3 of 3 people found the following review helpful:
4.0 out of 5 stars
A very good collection of mostly lesser-known songs, April 11, 2006
This review is from: Authentic Blues (Audio CD)
"Authentic Blues" brings together 46 songs on two discs. One disc is devoted to the Modern label, and includes recordings by artists like John Lee Hooker, Jimmy Witherspoon, Smokey Hogg and Bobby Bland; the other contains 26 tracks recorded for U.S.A. Records by Lonnie Brooks, Koko Taylor, Willie Mabon and several others.
The great thing about this set is that the compilers have mostly steered clear of the songs that have already been anthologized twenty times. Instead you get about three dozen more or less obscure recordings, most of which will certainly be unknown to most "mid-level" blues fans, and the quality of this "second rate" material is surprisingly high.
If your experience with classic 50s and 60s blues is "limited" to men like Muddy Waters, Howlin' Wolf, Elmore James and B.B. King, this set may well turn you on to a number of less high-profile blues and R&B artist, like Detroit Junior, Jimmy McCracklin and Rosco Gordon. Sure, there are a few tracks here by big stars like the Wolf (an early pre-Chess waxing called "Riding In The Moonlight"), Elmore James ("Standing At The Crossroads"), B.B. King (the great "Three O'Clock Blues") and Koko Taylor (two songs, including a rarely heard but very good "Like Heaven To Me"), but even those songs may well be new to most listeners.
On the Modern disc you get C.C. "Pee Wee" Crayton's smoky instrumental "Blues After Hours", a jazzy "Big Fine Girl" by elegant, urbane pianist Jimmy Witherspoon, Rufus Thomas' soulful "I'm Steady Holdin' On", the bluesy soul stomper "Love At First Sight" by Little Milton Campbell, and several other highlights. And piano lovers will find a lot to like on the Modern disc, too, like a wonderful, slightly syncopated cover of John Lee "Sonny Boy" Williamson's "Good Morning School Girl" (titled "Little School Girl") by Andrew "Smokey" Hogg, and Jimmy McCracklin's swaggering "Couldn't Be A Dream".
The U.S.A. disc opens with an early version of Lonnie Brooks' "Figure Head", later re-recorded for the 1979 Alligator album "Bayou Lightning". Other highlights include two slide guitar fests by "Homesick" James Williamson, Elmore's cousin and second guitarist, both songs by Koko Taylor, the sly "I Just Got Some" by Willie Mabon, and a swinging "Call My Job" by the great Emery Williams, Jr., better known as Detroit Junior. Howlin' Wolf's former piano player, Williams is still going strong at 74, and still releases new material here in the 21st century.
Not everything is great, obviously, and not everything is strictly blues, either, but very little of this material is anything less than good. The only major complaint I have is the lack of recording information - the liner notes are sparse, and nobody but the featured artist is credited.
That's not good enough, people at Fuel 2000 records. In fact it sucks. But the music itself sure doesn't, and there's a good two hours of it.
Help other customers find the most helpful reviews
Was this review helpful to you? Yes
No