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The Audio Dictionary: Third Edition, Revised and Expanded [Paperback]

Glenn D. White (Author), Gary J. Louie (Author)
5.0 out of 5 stars  See all reviews (11 customer reviews)


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Book Description

January 1, 2005
The Audio Dictionary is a comprehensive resource, including historical, obsolete, and obscure as well as contemporary terms relating to diverse aspects of audio such as film and TV sound, recording, Hi-Fi, and acoustics.

The Third Edition includes four hundred new entries, such as AAC (advanced audio coding), lip synch, metadata, MP3, and satellite radio. Every term from previous editions has been reconsidered and often rewritten. Guest entries are by Dennis Bohn, cofounder and head of research and development at Rane Corporation, and film sound expert Larry Blake, whose credits include Erin Brockovich and Ocean's Eleven. The appendixes--tutorials that gather a lifetime's worth of experience in acoustics--include both new and greatly expanded articles.

"It is rare to find a reference book that you do not want to stop reading, but The Audio Dictionary fits that description. . . . Each definition, from absolute pitch to zero reference, is actually a mini-article with concise yet thorough explanations that are easy for nonspecialists to understand." -Music Educators Journal

Glenn D. White has been a freelance recording engineer for more than thirty years, specializing in instrumentation for acoustic and vibration measurements. His clients include the University of Washington, Vassar College, Rutgers University, and the Boeing Company. Gary J. Louie has been the music recording specialist at the University of Washington School of Music for over twenty-five years. His recordings have been released on labels including Harmonia Mundi, Musical Heritage Society, and Warner Brothers. He is secretary of the Pacific Northwest Section of the Audio Engineering Society.



Editorial Reviews

Review

"It is rare to find a reference book that you do not want to stop reading, but The Audio Dictionary fits that description... Each definition, from absolute pitch to zero reference, is actually a mini-article with concise yet thorough explanations that are easy for non-specialists to understand." Music Educators Journal

About the Author

Glenn D. White has been a freelance recording engineer for more than thirty years, specializing in instrumentation for acoustic and vibration measurements. His clients include the University of Washington, Vassar College, Rutgers University, and the Boeing Company. Gary J. Louie has been the music recording specialist at the University of Washington School of Music for over twenty-five years. His recordings have been released on labels including Harmonia Mundi, Musical Heritage Society, and Warner Brothers. He is secretary of the Pacific Northwest Section of the Audio Engineering Society.

Product Details

  • Paperback: 516 pages
  • Publisher: University of Washington Press; 3 Rev Exp edition (January 1, 2005)
  • Language: English
  • ISBN-10: 0295984988
  • ISBN-13: 978-0295984988
  • Product Dimensions: 9.1 x 6.1 x 1.2 inches
  • Shipping Weight: 1.6 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (11 customer reviews)
  • Amazon Best Sellers Rank: #180,519 in Books (See Top 100 in Books)

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Average Customer Review
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9 of 10 people found the following review helpful:
5.0 out of 5 stars You have questions? This book has answers., October 29, 1999
By A Customer
This review is from: The Audio Dictionary (Paperback)
This is the first book off my shelf whenever I have a question about any aspect of audio. Occasionaly, I find that an entry I expect to see is not there, but that is rare. By and large, the entries here serve, at least, as a solid foundation of almost any concept about which I need clarification.
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14 of 17 people found the following review helpful:
5.0 out of 5 stars This is an excellent addition to your Sound Library, November 19, 1999
By A Customer
This review is from: The Audio Dictionary (Paperback)
I have found this book to be especially handy in finding definitions to audio terms that are virtually impossible to find even in expensive Sound recording text books.
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Concise and comprehensive source of information, March 23, 2006
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This review is from: The Audio Dictionary: Third Edition, Revised and Expanded (Paperback)
The Audio Dictionary is a great book for anyone who's looking for a concise, clear explanation of any audio-related term. It's not (and does not pretend to be) a complete treaty like the Handbook for Sound Engineers, but offers a quick and reliable solution for those questions for which you don't have an answer from the top of your head and don't want to spend 2 hours reading the complete scientific explanation.

I consider it a must-have for any Audio Engineer who takes his profession seriously and have at least one copy in the library of each school we operate in Spain.
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Inside This Book (learn more)
First Sentence:
AAC, Advanced Audio Coding A high-quality perceptual audio coding technology appropriate for many broadcast and electronic music distribution applications. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
sound reinforcement console, polar response curve, recording lathe, directional realism, dynamic loudspeaker, playback stylus, synthetic reverberation, phono preamps, elliptical stylus, phono cartridge, time delay spectrometry, ducted port, column loudspeaker, needle talk, sound reinforcement systems, coincident microphones, human hearing mechanism, stylus assembly, motional impedance, room modes, musical waveforms, electronic music synthesizers, audio people, noise pumping, hum bucking
Key Phrases - Capitalized Phrases (CAPs): (learn more)
United States, Dennis Bohn, Rane Corp, Bell Telephone Laboratories, Pro Logic, New York, Audio Layer, Thomas Edison, Audio Engineering Society, Bell Telephone Labs, Dolby Laboratories, Harvey Fletcher, Western Electric, Dolby Stereo, National Association of Broadcasters, American National Standards Institute, Federal Communications Commission, Apple Computer, Bell Labs, Benjamin Bauer, Cambridge University, Dolby Surround, Parabolic Microphone, Paul Klipsch, Research Laboratories
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