Kropf examines the relationship between personal identity, the actual person of the writer, and the “author” projected as a matter of public perception via the reception of written texts. He approaches this problem by analyzing the way Romantic writers play upon and subvert the author position projected upon them in the public reception of their texts.
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- The Last Soviet Avant-Garde: OBERIU - Fact, Fiction, Metafiction (Cambridge Studies in Russian Literature) by Graham Roberts in Back Matter (1), and Back Matter (2)
- Writing and Holiness: The Practice of Authorship in the Early Christian East (Divinations: Rereading Late Ancient Religion) by Derek Krueger in Back Matter (1), and Back Matter (2)
- Rob Roy (Oxford World's Classics) by Walter Scott in Front Matter
- Romanticism at the End of History by Jerome Christensen in Back Matter
- A Companion to the Gothic (Blackwell Companions to Literature and Culture) by David Punter on page 38
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