Customer Reviews

Autour De La Lune

5 star:		(1)
4 star:		(3)
3 star:		(0)
2 star:		(1)
1 star:		(1)

 

 

With his wide body of work, Geir Jenssen worked his way up my list as one of the most consistent and creative artists working in the genre of ambient electronic music. He's collaborated with both Deathprod (reworking Arne Nordheim) and HIA (on two separate releases), and has still managed to release albums at a fairly steady rate.

Autour De La Lune is the newest effort from Biosphere and it's a release of massive proportions. 9 tracks clock in at almost 75 minutes and find Jenssen again moving in a different direction in terms of his sound. While some artists keep adding more layers to their palette, it seems that Biosphere is intent on slowly peeling back pieces of sound to reveal what's underneath. His masterful Shenzou was a stripped-down reworking of classical music that wass subtle and beautiful (and probably my favorite work of his), while this newest effort finds him at an even more minimal level.

Originally developed for a Radio France broadcast, the album is a mixture of sampled dialogue from an old Jules Verne (De La Terre A La Lune) broadcast, sounds recorded on the MIR space station, and the incorporation of original compositions. The opening track of "Translation" sets the stage at nearly 22 minutes, a super slowly-evolving piece that ripples sheets of low-end under high-end tones that palpitate with a slowly-increasing intensity before edging off again. Bits of broken dialogue slowly creep into following tracks while the same sort of sound palette again dominates. "Rotation" finds ultra-deep bass throbbing in the background while pinging tones bounce like transmissions from another system.

Listening to the release, it's hard not to imagine the exploration of space. It's a bit stark and austere, and while there is a touch of human element (the fragmented spoken samples), Autour De La Lune feels more like something you'd hear as your malfunctioning spacecraft slowly drifted out of the range of communications and into a great unknown void. In places it's downright creepy and in others it's oddly soothing, but this is definitely a different release for Jenssen. With only a very few subtle melodies creeping in (most notibly on the beautiful "Disparu"), this is a heady release that could easily be the soundtrack for either stargazing or an isolation tank. Don't listen to this one on crummy speakers, because you simply won't get the full effect. Team it up with Eno's Apollo and Into Forever by Manual & Icebreaker International for almost 3 hours of deep space listening.

(from almostcool music reviews)

After the great Cirque and Szhenzou, this is a big disappointment. This is very minimalist - which could be good - but is poorly done. Tracks that should be brief seem to go on forever. Drones that do not compel never shift or change to something more interesting. Stars of the Lid does minimalist and keeps it fascinating. I'm afraid that Biosphere has gone down the wrong road with this one.

"Autour de la Lune" is Biosphere's most introspective, minimal and beautiful release to date. This is an immensely enjoyable, highly accomplished minimal/drone/ambient album, by any standards. Especially recommended to those who enjoy Bernhard Günter, David Sylvian's ambient music, and later recordings by Lull.

I'll cut it to the bone here. I don't know what anyone's reaction to "Autour De La Lune" would be.
I doubt anyone but the sharp eared would notice something playing if you put on tracks 4,5, and 6 on low volume. Well, your dog would probably be urinating all over the floor from some of the barely audible high tones. If you had the volume up high, with considerable bass response, you'd probably vibrate the whole building and someone would call the proper authorities. The bass on "Deviation" is enough to probably crush the skull of Ashlee Simpson, if one were so inclined.
There's a complete lack of any catchy hook. Or beats. Nothing even remotely resembling a beat to be found. Or what most people would consider music.
But it's pretty much the best vision I've heard of space described in purely aural terms. The vastness and coldness is dwarfing. I can't give it 5 stars since I haven't been to space to very this (and some of it pushes my limits. "Translation" is nice, 22 minutes of it is too much).
I went out into the living room while this was playing. I turned on MTV2. Alicia Keys was doing something involving scraping the bottom of a barrel, and the bass tones from "Deviation" kept bleeding through the wall. Inevitably, I went back to listening to the same bass drone that kept me awake while listening to "Autour De La Lune", swallowed by just how remote this CD really is.

I don't say this pejoratively, but there isn't a great deal that can be said about Autour de la Lune. It's by far the most minimal work in the Biosphere catalogue; Geir has mined some seriously subterranean tones for this release. In fact, you might think on first listening that it's too minimal, but give it time. Sure, it doesn't have the 'personality' of a Substrata or a Cirque, but after repeated listening on a decent pair of headphones, each track will surrender its character: the unremitting, rumbling dirge of Deviation; Rotation's shrill chimes and subjacent warped drawlings; and the reviewer's favourite, Inverse, an accompaniment to foreboding that will always come to mind in the circumstance. As mentioned elsewhere, the album is inspired in part by Jules Verne's Voyages Extraordinaires. But Geir has also cited one of his hobbies--astronomy: "I had also bought a very good Russian telescope at that time. Studying the moon with this telescope also influenced the compositions considerably."

I just purchased seven CDs by Biosphere (available at Amazon). I have always found their music really interesting.

Unfortunately, this one disc is nowhere near up to the level of the others. It is really boring stuff. I have no idea why so many people rated it highly.