Customer Reviews

Athena and Eden: The Hidden Meaning of the Parthenon's East Facade

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If you know who "the prince of the power of the air" is then you will probably find this book very interesting. I came across the book almost by accident on an Amazon list and found it to be very well reasoned and argued.

The author's main idea is that greek myth and religion consists of a retelling of the story of mankinds origins (familiar to us through the first 12 chapters of the Bible) from a greek or humanist point of view. Wow, he got me right there!

The book shows how many of the seminal events of human history such as the original sin, the murder of Abel, the flood etc. were depicted on the sculptures decorating the Parthenon. However, they have almost the opposite meaning and sentiment as the biblical depiction.

If you are interested in ancient history and how it intersects with the bible you will love this book. I bought the author's second book Athena and Kain. It supposes to make the same basic points looking at a wider selction of Greek myth than found solely on the Parthenon. However, as many follow up books do it spends a lot ot time covering material from the previous book. That's ok if you have not read the previous volume but tedious if you already have.

The book is also well illustrated.

Mr. Johnson clearly reveals the hidden meaning of the Parthenon's east facade by simply mirroring the scriptures. The text is so easy to read and concisely written that it is impossible to deny the simplicity of this revelation. I couldn't put the book down. It's obvious that Mr. Johnson has done very thorough research on this subject. I look forward to his next enlightening publication!

I finished reading Athena and Eden: The Hidden Meaning of the Parthenon's East Facade a few days ago, and would recommend this book to anyone interested in an entirely new view of these ancient sculptures. It's more than another history lesson, and more than another dose of re-hashed mythology. This book has substance.

Lacking knowledge of the Architectural issues involved, I had to approach "Athena and Eden" with my experience of ancient and classical Greek literature. I was shocked by the strength and cogency of Mr. Johnson's arguments. Though not yet fully convinced of all of the conclusions Mr. Johnson has reached, "Athena and Eden" has definitely given me some ideas to chew on while Mr. Johnson writes his second volume.

Many near eastern/mediteraenean cultures exhibit shared memories of a common prehistory. From Gilgamesh in Mesopotamia to early tales of Osiris in Egypt, echoes of the Genesis and Flood stories abound. If Mr. Johnson is correct, than Greek mythology is a very twisted (possibly Satanic) retelling of the fall of Man.

As far as particulars--

I found his arguments about the true identity of the Zeus figure extremely compelling. Yet the Athena/Hera division is still a little muddled in my mind (probably more my fault than the author's).

Overall, "Athena and Eden" is a very intriguing book that deserves a lot of attention. It gets my recommendation.

I don't profess to know enough about Greek history or archaeology to say that the author is right on target; HOWEVER, his theory does fit the facts of Greek mythology and Biblical revelation.

The author's premise is that Greek mythology is really the story of Creation, the Fall of Man, and the Great Deluge, except told from the side of Evil. There are a lot of photos of various aspects of Greek art to back up his theory, and he does a good job of explaining it in terms a novice can grasp. This work has piqued my interest and I'm going to have to do a lot of further reading.

One thing the author didn't point out, but which I've theorized for years, is that the portions of Greek myth typically referred to as "The Clash of the Titans," was a perversion of the true story of Lucifer/Satan being cast out of heaven. I'd like to see Mr. Johnson chase that rabbit in the future.

The focus of Greek civilization, the Parthenon captures viewers imaginations even as it conceals its true meaning. In his ground breaking work, Robert Bowie Johnson, Jr. author of ATHENA AND EDEN: THE HIDDEN MEANING OF THE PARTHENON'S EAST FACADE demonstrates that when Athena is seen to be Eve, then Greek mythology becomes narrative art. Consequently, the marble sculptures on the east pediment of the Parthenon relate the story of the origin of mankind, matching the Genesis account in detail.

Johnson asserts that scholars have previously been unsuccessful in identifying most of the figures in the east pediment because they have failed to connect Athena with Even and the story of Eden in the Book of Genesis. Through careful research, Johnson demonstrates that we do have the literature and art to serve as a source of reconstruction. Painstaking comparison demonstrates shows that the sculptures of the eastern pediment depict the Garden of Eden, the birth of Eve, the Great Flood. Furthermore, the goddess Athena, whom the Greeks worshipped as the one who brought the serpent's wisdom, is the same person the Book of Genesis calls Eve.

Johnson, a West Point graduate, author, teacher and public speaker based his research on surviving sculptures, the ancient writings of Homer, Hesiod, Pindar and others, plus myths, vase art and the work of numerous experts. His controversial approach will certainly garner attention from all who are interested in the classics, religion, art, and mythology. Indeed, Johnson's unique perspective will provoke avid discussion among academics for years to come, yet is easily approachable by any who hold an interest in our origins.

I have accidently seen this book in Tampa Museum of Art downtown, and intrigued by its title, I bought it. Little did I know how revealing this book is.....

I always pondered about the ancient fascination of womanhood, and modern condemnation of womanhood -- where and why it all changed?

Well, the author nicely connects the ancient female divinity emphasis and the one the Bible gives in the garden of Eden.

Indeed, because of Eve's choice to be seduced by the Serpent, humankind serenity of life ended. Later generation, perhaps out of deperation and mystic of new life birth, elevated woman again, and Athena (a-thanassos -- immortal) carries the symbols of woman 's fall from the garden, yet, in sense that through the Serpent she gave humanity freedom from God, and then presented a new connection through her outstretched hand.

So strange why females were so elevated back then----Cybele and Kaabala connection (Muslim worship of black stone just like in Ephesus Artemis and black stone)...

I am often shocked to see how ancient beliefs carry over to nowadays...

D.Barbara Zapal

This is a completely new view for me and it makes me think about Greek mythology in a completely different light. Even if you don't believe the premise (and I think it's reasonable), approaching it from such a unique angle, alone, makes the read worthwhile.

It's something like the movie "The Sixth Sense". Once you've read it once, you wonder how you ever missed the obvious point before. Athena and Eden is a real eye opener. Mr Johnson makes his point quite clearly. I'm sure that there will be doubters but I can't wait to see how they attempt to rebut his findings. It won't be easy.

Athena And Eden: The Hidden Meaning Of The Parthenon's East Facade by author and educator Robert Bowie Johnson, Jr. offers the non-specialist general reader a unique, accessible, and provocative look at classical artwork and human spirituality. Athena And Eden focuses on the majesty of the Parthenon and its mystical connection to the Book of Genesis. Illustrated with numerous black-and-white photographs of Greek artistic treasures, sculptures, and pottery, Athena And Eden is an original, seminal, ground breaking, unforgettable, and highly recommended perspective that will be of particular interest to students of Hellenic art, architecture, mythology, and religion.