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Auto da Fay: A Memoir [Hardcover]

Fay Weldon (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)


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Book Description

May 2003
From life as a poor unwed mother in London to becoming one of England’s bestselling authors and most popular exports, Fay Weldon has crammed more than most into her years. Wife, lover, playwright, novelist, feminist, antifeminist, winer and diner—Fay leads us through her peripatetic life with barely a role she can’t illuminate.

Born Franklin Birkinshaw in 1931, Fay spent most of her youth in New Zealand. With her glamorous father, a philandering doctor, generally absent, Fay’s intrepid mother and bohemian grandmother raised her along with her sister, Jane. Brought up among women, Fay found men a mystery until the swinging sixties in London where she gradually became a central figure among the writers, artists, and thinkers. She has maintained this unique position through four turbulent decades. At first, she managed to scrape along, penning winning advertising slogans, before she began to write fiction. As this memoir comes to a close, we witness the stirring of her first novel.

Riddled with Weldon’s customarily fierce opinions, this frank and absorbing memoir is vintage Fay. An icon to many, a thorn in the flesh to others, she has never failed to excite, madden, or interest. With this engaging autobiography, she has finally decided to turn her authorial wit and keen eye on . . . herself.


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Editorial Reviews

From Publishers Weekly

Readers who think Weldon's provocatively clever fiction (The Bulgari Connection; Wicked Women; etc.) is also highly improbable need only pick up this frank, irreverent memoir to discover her own life has been far more strange and dramatic than any novel could credibly convey. All the characteristics of Weldon's fiction-stinging wit, jaunty prose, memorable bon mots-are present in this kaleidoscopic peregrination through six decades of picaresque adventures. The racy narrative begins with older generations of Weldon's family and continues with Weldon, her mother and her sister. Her family history on both sides is eccentric and troubled. Fay was christened Franklin when she was born in 1931 in England, where her mother had fled temporarily, leaving her adulterous husband in New Zealand. Eventually she took Fay and her older sister back to Christchurch, but the reconciliation didn't work, and they returned to England for Fay's secondary and college education. She was always drawn to the wrong men, risky behavior, chronic impecuniousness and even promiscuity. In addition to being routinely victimized by men, the women in Weldon's family were susceptible to seeing ghosts and succumbing to emotional breakdowns. How Weldon made her way as a poor unwed mother (in the 1950s, she lived in a house without heat, water or an indoor bathroom) through several bizarre relationships into a job as an advertising copywriter, is a riveting story; the book closes as she's beginning a career as a TV scriptwriter. This memoir will be read by some for the real "dirt" on a popular novelist, but it will last longer as a reflection of a time when feminism had not yet released women from the careless perfidy of feckless men.
Copyright 2003 Reed Business Information, Inc.

From Booklist

Weldon's thoroughly absorbing autobiography primarily focuses on her peripatetic childhood and difficult years of single parenthood, concluding in the 1960s with her second marriage and the beginning of her writing career. Born in 1931, she spent her childhood in New Zealand, raised by her resourceful mother after her parents divorced. Relocating to England after World War II, her mother worked as a servant, an experience that provided the basis for Weldon's television script for Upstairs, Downstairs. Despite their poverty-stricken circumstances, Weldon's family had been at the center of literary soirees attended by the likes of H. G. Wells, and her grandmother's dismissive accounts of some of London's leading authors are hilarious ("Ezra Pound would come round when he was drunk and play her piano with his nose. She took it personally"). When Weldon became pregnant and decided to remain single, she struggled to support her son by working in advertising. When that proved too difficult, she married for convenience, a disastrous experience that she describes in the third person. Filled with warmth, wit, and her trademark irreverence, Weldon's memoir is a vivid and engaging account of a brave and brainy "lost girl" who found her way. Joanne Wilkinson
Copyright © American Library Association. All rights reserved

Product Details

  • Hardcover: 384 pages
  • Publisher: Grove Press; First Edition. states and 1 in number line edition (May 2003)
  • Language: English
  • ISBN-10: 0802117503
  • ISBN-13: 978-0802117502
  • Product Dimensions: 8.5 x 5.9 x 1.2 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #1,613,426 in Books (See Top 100 in Books)

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Average Customer Review
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16 of 16 people found the following review helpful:
5.0 out of 5 stars An Utterly Delightful Autobiography, June 14, 2003
By 
Bookreporter (New York, New York) - See all my reviews
This review is from: Auto da Fay: A Memoir (Hardcover)
Fay Weldon is the author of twenty-four novels, five short story collections, two children's books, four works of nonfiction, several plays, and now AUTO DA FAY, a memoir. This delightful autobiography is imbued with the same audaciousness and perspicacity as is her other works. As a woman of deep insights she highlights the key, transcendent events of her life. On page one, titled "Pre-name", she writes, "I long for a day of judgment when the plot lines of our lives will be neatly tied, and all puzzles explained, and the meaning of events made clear. We take to fiction ... because no such thing is going to happen, and at least on the printed page we can observe beginnings, middles and ends, and can find out where morality resides." She declares that, while life moves into entropy, each individual does the best with the hand s/he is dealt.

Weldon was born in 1931 and raised in a rural New Zealand town called Napier. She was the daughter of a troubled but creative mother who, along with Fay and her sister Jane, was abandoned by Fay's father, a selfish, philandering doctor named Frank Birkinshaw. The girls attended a private parochial school and, early on, Fay displayed her dislike for authority and disdain for pomposity. "Mother Teresa was nice and motherly, and would hug you and give you sticky treats: all the others ... ruled by sarcasm and violence. I liked their names, but that was about all."

When the sisters wanted to baptize the girls, Fay's mother wouldn't allow it. She describes her parents as "... freethinkers, rationalists - humanists" and, while Jane had been christened as a Protestant, Fay had not even had that benediction to her name. This state of her soul meant that Fay was excluded from much at school and learned to enjoy her own company. She also had to learn to take care of herself and approach life's challenges with a sense of humor. She says she was the 'good' girl, always wanting to please.

Affable or not, Fay grew up in a strange milieu that was often as perplexing as it was pleasing. She attended school, made friends, and her relationship with her troubled mother was as exasperating as any normal girl finds her mother to be, even under the best of circumstances --- and these women certainly didn't have it easy. In 1946, at the end of World War II, upon the death of a relative, Fay's mother received an inheritance of ... "nine hundred pounds." This gift changed all of their lives because it allowed them to go to England. There, the schools Fay attended and the people she met offered the opportunity for her to nurture her genius for writing.

Weldon's life, at times, unfolds like the lives her heroines lead: she became pregnant and gave birth to a son; she married a man whom she thought would take care of her, but didn't want to have sex with her and insisted he be her pimp; she went to work for an ad agency and did so well that she wrote herself out of a job; and twists of fate kept her on a journey into an interesting life that keeps going on and on. Her words are but amulets of power, both here and in her other writing. She uses well her flawless sense of timing to limn her own story effectively and inspirationally. Weldon's fans will delight in visiting the places, sharing the experiences, and looking within themselves, as she does, and asking some of the same questions about life, love, work, parenting, survival and family. But Fay Weldon will deny this. She says of herself that she does not enjoy the journey inward. She does not enjoy examining 'who she is'.

But fortunately for us, she does raise 'those' deep questions; the ones we all struggle with and, fundamentally, Fay Weldon is as unconventional in her writing as she is in her life. Her honest approach to her writing reflects her observations as they regard the 'war between the sexes' and the roles people play in their relationships. This memoir ends when she is getting on with her first novel, THE FAT WOMAN'S JOKE, and the rest is, as they say, history. Enjoy!

--- Reviewed by Barbara Lipkien Gershenbaum

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5 of 5 people found the following review helpful:
5.0 out of 5 stars Sheer delight, January 29, 2008
By 
Charles Gidley Wheeler (Kempsford, United Kingdom) - See all my reviews
This review is from: Auto da Fay: A Memoir (Paperback)
Auto Da Fay is about as good as autobiography gets. Fay Weldon has a wonderful zest for life and a larger than life-size personality that comes through on every page. It's the sort of book that cheers you up and restores your faith in human nature.

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Inside This Book (learn more)
First Sentence:
I long for a day of judgment when the plot lines of our lives will be neatly tied, and all puzzles explained, and the meaning of events made clear. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Zealand, Molly Banks, Adelaide Road, Saffron Walden, Belsize Park, Cranmer Square, Foreign Office, Life Force, Arthur Machen, Fay Bateman, John Dodd, Alison Grey, Henry Holmes, Rita Angus, World War, Aunt Mary, Chalcot Crescent, Fay Davies, Jean Francis, Jimmy Wells, Swiss Cottage, Hagley Park, Market Hill, Ronald Bateman, South Kensington
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