Athena (Paperback)

by John Banville (Author)

Editorial Reviews

From Publishers Weekly
Irish novelist Banville offers a literary thriller in which his guilt-plagued narrator is drawn into both an art theft and a passionate affair with a mysterious woman.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
Art historian Morrow is hired by small-time crook Morden to authenticate and catalog a cache of eight paintings stored in a decrepit house. As Morden and his seedy assistant, Francie, lead Morrow through the house, a delicious sense of impending menace is evoked by simple things: the rising staircase; a door standing ajar; an intense, bright light; and a watching dog. Morrow's brief glimpse through a crumbling wall of a woman's leg in stockings and black high heels is the beginning of his increasingly destructive sexual obsession with the woman, identified only as A. Irish writer Banville has created such a fantastic feeling of suspense and foreboding in his slightly surreal world?with hints that Morrow may be the same ex-convict narrator of his earlier novels, The Book of Evidence (LJ 3/1/90) and Ghosts (LJ 9/15/93)?that the somewhat anticlimactic ending is a letdown. But Banville's sure way with language, style, and character development make this essential for literary collections. Highly recommended.?Patricia Ross, Westerville P.L., Ohio
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

• Paperback: 240 pages
• Publisher: Vintage (May 28, 1996)
• Language: English
• ISBN-10: 0679736859
• ISBN-13: 978-0679736851
• Product Dimensions: 7.9 x 5.1 x 0.8 inches
• Shipping Weight: 8.8 ounces (View shipping rates and policies)
• Average Customer Review: 4.7 out of 5 stars See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #390,202 in Books (See Bestsellers in Books)

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Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

5.0 out of 5 stars Language that sings, January 9, 2006

By	Ulf Wolf (Coeur d'Alene, ID) - See all my reviews (REAL NAME)

One common adage in books about writing is to "kill the babies," in other words, get rid of those eloquent and delicious similes or turns of phrase that are will arrest the reader and pull him or her out of the story. Well, Banville violates this principle left and right, much to the delight of at least this particular reader. There is hardly paragraph, much less a page, that does not stop you cold you with image or simile or metaphor or simply brilliant construction, and you gladly forgive him each and every time.

I highly recommend this book to anyone who loves the English language. It is written by someone who probably loves it even more.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Snail-Trail, December 12, 2006

By	Daniel Myers (Greenville, SC USA) - See all my reviews (TOP 1000 REVIEWER)    (REAL NAME)

Yet another book by John Banville that one can only characterise as a work of art - Why this is so is hard to explain to the uninitiate. Banville's prose is both subtle and oceanic. Above all, it is seductive. Things always seem to begin simply enough in his works. But, somewhere along the way, one is taken suddenly by the realisation that s/he is under the spell of a virtuoso, a master craftsman, nay, a magician of sorts who turns every subject that falls under his pen into a work of high literary art.

The plot, such as it is, has been covered by the other reviewers. I have just a couple addenda: I'm not so sure that this book and Ghosts are sequels, as such, to The Book of Evidence or if it's particularly important if they are. Banville's narrator, especially in Ghosts, is much-taken with the notion of multiple or parallel universes. That seems to me the best way to read these works, as following Mr. Montgomery into entirely different worlds. ----Also, a bit of a personal peeve, one wishes one could get through a Banville work without his using the term "flocculent" to describe everything from clouds to pubic hair (herein). But this is a quibble.

Below a couple citations of Banvillian prose here:

The light in the room, the colour of tarnished tin, was the light of childhood. I would see again afternoons like this in the far past and myself as a child at a window watching the day fail and the rooks settling in the high, bare trees and the rain like time itself drifting down. p.151

But this is how I want it to be, all smeary with tears and lymph and squirming spawn and glass-green mucus: my snail-trail. P.220

And so it is, a lulling, seductive, dark snail-trail of poetic prose to the narrator's beloved. Follow it!

8 of 10 people found the following review helpful:

5.0 out of 5 stars Captivating language., April 20, 2000

By A Customer

Banville writes exquisitely. Athena should be read slowly, like a fine meal. Interested readers might be advised to read his Book of Evidence, then Ghosts, before turning to this one.