3 of 3 people found the following review helpful:
3.0 out of 5 stars
Buy it for the pretty., August 29, 2005
The art is gorgeous, the prose is generally lovely, and the plot is nonsensical. I bought it -- I'd say you should, too.
THE ART
Some of the most beautiful comic book art I've seen outside of an Alex Ross painting. The pictures are detailed, but soothing rather than realistic: almost nothing is sharp-edged, the pencils are sketchy, the inking is delicate, and the coloring uses a soft touch and a rich palette. The colorist actually paid attention to what the characters look like in other books and colored them consistently. (I'm terribly annoyed when sloppy coloring leads to characters seemingly going through colored contacts and dye like it's going out of style.) If I had a complaint, it would be that some of the characters look a bit more pretty than they should (Jack and The Midnighter aren't normally what I'd consider beautiful men) but I didn't find it jarring.
THE PROSE
The author is a professional novelist, and his prose has an artistic rhythm. It's nice, though what I'd call fluffy, given that it's covering up a lack of depth in the plot. The dialogue is mostly good, though a few characters seem off: Apollo in particular is less jocular and foul-mouthed than normal, edging a bit too far into the poetic. The characterisations are strong, once you accept the initial premise; I hadn't previously thought of the side of the Engineer we see in this book, but it doesn't seem wrong now that I've seen it.
THE PLOT
Don't worry about it. Seriously. It has something to do with the universe dumping existential angst all over our heroes. And time travel. Somehow. Also the Midnighter's powers suddenly function in a way contrary not only to every other time we've seen him use them ever, but also to common sense, and Jack does some stuff then tells us about it.
Don't sweat it. Just enjoy the pretty.
In conclusion: Dudes. Jackie Chan. That's all I'm sayin'.
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2 of 2 people found the following review helpful:
2.0 out of 5 stars
Beautiful (if unexceptional) rehash of the typical Authority plot, November 25, 2008
This is a prime example of a title slowly descending into senility and decreptitude.
In this ponderous storyline, the superhero team has to fend off an 'extinction-level' event while dealing with their personal/emotional/romantic entanglements. Essentially, it identical to every other post-Warren-Ellis Authority storyline.
Ridley is a talented screenwriter, and this reads too much like a neatly-contained, solved-in-90-minutes blockbuster, and not enough like a continuation of one of the (formerly) best titles on the market.
The art - Ben Oliver is terrific - has earned this book a place on my bookshelf, but otherwise, this would go straight back to the shop.
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4 of 5 people found the following review helpful:
5.0 out of 5 stars
Rescued from Self-parody, October 5, 2004
As much as I love the Authority, they were on the verge of becoming self-parody: odd balls that excelled in being odd and who cracked more off-color jokes than did good deads. There's a certain teen-fun with that, but the Authority was never a teen comic. Thankfully, with HOTI they've returned to their Ellis/Stormwatch origins. This is a pretty adult offering, adult in that it's more about human nature and loss than about ripping people's heads off. Although, people's heads get ripped off. The prose is fantastic - this writer apparently does novels as well, and a bunch of movies that weren't very typical either - that threads in past Authority archs without having the reader be dependant on them to understand what's happening. The art is really solid comic-art, and I'd love to see more of B. Oliver. I think this one's going to be a toss for some readers. If they're looking for more of the same, they'll be disappointed. But I guess they can just go buy some back issues. Frankly, I'm glad to finally see something new.
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