From Publishers Weekly
Seven years after his wife's death, Aoyama, the protagonist of popular Japanese author Murakami's dud chiller, is ready to get on with his life. Aoyama has a strong relationship with his son, Shinge, but the successful businessman needs more than a teenage son to keep him company. So he turns to his friend, Yoshikawa, and the two hatch a plan to hold auditions for a fake movie where the actresses will really be interviewing to date Aoyama. Enter Yamasaki Asami, a former ballet dancer who wants to star in the fake film. Aoyama's smitten, even after it becomes clear that Asami's at least a little crazy. Unfortunately, none of this adds up to a suspenseful story, and the big finale is more uncomfortable than frightening. Murakami's work has what could be a fascinating set of characters, but the uneven pacing and ineffective dialogue provide the only hint of horror the book has to offer. (June)
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'The prose in these passages is elegiac and affecting, but it has the sharp, visceral feel of the butcher's knife or surgeons scalpel a highly compulsive, one-sitting read, and Audition should add to the Renaissance Man's growing fanbase in the English speaking world' Irvine Welsh, Guardian 'Murakami has gained a reputation as a diagnostician of Japanese culture in the Bret Easton Ellis/Chuck Palahniuk mode for all his gory details, and his insistence that modern life is just one more movie, Murakami remains a romantic. Trauma and nostalgia may defeat each other, but there's always hope in the form of the next generation' Telegraph PRAISE FOR PIERCING 'There are echoes here of Edgar Allan Poe and Dostoevsky - Murakami shares their fascination with the darkest layer of the soul, and the appalling isolation of the criminal. Creepy and gripping' The Times 'The fame, or even notoriety, of Ryu Murakami lies in his ability to write tightly plotted, well-written tales of violence, seedy sex and horror combined with a vivid sense of the neon-slashed but oppressive atmosphere of the Tokyo street, all underpinned with a fashionable nihilism' Sunday Telegraph
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