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Anselm Kiefer and Art after Auschwitz (Cambridge Studies in New Art History and Criticism)
 
 
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Anselm Kiefer and Art after Auschwitz (Cambridge Studies in New Art History and Criticism) [Hardcover]

Lisa Saltzman (Author)
3.0 out of 5 stars  See all reviews (1 customer review)


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Book Description

Cambridge Studies in New Art History and Criticism December 28, 1998
Anselm Kiefer and Art after Auschwitz examines the legacy of German-Jewish culture in the aftermath of the Holocaust. Positioning Kiefer as a deeply learned artist who encounters and represents history in painted, rather than written form, Lisa Saltzman contends that his work is unique among post-war German artists in his persistent exploration of the legacy of fascism. Formally, thematically, and philosophically, Kiefer's work probes the aesthetic and ethical dilemma of representing the unrepresentable, the historical catastrophe into whose aftermath the artist was born. Kiefer's work mediates the relationship between a deeply traumatic history that he, as a German born after World War II, and his post-Holocaust spectators cannot fully know, but to which his work bears witness and provides access.

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"Saltzman brings her training as an art historian specializing in contemporary motifs to the demanding task of teaching about post-war Germany to American readers, and does a superb job." New Jewish Books

Book Description

This book examines the legacy of German-Jewish culture in the aftermath of Auschwitz. Kiefer's work mediates the relationship between a deeply traumatic history that he, as artist and second generation German, and we, as post-Holocaust spectators, cannot fully know, but to which his work nonetheless bears witness and provides access.

Product Details

  • Hardcover: 188 pages
  • Publisher: Cambridge University Press (December 28, 1998)
  • Language: English
  • ISBN-10: 0521630339
  • ISBN-13: 978-0521630337
  • Product Dimensions: 9 x 6 x 0.8 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #3,822,304 in Books (See Top 100 in Books)

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2 of 3 people found the following review helpful:
3.0 out of 5 stars Read the book, not the movie, May 31, 2007
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This book is the pale shadow of Saltzman's PhD thesis, a survey of post WW2 German arts culture I consider to be the best thing I've ever read on fascist/post-fascist aesthetics.

Read the PhD thesis. I give it five stars.

The book at least has a few minuscule color repros of Kiefer's megalo canvases.

Saltzman is a thoughtful scholar, a good reporter, and an apparently German-speaking reader of many popular culture references which add real muscle to unusually jargon-free and trenchant art history. If you're sick of the pomoes and their vagulations about pointless art, read Saltzman and the other scholars of fascist aesthetics, or culture studies historians of post-war culture such as Jay Winter, Sites of Memory, Sites of Mourning, to whom Saltzman's important work on Kiefer can be compared.

I can't recommend her more highly and look forward to a long career of scholarly writing by her.
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Inside This Book (learn more)
First Sentence:
"After Auschwitz, to write a poem is barbaric." Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
shalt not make graven images, hebraic ethics, historical trauma, historical catastrophe, biblical prohibition, traumatic history, one might look
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Anselm Kiefer, New York, Courtesy of Marian Goodman Gallery, Second Commandment, Federal Republic, Third Reich, German Pavilion, Georg Baselitz, Iconoclastic Controversy, Anselrrr Kiefer, Hebrew Bible, Courtesy of Galerie Michael Werner, Courtesy of Heiner Bastian Fine Art, Frankfurt School, Paul Celan, West German, Willy Brandt
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