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The AudioPro Home Recording Course, Vol. II
 
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The AudioPro Home Recording Course, Vol. II [Paperback]

Bill A. Gibson (Author)
4.1 out of 5 stars  See all reviews (7 customer reviews)


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Book Description

0918371201 978-0918371201 January 1, 1998 Book & CD
Volume 2 in the AudioPro series continues your education in recording techniques and is required reading for anyone who is conscientious about getting the best sound. It uses helpful illustrations and lots of audio examples to present all you need to know about wiring, impedance and stereo imaging, as well as recording bass guitars, vocals, pianos and synths. The book also takes you through the recording session itself, right down to the final mixdown and mastering. Between the book and two CDs of audio examples, Bill Gibson gives you all of the information you need to master these techniques and produce incredible recordings!

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Editorial Reviews

About the Author

Bill Gibson, President of Northwest Music and Recording, has spent the last 25 years writing, recording, producing and teaching music and has become well-known for his production, performance and teaching skills. As an instructor at Green River College in Auburn, WA, holding various degrees in composition, arranging, education and recording, he developed a practical and accessible teaching style which provided the basis for what was to come--15 books, a DVD, and a VHS video for MixBooks/ArtistPro along with a dozen online courses for members of ArtistPro.com. Bill?s writings are acclaimed for their straightforward and understandable explanations of recording concepts and applications. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 264 pages
  • Publisher: Artistpro; Book & CD edition (January 1, 1998)
  • Language: English
  • ISBN-10: 0918371201
  • ISBN-13: 978-0918371201
  • Product Dimensions: 10.8 x 8.4 x 0.7 inches
  • Shipping Weight: 1.7 pounds
  • Average Customer Review: 4.1 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #2,247,095 in Books (See Top 100 in Books)

More About the Author

My academic degree is in composition and arranging, which tends to influence my writing style toward the practical applications of technology in music. I get a big kick out of hearing from people who have been helped by my books. My aspirations in Junior High and High School were to become a recording engineer, so I read every book and magazine I could get my hands on. However, if I would have had someone tell me the stuff I write about today, when I was young, I would have been light years ahead in my early career.

Directly out of college I taught music in a college in Seattle for three years. I decided I would rather get out and do music so my wife (who I met while teaching college) and I formed a band and traveled for several years playing shows, clubs, and bars all over.

I taught recording classes for about 10 years while performing, which is where I began to develop a number of pragmatic explanations for complex recording tasks. Much of the material for my first books were a product of teaching these classes. In 1991, a buddy (Bob Sluys) and I produced "Killer Demos: Hot Tips and Cool Secrets for the Home Multitrack User. This video sold pretty well and started the machine in motion that would end up with my first book for MixBooks in 1996. Mike Lawson, the GM for MixBooks built a great library, which he ended up purchasing from Mix Magazine to start Artistpro.com. For Mike and Artistpro, I wrote several more books along with a complete online course, with online graded tests. Artistpro was eventually purchased by Thomson Publishing in Boston. Mike was acquired with the deal so I still work with him directly to build new tools for recordists around the world. So far, with Mike's help and my family's patience I have written more than 30 books about recording at the same time that I have produced many albums for Seattle artists.

I am currently with Hal Leonard Publishing. They represent the best in the publishing world and for me, the perfect culmination of a long road in the publishing business.

 

Customer Reviews

7 Reviews
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Average Customer Review
4.1 out of 5 stars (7 customer reviews)
 
 
 
 
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45 of 49 people found the following review helpful:
5.0 out of 5 stars A MUST! for anyone doing home recording., June 18, 1999
This review is from: The AudioPro Home Recording Course, Vol. II (Paperback)
This is the best written, easy to understand book that I've read on audio recording. Bill Gibson has a tallent for writing and teaching, that few have, namely: what you read is written in such a way that you both understand and remember it. I've tested his equipment settings in my studio and they work. The accompaning CD's let you hear exactly what he is telling you. A great must-have book.
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12 of 12 people found the following review helpful:
5.0 out of 5 stars Well written, easy to follow, a reference must., February 22, 1998
By A Customer
This review is from: The AudioPro Home Recording Course, Vol. II (Paperback)
Wether you are just entering the world of pro audio recording, or are a seasond vet looking for some new ideas, this book is wonderful. Contained within is an up-to-date tour of consoles, effects and mic apps. It also has some very useful charts and graphs that will increase setup time before a session. i.e. delay conversion chart by delay time, quarter,eighth and triplet note settings. This book also comes with two (2) full length audio cd's that give hundreds of examples from eq sweeps to micing a guitar in the bathroom. Take it from a new studio owner (5000 square ft, four rooms) this book is a real treat to read. A must for all music professionals.
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15 of 16 people found the following review helpful:
2.0 out of 5 stars Much too basic for the price., March 1, 2001
This review is from: The AudioPro Home Recording Course, Vol. II (Paperback)
The best part of this book is the 2-cd set which contains a plethora of samples. The samples all describe various scenarios of compression, limiting, microphone strategy, enhancement, you name it. I was impressed with the authors articulation toward a brand new user.

However, I was expecting a "Comprehensive Guide." The book was quite basic and never got past the fundamentals of anything. Common sense topics such as reverb literally go on for pages and pages. For example, it takes 3 pages to explain the punch-in process on a 4-track.

Speaking of punch-in, this document is targeted at people using tape. PC users should investigate another document, there are however 12 pages dedicated to 4-track usage.

I'll warn you, most of the samples are things you could do with your own effects. "Here's a violin with no reverb. Here's the same violin with hall reverb," etc.

What really frustrated us was that there are endless references to sections in Volume I. It interrupts the flow of the book. I feel that the author misled me. I was tricked into buying half a book. I can't return the book because I opened the cd already.

This is a great book if you are new to the concept of recording your music and want to be eased into it.

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