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The ensemble's projects with improvising saxophonist Jan Garbarek, including the million-selling Officium and its sequel Mnemosyne have been a unique success, and the collaboration continues to evolve with each yearly tour. The Hilliard Ensemble's joint project with violinist Christoph Poppen, Morimur, based on the Bach research of Helga Thoene, intrigued many thousands of listeners around the world. The Poppen/Hilliard association continued with Ricercar, recorded 2001, exploring musical and spiritual affinities between Bach and Webern.
Composers including Barry Guy, Ivan Moody, Veljo Tormis and of course Arvo Pärt have written for the Hilliards. On Lamentate, a recording with new works by Pärt released in September 2005, the ensemble can be heard singing "Da pacem Domine". Cathedral in the Thrashing Rain by American composer Stephen Hartke was issued in 2003 in the US and 2005 in Europe. A particular critical success was the recording of selected works by early 16th century master Nicolas Gombert issued in February 2006, which was selected for the quarterly shortlist by the jury of Preis der Deutschen Schallplattenkritik.
As commonly known, the Hilliard Ensemble's repertoire ranges from Perotin to Erkki-Sven Tüür, from Guillaume de Machaut to German composer Heiner Goebbels whose new music theatre project, due for first performance in Lausanne this summer, will feature the four singers. British music however marks a relatively small component of their programs. For the first time after the much-acclaimed Tallis-record The Lamentations of Jeremiah the present production offers an opportunity to listen to performances of music from the precious English a cappella repertoire. Thomas Tallis (c. 1505 - 1585), Christopher Tye (c. 1505 - c. 1575) and John Sheppard (c. 1515 - 1558) were active during a period when Britain swung violently between Catholicism and Protestantism.
While Henry VIII, who broke ties with Rome, remained Catholic in liturgical taste, his successor, Edward VI introduced a puritanical Protestant regime, to considerable effect on church music. Queen Mary, on the other hand, restored a fervent Catholicism, and only when Elizabeth mounted the throne in 1558, a moderately Protestant compromise was reached. Composers thus had to constantly adapt to the liturgical changes, and all three featuring on this CD both profited from the ensuing musical developments and shaped them themselves. In his liner notes, David Skinner - he prepared the scores and offered academic advice for this program - points out: "The Reformation, it transpires, was a very good thing for music: it forced composers to explore a variety of compositional techniques, and, most importantly, how better to set a text. It was these skills, developed, tried and tested by the likes of Tye, Sheppard and Tallis that set the foundation for the next generation of composers." Like on most of the previous Hilliard Ensemble albums, the program is carefully assembled: Tye's "Missa Sine Nomine" serves as the backbone for a suite of responds, antiphones and anthems by the three English composers.
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Most Helpful Customer Reviews
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Audivi Vocem,
By Bjorn Viberg (European Union) - See all my reviews
This review is from: Audivi Vocem (Audio CD)
Audivi Vocem is a 2008 ECM Records GmbH recording featuring the Hilliard Ensemble. David Skinner has written the music notes. The lyrics are available in Latin and English. Truly an amazing recording. Highly recommended indeed. 5/5.
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