Customer Reviews

At the Opera House

5 star:		(8)
4 star:		(1)
3 star:		(1)
2 star:		(0)
1 star:		(0)

 

 

This is a very fine record. Stan Getz recorded maybe his three very finest records during the fall of 1967 (apart from this record the other two were Getz and Mulligan in Hi-Fi and Getz with the Oscar Peterson trio). He never played better than during this period of his life (especially on the Mulligan record). It never entered my mind is probably the finest ballad recording we have with Getz. And he was a master of ballad playing! He also plays marvellous solos on the two versions of Billie's Bounce. JJ Johnson seems very inspired on this record, and the Oscar Peterson trio gives excellent support. What an incredible comp pianist he was! Talk about swing! The sound quality of the record is not that good but quite acceptable.

Wow! Is 5 stars the most I can give? What a great CD. I'm a big fan of J.J's, but this is even better than I expected. Who would have thought that putting a sax and trombone together would work. And what an incredible rhythm section ... the Oscar Peterson trio, plus drummer. A truly all star cast. I enjoyed hearing the different live versions of several songs ... no, they don't sound alike. If you like J.J., you're sure to love this CD.

This is a classic album in all means of the phrase. It's great from start to finish, all the songs swing with such ease and ferocity that it makes the whole album wonderful to listen to. If you want to know how to play the trombone, study "Yesterdays" it's a case study of exactly how the trombone can sound. Both of these giants were known for their impeccable tone, so with that said this album is a must for an Getz or Johnson fan...or if you remotely like jazz.

I had the pleasure of catching Norman Granz' musical circus, Jazz at the Philharmonic, and the segment featuring just Stan and J. J. on the front-line was the most cohesive set of the night. This CD collects two of the concerts from 1957--the first from Chicago's Opera House, the second from Los Angeles' Shrine Auditorium. As the preceding reviewer notes (apparently as a negative), there is some repetition in the repertory. Who's complaining? The CD contains 73 minutes of playing time, two of the repeats are blues, the instrumentalists are equally inspired and fresh on both occasions, and the Chicago set is recorded in stereo whereas the L. A. set is in mono. (Guess which sounds best--and by a wide margin! So much for old notions of progress.)

There are so many great trombonists, and with the exception of the pro-active Steve Turre and Robin Eubanks, none are being recorded or heard from much these days. Perhaps the reason is J. J. He's still the hippest trombonist who ever lived, with more than enough technique, matched with incisive articulations and bracing power, to preach a moving sermon every time let alone eclipse if not blow away the equally gifted Getz. (To be fair, Getz' solo on the Rodgers and Hart ballad "It Never Entered My Mind" is the best recorded version I've ever heard by an instrumentalist.)

This is the real thing. Jazz in the moment. Most of the tunes recorded for the first time by both musicians. In the liner notes Phil Schaap makes it sound as though the combination of Johnson and Getz was a unique occasion, but I have at least two JATP LPs featuring the same pair on tunes that aren't part of either of the two concerts on this disk.

The house rhythm section on both occasions is Oscar Peterson, Ray Brown, and Connie Kay, with Brown's bass more audible than was often the case on recordings of this period. As for the two peerless principals, besides the solos, dig the quick exchanges and collaborative polyphony. This is close to being an "essential" recording, overdue for a reissue (I wouldn't hold my breath, though).

This record contains seven songs with three alternate takes. They are from live recordings in 1957. The sound quality is very good, although Oscar Peterson fans will not be happy because the piano does not come through very clearly. More important, the mixture of tennor sax and trombone is outrageous. The Blues numbers have great solos that resolve beautifully at the end. The up-tempo version of my funny valentine is great. This record is a classic as far as I'm concerned.

This CD presents two different concerts -- one recorded in stereo, one in mono -- with essentially the same tunes, but don't let that scare you. Not only are both "headliners" in exceptionally good form, they have a great report for each other. Some of the most rewarding moments on the recording come when J.J. and Stan are soloing at the same time, trading phrases. Of course, both men get features, and J.J. is amazing on "Yesterdays". In short: Get this CD -- you'll be glad you did.

This was given as a gift and the recipient was beyond happy and excited about this CD! Great Buy!

I bought this CD because I plan to audition for a Jazz group on Trombone and I had to play J.J.'s solo from Blues in the Closet. Not only is this track phenomenal, nearly all the tracks are incredible. Get this CD, your mouth will drop when you hear J.J. and Stan like mine did.

The CD contains a stereo set and a mono set with all the same music in both sets. The Getz and Johnson are wonderful but the CD is repetitious.

I REALLY Enjoyed THE RICH TONES HERE.GETZ&J.J Have ALOT OF CHEMISTRY ALL The Way here.THE SOLOS&Arrangements are solid here.very essential.