Presents a series of "deliriums," mysterious, radiant, spacious, wayward, and constantly changing, and a grand cast of characters involved in most unusual relationships in this strikingly original, frankly erotic collection of short pieces.
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Most Helpful Customer Reviews
8 of 9 people found the following review helpful:
5.0 out of 5 stars
Wonderful poetic non-sensical passion,
By A Customer
This review is from: Aureole (Paperback)
Very different - but, very wonderful. It may not be a linear novel - with an actual 'story' - but it is an excellent read. Maso is an incredibly talented writer.
3 of 4 people found the following review helpful:
5.0 out of 5 stars
The Inebriating Language of Desire.,
By DLK "DLK" (San Marcos, TX) - See all my reviews
Amazon Verified Purchase(What's this?)
This review is from: Aureole: An Erotic Sequence (Paperback)
Alright, so maybe not every page works to evoke the space before the moment of _____, but those that do are blindingly evocative, work up a fever. I'm thinking Anju Flying Streamers After.
The Women Wash Lentils. You'd seriously have to die in the middle of the chapter to put the book down. It's language play, a hypothesis worth testing, worth reading. Think of jazz. It's not Coltrane's Ascension. It's that very same morning but with the shutters still closed. Maybe one day, Carole? And as far as the stab at post modern notions by a previous reviewer. Just Wikipedia the subject. Why would a person ever want to write Aureole in the face of traditionalist criticism? And the answer is not, "to be cool/different."
10 of 23 people found the following review helpful:
2.0 out of 5 stars
Please, Carole, DO something with your talent,
By A Customer
This review is from: Aureole (Hardcover)
Carole Maso has an amazing gift for language. In some of the stories, like "Sappho Sings the World Ecstatic," she makes poetry, using rhythm and rhyme and unique combinations of words. So why is she trying to write prose? She has no talent for plot or dramaturgia; her "stories" go nowhere. They are most likely autobiographical, and real life does not make good fiction. Most authors who write from their own experience actually exert effort trying to turn life into art--but not Maso. Obviously, she is a talented writer. It strikes me as pure laziness--backed up by the postmodern notion of "challenging traditional structures"--that she makes no effort to use her talent to create anything resembling a narrative. I have read three books by Maso and I will continue to read her work because of its poetry. I look forward to a day when I can read a book written by her that does not leave me feeling irritated by her artistic arrogance and general self-involvement.
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