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In "The Living Dead," reports of a ghost seen in the chapel of a private estate, owned by the 16th Duke of Benedict, bring agents John Steed and Emma Peel into the British countryside to investigate. Another agent is killed while looking for evidence, and soon after, Mrs. Peel disappears. What Steed finds while searching for his partner is a particularly imaginative invention by writer-producer Brian Clemens, a nice blend of science fiction, conspiracy tale, and the usual unflappable charm of the two principals. In the second episode on this tape, "The Hidden Tiger," the villains within an organization called PURRR intend to overwhelm England with ordinary household kittens who are made savagely violent by radio transmitters altering their brain waves. The script by Philip Levene is a succession of clever little mysteries (How did a big-game hunter get mauled to death while he was inside a cage?), and the outrageousness of several scenes (a seemingly doomed Steed is tied to a chair, surrounded by furry kittens) is a hoot.
--Tom Keogh
Product Description
The undefinable chemistry between the genteel yet ruthless John Steed (Patrick Macnee) and the lovely yet deadly Emma Peel (Diana Rigg) captivated American audiences in the spring of 1967. The very name Emma Peel derives from the British broadcasting term "M-Appeal" or "Man-Appeal." "The Living Dead" First aired 25 February, 1967 A haunted chapel provides the first clue to an underground (literally!) effort to conquer all of Britain. Look for the series signature use of acronyms: FOG (Friends of Ghosts) vs. SMOG (Scientific Measurement of Ghosts). Directed by John Krish, Written by Brian Clemens, based on a story by Anthony Marriott. "The Hidden Tiger" First aired 4 March, 1967 THE AVENGERS attempt to track down a tiger and avert a cat-astrophe. Listen for Mrs. Peel and Steeds titillating references to their respective "pet pussycats": Johns ("very bad-tempered first thing in the morning") and Emmas ("a cuddlesome brown tabby"). Directed by Sidney Hayers, Written by Philip Levene.