13 of 13 people found the following review helpful:
3.0 out of 5 stars
One of the Absobing Books Victorains Enjoyed Back in 1860s, February 15, 2002
"Aurora Floyd" may not be the best novel Mary Elizabeth Braddon wrote -- the honor goes to "Lady Audley's Secret" -- but, the book is still intriguing because of the contrast it makes with the other book and many other contemporary novels, especially "Jane Eyre." And if you don't have these historical interest, the book is pretty interesting thanks to its good storytelling.
[The following paragraph about the story includes mild spoilers.]
"Aurora Floyd" follows the history of the heroine of the same name, who has a shady past left in France. Aurora, unrestrained morally in her youth, hides some secret, but still attractive enough to make the two heroes fall in love with her. Without telling the nature of the secret, Aurora, strong-willed and candid, gives a clear warning to one of them, proud Talbot Bulstrode, that he may one day regret his rash action if he dares to marry her. While he vanishes from her to marry other woman, tame and tender-hearted Lucy, the other suitor meek John Mellish succeeds in winning her heart, and he immediately marries her, not knowing her secret. As the time goes on, however, her hidden secret emerges from the past, and finally catches up with Aurora, living now quietly in a countryside. She must face the past, but how? While she is tormented by the sense of guilt, her husband began to suspect something wicked is going on.
The story is melodramatic, but it is the merit of sensation novels, the genre in vogue during the 1860s, and Braddon, as she showed in her previous (actually written almost at the same time) "Lady Audley's Secret," is very good at handling the subject. It is notable, however, that the author intends to do something different this time, spending more pages on the analysis of the psychology of the characters. The result is a mixed bag; sometimes she shows good descriptions of characters with a witty touch, which reminds us of Thackeray, the story sometimes gets slower because of too much philosophy. Compared with the fast-paced "Lady Audley's Secret," her new experiment may look somewhat damaging.
But as a whole, the book is agreeable, and after you finish two-thirds of the book, Braddon makes the plot speedier. The last part includes one of the earliest examples of detective story, and a good (but short) portrayal of detective Joseph Grimstone's work is still fascinating. But the greatest merit of the book is its sub-text dealing with incredibly violent passion of Aurora, whose image is clearly mocking the typical angelic image of Victorian women. One of the book's scenes, in which the heroine gives a shower of blows with her whip to her stable-man who bullied her dog, caused sensation and scandalized some critics. The description is still impressive today.
In conclusion, "Aurora Floyd" is a fairly gripping story, even though it is not the best place to start reading her books or Victorian novels. If you think you are familiar with those Victorian novels, or want to read one of the effect following the impact of Bronte's "Jane Eyre," try it.
Trivia: Braddon lived long (died in 1915), and before her death, she even watched the filmed version of her own "Aurora Floyd." Her life story is as intriguing as a story she wrote.
[NOTE ON THE TEXT] Oxford University Press's "Aurora Flyod" uses the later edition of the book while Broadview Press's uses an earlier edition. The former one is considerable changed from the latter, so for the academic use you must be careful.
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