Avalon

March 14, 2000 | Format: MP3

$11.49
Song Title
Time
Popularity  
30
1
4:30
30
2
4:30
30
3
4:16
30
4
1:44
30
5
3:26
30
6
3:53
30
7
4:42
30
8
4:16
30
9
4:25
30
10
1:43

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Product Details

  • Original Release Date: March 14, 2000
  • Release Date: March 14, 2000
  • Label: Eg Records
  • Copyright: (C) 1999 Virgin Records LtdThis label copy information is the subject of copyright protection. All rights reserved.(C) 1999 Virgin Records Ltd
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 37:25
  • Genres:
  • ASIN: B000SX6IR8
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (230 customer reviews)
  • Amazon Best Sellers Rank: #4,920 Paid in Albums (See Top 100 Paid in Albums)

Customer Reviews

Avalon is simply one of the best albums ever made.
Earthtripgirl
This is the very first opportunity to hear how well crafted is the sound of Roxy Music in this record.
Cesar
It will play on any standard CD player or SACD player.
D. Allen

Most Helpful Customer Reviews

63 of 65 people found the following review helpful By P Magnum HALL OF FAMETOP 1000 REVIEWERVINE VOICE on March 5, 2004
Format: Audio CD
Roxy Music's albums in the 70's representing the cutting edge of avant-garde pop music. For their final release, Avalon in 1982, they shift gears towards the soulful sounds that lead singer Bryan Ferry would explore on his solo albums. As depicted on the album's cover, the band crafts a lush, airy and ethereal sound. The songs are awash in sophisticated synthesizers and longing guitar riffs. Mr. Ferry broodingly sings seductive and smart lyrics. "More Than This" is one of the most elegant love songs around. Mr. Ferry sings with longing and heartbreaking weariness and Phil Manzanera's guitar shimmers throughout. The song is quite simply a masterpiece. The title track is another elegantly crafted love song that is subtle and beautiful. "While My Heart Is Still Beating" has a terse, propulsive beat that literally thumps throughout. The only problem with Avalon is that is woeful short. The ten tracks clock in at barely over thirty-five minutes and two ("India" and "Tara") are short instrumentals. That aside, Avalon, set the standard for romantic synth-pop that countless bands in the 80's tried to copy, but could never replicate.
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32 of 33 people found the following review helpful By Cesar on June 23, 2004
Format: Audio CD
After hearing some DVD Audios and SACD's, I have to say that by far, this record contains the finest sound of all. This is the very first opportunity to hear how well crafted is the sound of Roxy Music in this record.
Bob Clearmountain, one of the original engineers in charge, says it better in the booklet: "While the band, Rhett Davies and I were working on the original stereo mixes in 1982, I can recall imagining the sound image as being more than just "stereo". There was so many wonderful things going on, I'd wish I'd had more places to put them than just 2 speakers. I wanted to be totally immersed in the album's soundscapes". About the new mix he adds: "it is how I'd always imagined this album should be presented -the sorround experience actually drawing you inside the music". Maybe other people have said the same about other records being remixed for 5.1. But after hearing AVALON, you'll really understand what Mr. Bob's excitement is all about.
If you are a Roxy Music fan, and SACD Multi Channel amplifier owner, this is a must have. The SACD layer contains an additional song not included in the original version of AVALON, called ALWAYS UNKNOWING (take note that this song is not included in the stereo layer). It's funny, but for me, this song (which is a very good ballad far from being a simple and uninteresting extra) gives this album a completion that I've always missed from the original record...It's as if there was something missing. But now, it's complete.
Note: This record is not made in the USA, but imported from Europe. I'd wish Amazon would give us the opportunity of having more SACD's only available in UK by now. But this is also to tell you that maybe, just maybe, there aren't many copies in store.
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31 of 33 people found the following review helpful By 33-year old wallflower on June 14, 2000
Format: Audio CD
After reigniting their creative fuse with FLESH + BLOOD, the time seemed to be right for Roxy Music to be a band again. But there was still dissension, and Bryan Ferry seemed to have more fun with his solo career than being the leader of a band. So before AVALON was demoed, it seemed this was intended to be Roxy's second and presumably final swan song. While it's an album that could have used a follow-up, AVALON is still an appropriate farewell to Roxy. With members approaching middle age, their mellowing out in their later years now seems warranted. "More Than This" could only have come to pass as a slightly beat-driven ballad. Phil Manzanera's guitar work is his all-time greatest, and his opening figure on "More Than This" has to be the most beautiful use of electric guitar ever recorded. And for the first time in ages, Bryan Ferry turns in a convincingly emotional performance on a song that could also be a goodbye to his days as leader of Roxy Music. While they hadn't really had a hit since "Love Is The Drug", I'll bet songs like the title track, "The Space Between", "While My Heart Is Still Beating," "To Turn You On", and "Take A Chance With Me" had to be the smoothest pop music permeating from the world's radios in 1982 (I was only 2 at the time). Roxy's first "break-up" was really a hiatus of sorts, but so far, 18 years after AVALON, it appears as if Roxy Music really is no more. If that's the case, then thank you, Roxy, for going out with some style.
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20 of 20 people found the following review helpful By Mathew K. Higbee on October 13, 2005
Format: Audio CD Verified Purchase
If there were any album that I thought would be impossible to improve with technology, it would be Roxy Music's Avalon. The sound stage of the original was rich and full, yet the separation and detail were amazingly accurate. Avalon's masterful engineering helped make it Roxy Music's magnum opus and one of the greatest recordings of all time. Improving on it would take more than just a new technology that utilized 3 more channels. In short, this is not an album that could be pimped.

That being said, it took less than 30 seconds of hearing track one, More Than This, to convince me of two things. First, Sony not only improved what I thought was impossible to improve-they greatly improved it. Second, all the money I spent upgrading my audio system to utilize SACD was money well spent.

SACD recordings often sound untrue to the original; the engineers seem to over exploit the technology and disrupt the feel of the original recording. Maybe it was in effort to avoid this that Sony sought the help of two people who were involved in the original mixing of the album, Rhett Davies and Bob Clearmountain. Two veteran mixers maximized the technology without interfering with the sound or feel of the original. Maybe it is the brilliant job these two did; maybe it is the richness of the music; or maybe it is both, but this new version doesn't seem to add as much as it seems to reveal. This recording of Avalon sounds like it was written to be played on SACD.

The original recording of Avalon probably spun more times in my CD player than any other CD, yet it seems brand new. Every song on the album benefits from the new recording, but track 6, The Main Thing, seems to make the most of the 3 extra channels and the increased sound spectrum.
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