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The episodic book concerns an orphaned child, Patrick Dennis, who is sent to live with an aunt he has never before seen in 1920s New York--and the aunt is Mame Dennis, a fast-living, intellectually sharp, and decidedly eccentric woman beset by both the fads and fashions of the day and the money and social connections with which to indulge them. Although time has rather blunted the actual way in which Patrick Dennis writes (his framing device of a magazine article is more than a little tiresome), it certainly has not blunted the character herself: madcap Mame runs riot through the roaring twenties, goes through largely self-induced hysteria during the Depression, works for the boys during World War II, and along the way gets involves in art movements, theatrical performances, fox hunts, Southern country society, war orphans, a wealthy husband, an Irish poet, a college lover, and most famously her beloved nephew's unfortunate engagement to the shallow and snobbish Gloria Upson. Each comic disaster is more memorable than the last, and Mame herself lingers in the mind as an inspiration to live life to the fullest no matter the consequences.
Fans of the Rosalind Russell film version will quickly realize that Russell has captured the character perfectly; the book, however, is at once less structured and considerably broader than the Russell playscript and film. Very episodic and considered quite riske for its time, it contains a number of adventures (such as Mame's seduction of one of Patrick's college friends or her introduction of Patrick to the Maddox sisters) that never made it to any performance version. Both fans of the various plays and films and even the completely uninitiated will adore meeting the sparkling original, certainly one of the greatest comic creations in 20th Century literature. AUNTIE MAME deserves a special place on the shelf of any one who enjoys a range of humor that runs from sly giggles to screaming laughter. Strongly recommended.
Unlike most post-War fiction, I think this book more than stands up to the passage of time. Perhaps because Patrick looks back at his childhood, which, even in 1955 (when the book was written) was part of the far distant past, the story is fun, rather than dated. And, certainly, contemporaneous readers have no trouble identifying with the excesses of the twenties, the financial desperation of the thirties or the terrors of the wartime forties.
This book is fun and a good, enjoyable read. I highly recommend it.
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