:32$0.99  Buy MP3 
listen  8. Flirted With You All My Life 4:41$0.99  Buy MP3 
listen  9. It Is What It Is 6:58$0.99  Buy MP3 
listen10. Granny 3:25$0.99  Buy MP3 


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Product Details

  • Audio CD (September 22, 2009)
  • Original Release Date: 2009
  • Number of Discs: 1
  • Label: Constellation
  • ASIN: B002I8QYE8
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #163,938 in Music (See Top 100 in Music)

Editorial Reviews


Customer Reviews

Most Helpful Customer Reviews
27 of 28 people found the following review helpful
4.0 out of 5 stars Peculiar and unique, but difficult November 17, 2009
Format:Audio CD
This is a guy I haven't been following very closely, but I recall some older albums of his. I don't really remember the way it sounded then - for some reason Nashville folk-guy Tom House comes to mind - and there are obvious comparisons to Bone Machine-era Tom Waits. But this stuff doesn't really sound like anything I've heard - those are just starting points. You pretty much have to abandon your expectations here if you're new to this. Also, there are obviously going to be people who are new to this guy because of his kinship with Guy of Fugazi, but they'll be fooling themselves if they expect anything close to that band here either. Or any other Dischord-related projects for that matter.

This is one of those albums that needs to be digested as a unit - an entire project - and reflected on - and I have to admit, it's hard to picture myself listening to it again shortly after one play. It just has a deep, scraping darkness to it that isn't very endearing - it's almost as if the songs are MEANT to disturb you - but not in a cartoonish, Tom Waits-y way, much more direct, much more ambivalent about how you feel - as if you weren't really meant to hear these songs. I understand that's not a very glowing endorsement of the sounds here, but that's how it hits you at first. Which is good, if you like to be taken out of your comfort zone.

After a while, you get used to the abrasiveness, sort of embrace the claustrophobic qualities, when all of a sudden it opens up like a landscape in front of you - a very relieving and powerful drama - with the songs "Flirted With You All My Life" and "It Is What It Is" - two back-to-back excellent tracks, ruminations on simple things that don't usually get said but somehow seem very natural and exciting put to music like this.
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34 of 40 people found the following review helpful
5.0 out of 5 stars VIC CHESNUTT: REST IN PEACE December 26, 2009
Format:Audio CD
This disc is a tough listen. If you think "Flirted with you all my life" was tough to listen to before today......Chesnutt was quoted as saying that this was his "Screw you, death" song. The song that was his final break up with the suicide attempts of the past. If only that were the case.

Chesnutt was a talented, tormented man. With his death, he becomes a national symbol of the health care crisis. In a recent interview printed in the LA TImes he contemplated the challenges he faced as a wheelchair-using paraplegic with inadequate health insurance and mounting medical bills.

"I'm not too eloquent talking about these things," Chesnutt told The Times earlier this month. "I was making payments, but I can't anymore and I really have no idea what I'm going to do. It seems absurd they can charge this much. When I think about all this, it gets me so furious. I could die tomorrow because of other operations I need that I can't afford."

Unfortunately, Chesnutt's "tomorrow" came on Christmas Day. Death came from intentional overdose of muscle relaxants.

God rest your body and soul Vic Chesnutt. May you find peace at last.
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18 of 20 people found the following review helpful
4.0 out of 5 stars Challenge and reward. December 8, 2009
Format:Audio CD|Verified Purchase
Chesnutt is in top form on "At the Cut," both lyrically and musically. Always challenging to listen to--in the same way that, say, Tom Waits is challenging--Chesnutt rewards the attentive listener with a voice matched to the poignant, piquant, oddball poetry. Decorated with spare, graceful instrumentation, each song conveys a mood, a state of mind, impressionistically.

See, I told you it was challenging.

This is not party music, this is not background music...this is frankly art. One hint of that fact, something I really appreciate, is that Chesnutt signposts the source of some of his poetry and music with parenthetical references in the liner note lyric sheet.

My guess is that people would generally be highly divided on Chesnutt, as they can be with any mold-breaking artist with a unique vision. It would be fairly easy to hate the injured-hound voice on some songs, the inscrutable lyrics on another, the discordant arrangement on a third. But for someone willing to invest in a little adventure, the payoff can be extraordinary. I have always found Chesnutt's output, while sometimes initially off-putting, ultimately something I want to dive back into periodically again and again.

Nearly all of Chesnutt's music is intimate. It sounds as if it is being played in a living room, or at its most public, a small coffeehouse or bar. But the CDs only gesture toward the intimacy of a live performance, for which the CDs can only ever be a cheap souvenir. If Chesnutt is appearing near you, especially in a dive of some kind, for gawd's sake go see him. There's something about the brokenness of his music that only really shines through live. There's this Japanese term, "wabi-sabi," that points to the beauty of the "imperfect and impermanent.
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5 of 5 people found the following review helpful
5.0 out of 5 stars Add This One to the List of Best Swan Song Records January 13, 2011
Format:Audio CD
I buy a new album every New Year's Eve before the foolery begins. This year I was stumped. Nothing jumped out at me. How do you do justice to such an awful year? As I hit the counter ready to buy the new Lady Gaga release (don't ask), I saw a copy of the new Vic Chesnutt record, At the Cut, just sitting there. Lonely. No-brianer: gimme that Chesnutt album, I have a new year to find escape in.

Moments later I found myself sitting at the player, album in hand. Good looking record. Great looking record. But I couldn't put it in, all things considered (Google Vic if you don't know what I mean here). This final chapter - not countingVic's tossed off Skitter On Take Off - had me scared to the point of Captain Wet Pants, but I put it in regardless. I put this very dark record on, if you can believe it, before heading to a dinner party full of happy people talking about happy things. As the songs started I felt weak and fragile; I should've bought that stupid f&%#ing Gaga record like a normal human being, not the most depressing - on many levels - record of 2009. The most depressing record ever. Turned it off.

Come the morning of New Year's Day I found myself shivering in my bathrobe as Chesnutt's "Flirted With You All My Life" fell from the speakers. Should I bawl my brains out or should I simply digest these emotions and let them further expand my personal definition of what it means to be an artist? Songs get no more meaningful than this, I reasoned with myself. And so I do both. Over and over, I did both as the record skipped along, plucking raw nerves.

And the song, one of the standout's on the songwriter's second album featuring members of the Godspeed/Mount Zion gang, is the kind of song we write/read books about.
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