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Audition [Mass Market Paperback]

Michael Shurtleff (Author)
4.7 out of 5 stars  See all reviews (68 customer reviews)

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Book Description

December 2, 1979
Michael Shurtleff has been casting director for Broadway shows like Chicago and Becket and for films like The Graduate and Jesus Christ Superstar. His legendary course on auditioning has launched hundreds of successful careers. Now in this book he tells the all-important HOW for all aspiring actors, from the beginning student of acting to the proven talent trying out for that chance-in-a-million role!

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Editorial Reviews

Review

"What a book! Yet it's so simple that you learn without feeling it happen. Thank you, Michael; we needed it."—Joshua Logan

From the Publisher

Michael Shurtleff has been casting director for Broadway shows like Chicago and Becket and for films like The Graduate and Jesus Christ Superstar. His legendary course on auditioning has launched hundreds of successful careers. Now in this book he tells the all-important HOW for all aspiring actors, from the beginning student of acting to the proven talent trying out for that chance-in-a-million role!

"What a book! Yet it's so simple that you learn without feeling it happen. Thank you, Michael; we needed it."--Joshua Logan


Product Details

  • Mass Market Paperback: 288 pages
  • Publisher: Bantam (December 2, 1979)
  • Language: English
  • ISBN-10: 0553272950
  • ISBN-13: 978-0553272956
  • Product Dimensions: 4.2 x 0.8 x 6.9 inches
  • Shipping Weight: 4 ounces (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Best Sellers Rank: #49,744 in Books (See Top 100 in Books)

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Customer Reviews

68 Reviews
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Average Customer Review
4.7 out of 5 stars (68 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

57 of 58 people found the following review helpful:
5.0 out of 5 stars A most critical must read, June 7, 2001
This review is from: Audition (Mass Market Paperback)
Whether one is an actor, director, writer or teacher, Shurtleff's book is simply a critical must read. Shurtleff who spent many years as a top casting director possessed an absolute love for the brave souls who dare to place themselves on the stage. His ultimate legacy to his beloved craft is this indispensable "How To" bible.

Much has been written already about his twelve guideposts, and I have nothing new to add to those already glowing (and well deserved) comments. What I did find most illuminative and refreshing is his comments on how to behave at the job interview. It is in this chapter that this book becomes helpful to even the non actor. In this chapter/section, Shurtleff urges all people to realize that ultimately the pressure in the job interview is on the employer and that a good prospect will immediately put the interview board at ease. All too often actors become so self centered and fail to realize that their performance is really about their audience, not them. The same is true therefore of the job interview. It is about the employer, not the employee.

As a teacher, Audition has been most helpful to me as it has provided objective certainty to an area filled with far too many subjective judgements. In other words, Shurtleff has helped define the skills and tasks necessary to train actors in a manner that will help them transition successfully from the educational venue to the professional market. He has given us clear, active objectives to teach toward.

In Audition, Shurtleff articulates what constitutes good, effective acting. Once that becomes defined clearly, then success becomes not a nebulous ideal, but rather a concrete proposition.

If this is not in your theatre library, it is time you add it now.

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55 of 58 people found the following review helpful:
5.0 out of 5 stars It works. It creates actors. It simply works., February 4, 2003
By 
Brian's Dad (Los Gatos, CA United States) - See all my reviews
I had no acting experience. None. Not even in school plays.

I got into acting on a lark, as a hobby. I had been studying and auditioning for about three years with no success, and very little progress.

An instructor recommended this book. I read it, and then read it again. All of a sudden, things that had been drilled in my head during acting classes finally started to make sense. Within the following 6 months, my skills grew in a series of leaps, and I began booking at auditions. Not a lot, not yet. But the sudden increase in my abilities was astounding.

I am still not a great actor. But this book helped me get out of the "student" mode and into the "working" mode. Well worth it.

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44 of 46 people found the following review helpful:
5.0 out of 5 stars I've nearly worn my copy out with use!, May 10, 2000
By A Customer
This review is from: Audition (Mass Market Paperback)
This book is an INVALUABLE resource. And I'm not a traditional actor, I'm an opera singer. I had to read this for a class on (what else?) auditioning, and loved it so much that I finished it the first day of class. Shurtleff's 12 Guideposts, carefully applied to just about any performance (I use them for arias, art songs, etc), can help create something nuanced and fascinating. As if the guideposts weren't enough, Shurtleff gives wonderful ideas on the nitty-gritty of auditions (how to present your past experience, what to wear, etc). I just can't say enough good about this book. When I perform an operatic scene that I've run through the 12 guideposts, I get comments like, "You're a great actress! You really have a theatrical flair!" Boy, does that feel good. I'd give this thing six stars if I could. I hate to even tell other people about this book, because then everyone can gain my edge.
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Inside This Book (learn more)
First Sentence:
Let us consider some practical aspects of the reading situation first. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
twelve guideposts, audition situation, yon feel, silent dialogue, most actors, negative choice, actor needs
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Some Things, David Merrick, New York, Ben Vereen, Duelling Oaks, Robert Redford, Gentleman Caller, Joe Orton, Miss Brodie, Tennessee Williams, The Old Man
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