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At Last
 
 

At Last

Etta JonesAudio CD
4.0 out of 5 stars  See all reviews (5 customer reviews)


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Biography

One of the most beloved vocalists in jazz, Etta Jones (1928-2001) was a soulful singer with a subtle and bluesy style.

Etta Jones started her career early, touring with Buddy Johnson's band when she was 16 and debuting on records in 1944 with Barney Bigard. She also worked with Stuff Smith, J.C. Heard, and Earl Hines (1952-1953). Jones had her breakthrough in 1960 when she recorded "Don't Go to… Read more in Amazon's Etta Jones Store

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Product Details

  • Audio CD (May 23, 1995)
  • Number of Discs: 1
  • Label: Muse Records
  • ASIN: B000008PC4
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Best Sellers Rank: #263,468 in Music (See Top 100 in Music)

 
1. At Last
2. You're a Sweetheart
3. God Bless the Child
4. He's My Guy
5. Where Are You?
6. Wonder Why
7. I Can't Get Started
8. If You Were Mine
9. You're Driving Me Crazy
10. Medley: Cottage for Sale/Don't Take Your Love from Me

 

Customer Reviews

5 Reviews
5 star:
 (3)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

10 of 11 people found the following review helpful:
5.0 out of 5 stars Smooth Soul, June 15, 2000
By 
This review is from: At Last (Audio CD)
This album is outstanding! Etta's voice moves over you like warmth and pulls you in. I stand there mesmerized by her voice. It is a great soundtrack for a rainy day in your life or a sunny day. It has such passion and longing, and the album really covers her wide range of talents. What a way to unwind after a long day. I highly recommend Etta Jamesfor anyone who enjoys good old smooth jazzy sounds.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Jones spells out her separate identity from James (at last), February 27, 2007
By 
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This review is from: At Last (Audio CD)
This is comparatively "late" Etta, and the date (1993) would not be hard to place for any one familiar with the career of a singer who deserves to occupy the same tier as Holiday, Fitzgerald, Vaughan, McRae, and Wilson. All of the former underwent significant vocal changes over the course of their careers, and Etta was no exception. The voice has deepened, there's a hint of strain and unmistakable pain in contrast to the utterly natural, effortless elocution of her '60s dates for Prestige. Yet she retains formidable power (dwarfing that of late Lady Day), and there are no wavering vibratos or forced falsetto breaks in her vocal register.

For listeners already familiar with the "Don't Go to Strangers" period, this date can be recommended as rising above some of Etta's other post-80s material on the basis of the thoughtful program, her deeply soulful and moving readings of material that she stamps as her own, and the supporting cast, which rivals the ones available during her days with Prestige. There's practically none better than Benny Green or Mike Renzi, who take turns in the piano chair. As a bonus, violinist Tom Aalfs provides some surprisingly fresh and effective support on the tracks with Renzi.
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6 of 9 people found the following review helpful:
5.0 out of 5 stars One of Etta Jones' Finest Recordings, August 14, 2001
By 
"fastfeet76" (NY, NY United States) - See all my reviews
This review is from: At Last (Audio CD)
Etta is in her finest form and at the height of her powers on these 10 tunes. I have had the great privalege of seeing Etta live many times and she just seems to get better. Etta's emotional and rich interpertation of "At Last" is one of the best readings this song has ever had. Etta swings like only she can on "You're A Sweetheart" "He's My Guy" "You're Driving Me Crazy" and especially on "Wonder Why." But without a doubt the highlight of this album is the coda -- a medley of "Cottage For Sale" and "Don't Take Your Love From Me" ,,, you'd have to be crazy to do that. My favorite jazz singer shows off her versatality and ability to transform any tune into a song that can only belong to Etta Jones.
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