Review
"A model of precisely the kind of interdisciplinary criticism Beardsley's imagination demands. Sutton is the first to study the visual implications of Beardsley's fascination with music.... Sutton has written a groundbreaking book that richly amplifies our view of Beardsley as an artist in black and white."--
Victorian Studies"A very solid piece of scholarship that will be a valuable contribution to the cultural history of the
fin de sid`ecle as well as to Beardsley studies.... This book shows an impressive breath and depth of scholarship. It provides a wealth of scholarly citation, plentiful detailed information, and some material that is either new...or little emphasized."--
The Journal of Pre-Raphaelite Studies"[Sutton] offers a critically informed cultural history that investigates some of the interrelated musical, literary, and visual manifestations of Wagnerism in the
fin de siecle."--
Music and Letters
About the Author
Emma Sutton is a freelancer writer and tutor