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Most Helpful Customer Reviews
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Miles' last Columbia album,
By
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This review is from: Aura (Audio CD)
With this album, Miles takes a departure from the electronic music he had done on recent albums. Here he returns to a more orchestrated approach using a big band. However, this is not traditional big band jazz. Instead this recording has more of a classical feel. If you are looking for something commercial and "poppy", this album is not it. On the other hand, if you enjoy hearing Miles experiment with some different sounds, this is a rather enjoyable recording.
7 of 9 people found the following review helpful:
5.0 out of 5 stars
Classic,
By
This review is from: Aura (Audio CD)
This is the last major work from Miles. 1985. Just as he worked with arranger Gil Evan's in the 1950s, Miles steps in and works with the orchestra of Pele Millkenberg.Of course the music is totally different. This is dissonant almost-classical music with huge structres spread out over what was a double album. It is electronic and intense. As always, David waltzes into the maximus, and signs his glorious name with his spare soloing. The link to the rest of Davis' work is John McGlaghlan, who shows up just like he had fifteen years before, lending his rogorous axe work to the grand composition. This is not B-Brew, In A Silent Way, Sketches, Porky, or Birth Of The Cool, but after four years out of retirement playing light jazz and pop, the sheer ambition of this is refreshing. If you took all the major works above, they would be bookended by Birth Of The Cool and Aura. And that makes this final moonshot essential.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
Listening Tlp,
By Johnny Hodges (Clark Fork, ID United States) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Aura (Audio CD)
According to an ever changing array of critics (cynics) over the years, Miles has "sold out!" about a dozen times. I'm old enough to remember the hue and cry when he went from bop to cool to Gil Evans to even cooler jazz to modal to a movie soundtrack to trance music to electrified jazz to jazz-rock and beyond. So if you have some familiarity with Miles, try to flense your mind of any expectations for this music before listening. It would be ideal if you heard this without knowing who it was (right away, anyway). It's really one of Miles' most affecting performances. He considered it one of his best efforts.
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