Customer Reviews

At The End Of The Day

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I discovered Mars Lasar on the Spa station of satellite radio. Most of his tunes there are more ethereal, very given to meditation, which is wonderful. Then I heard a sample of this disc and was intrigued as it seemed to have more of a smooth jazz vibe. I found it at a great price on Amazon.com, the disc arrived quickly and is in fine shape. The title track is my fave.

Mars Lasar is a man of many talents having touched the lives of millions of people while showcasing his innovative abilities during his lengthy career as a professional musician, along with his music related artistic endeavors. His diverse discography ranging from New Age, Electronic, Contemporary Instrumental, World, Jazz, Ambient, Chill Out, Classical, and a host of sub genres that have yet to be classified are all true classics.

At The End Of The Day creates a wonderful example since Classic Jazz is introduced to New Age in a manner that I felt lends itself to a high society level of sophistication, yet also in an easy going approachable manner that gave me a relaxing right at home, wearing blue jeans comfortable feel too. My previous statement should give you some insight about what is in store for you, and how effective this man is with creating lasting beauty from contrasting images, yet there is so much more to discover from this album, plus the full scope of his vast discography.

Mars Lasar layers his mixing production talents to full advantage on every song in this Contemporary Jazzy 10 track album that highlights his artistic abilities in a just right, toast of the town in house feel. His fans will adore this release, being such a strong example of what they love, recognize, and have come to expect from Mars.

Here we find soulful saxophone driven melodies, considerately subdued from completely stealing the show while keyboard, flute, and guitar melodies prove themselves just as capable while taking a turn in the solo spotlight. The song Uptown is a favorite among his fans who already own the album. Perhaps they recognise this fine example since fusion between old school Jazz and Contemporary Jazz are intertwined to reach a thoughtful commingling of the two styles.

Mars Lasar has an enduring ability to captivate an audience with his music by personal adaptability, mindful at using technical leverage, while also generating a creative spark of imagination. I believe these skills, plus his strive for perfection is how Mars can offer a higher level of versatility simply not present with many artists within many genres.

The song Warm Nights is a mid tempo, Jazz festival of fun, where guitar and percussion first set an atmosphere like a playful night in a downtown club. Just like being there, an illustrated solo saxophone player sharp and colorfully dressed, plays a warmly lit tune that contrasts well with the darker shades presented during the first few measures in tonal background images.

Our first observations of the atmospheric intensity of the music is noted by the upward raised saxophone and soulful eyes closed expression made during the opening woodwind solo. Everyone can clearly see the seated piano player is all smiles while making their keyboard runs in distinct counter beat with saxophone while upper octave piano notes twinkle in unison, exactly as our solo performers glance at one another to give a quick nod and wink of approval.

Come And Join Us is a nicely done Jazz mix with an inviting tone that keeps the momentum going in a positive upbeat direction. When the bass cello player starts this in house session with a resonating pluck of the strings and then several spins of the cello, the rhythm is set by the warmer tones and expertly delivered bass runs that capture the crowd's approval right from the beginning.

Joining in the session, piano and flute quickly step forward to contribute their fragrant ambiance by taking turns during moments of improvisation while the crowd waves their raised hands back and forth to the beat. Everyone moves closer to the stage as our saxophone player once again steps into the spotlight with a dramatic solo while flute makes note filled runs, then several trills during each refrain as percussion places their cymbal taps and well timed snare beats with exacting precision.

We notice every instrument sparkles brightly under the lighting while all players make their runs through the scales in this album having an uptown beat, capturing the moment and memories for the entire evening in the final closing notes. Then, as everyone slowly starts to leave and the band begins to pack, it is pretty clear the audience was captivated by the sights, sounds, and sensations, after just having heard this album produced by Mars Lasar that mirrors the very ultimate in the downtown Jazz experience.

This album has a jazzy, sexy groove to it. Without even looking at the cover, the music evokes a city feel. I half expect to look out my window and see the city below me. I'm really feeling the track Sweet Summer Haze.