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Away Audio CD – Audiobook, Unabridged


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Product Details

  • Audio CD
  • Publisher: HighBridge Company; Unabridged edition (August 9, 2007)
  • Language: English
  • ISBN-10: 1598875213
  • ISBN-13: 978-1598875218
  • Product Dimensions: 5.9 x 5.1 x 1.1 inches
  • Shipping Weight: 8 ounces
  • Average Customer Review: 3.4 out of 5 stars  See all reviews (175 customer reviews)
  • Amazon Best Sellers Rank: #2,855,396 in Books (See Top 100 in Books)

Editorial Reviews

From Publishers Weekly

Rosenblat, who has narrated hundreds of books over the past 15 years, has a deep, clear, engaging voice and a mastery of cadence and inflection that projects wit and nuanced meaning. Rosenblat is renowned for her proficiency with accents—an important skill for Bloom's fifth novel, which includes all sorts of wonderfully complex human beings: Reuben and Meyer Burstein, scions of the 1920s Lower East Side Yiddish theater; Midwestern WASPS; and Seattle's colored lumpen. Lillian Leyb, a 22-year-old Yiddish-speaking immigrant whose parents and husband were brutally slaughtered during a Russian pogrom, is searching for her missing three-year-old daughter, Sophie. In New York, Lillian hears that Sophie has been seen with a family in Siberia. With her dictionary, thesaurus and a map, she sets out on her journey across America. Bloom's graphic, often witty and erotic descriptions of Lillian's adventures include a blow job exchanged for a free ride in the broom closet of a train; her odd friendship with Gumdrop, a colored prostitute whose pimp they accidentally murder; and, finally, her moving redemption through care and love. Away is a remarkable saga best experienced through Rosenblat's masterly interpretation.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Inspired by the legend of Lillian Alling, a Russian immigrant who decided to walk home to Siberia in the 1920s, Amy Bloom has taken the few details known to history and fleshed them out into a brilliant, enthralling novel. Critics universally lauded Bloom's lovely prose, wit, incisive characterizations, and keen grasp of the complexities of the human heart. Her careful balance of tragedy and humor, and irony and compassion, sidesteps sentimentality, and the novel retains a Dickensian flair without ever becoming maudlin. (Only USA Today faulted its epic-like narrative.) Critics also praised Bloom's narrative trick of revealing her characters' futures as they leave the plot. Hailed as a "literary triumph" by the New York Times, "it is also a classic page-turner, one that delivers a relentlessly good read."

Copyright © 2004 Phillips & Nelson Media, Inc. --This text refers to an out of print or unavailable edition of this title.


More About the Author

AMY BLOOM is the author of two novels and two collections of short stories, one a nominee for the National Book Award and the other a National Book Critics Circle Award nominee. Her stories have appeared in Best American Short Stories, Prize Stories: The O. Henry Awards, and numerous anthologies here and abroad. She has written for the New Yorker, the New York Times Magazine, the Atlantic Monthly, Vogue, Slate, and Salon, among many other publications, and has won a National Magazine Award. Her first book of nonfiction, Normal: Transsexual CEOs, Crossdressing Cops, and Hermaphrodites with Attitude, is an exploration of the varieties of gender. A practicing psychotherapist, she lives in Connecticut and teaches at Yale University. Multiple Audie®; Award winner Barbara Rosenblat has been named a "Voice of the Twentieth Century" by AudioFile magazine. The New York Times writes,"Watch Ms. Rosenblat work...and you get the sense that even an Oscar winner might not be able to pull this off." She created the role of "Mrs. Medlock" in the Tony®; Award-winning Broadway musical The Secret Garden.

Customer Reviews

Loved the characters, the writing style and the story.
GOCAPS
I am not usually shy about giving up on a book if I don't like it but in this case I did finish because I wanted to know what happened in the end.
a reader
I had wanted to like this book and this character but found the plot a little unbelievable and disjointed.
Alyson

Most Helpful Customer Reviews

76 of 83 people found the following review helpful By A Reader on September 16, 2007
Format: Hardcover
I loved the beginning of this book. I loved its faint Yiddish inflections, the bravery of its main character, the world Amy Bloom places her in, the sadness driving her. But then my heart started to sink as I realized she was going to keep Lillian going, on a Homeric journey, meeting one character after another like an odyssey, never staying in one place very long, rushing too quickly forward, and giving each new character an aria about their lost love. While reading the first 50 pages, I wrote emails to friends and family telling everyone to rush to buy this...then wrote back to say never mind. Then she won me back in the last 40 pages or so. There were things I really admired in the writing and things that didn't work at all -- I'm surprised an editor didn't give Bloom better advice, particularly about the sexual element that so oddly (and off-puttingly, often) appears in every experience, and also about the way she runs off with characters instead of sticking to the point. Every character is different, but each has such similar stories to tell that I found them uninteresting (and unreal) very quickly. It's hard to tell, too, if Bloom, meant to leave the inflection behind once Lillian leaves New York, or if the writer simply lost her way. It seemed like a glaring mistake to me (if Lillian has learned the English language on her travels, if that were made clear, maybe the loss of the inflected narration would have made more sense). Still, I found chunks of this to be a page-turner and moving. But to link these adventures together into a novel doesn't hide the fact that Bloom really is a short story writer. All in all, this doesn't satisfy as a novel, though I have high regard for a lot in it.
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105 of 120 people found the following review helpful By Doug on September 8, 2007
Format: Hardcover Verified Purchase
Rather than review, I'm going to make my observations:

1. The book transported me into the life and brain of a 22 year old Russian girl who had to flee Russia to America in the 1920s. She has lived through the slaughter of her family and arrives in NYC without anything but the dress she's wearing. The author does a great job of putting you into the girl's shoes and you feel numb, desperate, your survival instincts kick in and you become ready to do what it takes to survive. Some of these things aren't what you learned to do in church, and yet they must be done.

2. The book is full of fringe characters who live and barely survive in the time. She works as a seamstress, lives with cousins, sleeps on a couch, the floor, out in the wilderness, on a cot in jail, etc., over half the book. She meets prostitutes, men running away from the law, robbers, becomes friends with a gay man, spends time in a woman's correctional facility, etc. Overall, I felt that all of these characters seemed real for the time and you really are experiencing the world of the 1920s both in NYC and Alaska.

3. There were very frank and straight forward sexual experiences along the way. The feeling that it creates is that sex was almost less complicated and straight forward then than it is now. But we're a young, inexperienced girl from Russia who is desperate, has been married and likes men. So she is very submissive and doesn't worry too much about it when approached by men she likes. I've read that these scenes were a negative by some of the other reviewers. I would say that if you can handle an R rated movie, you can handle this and that for me, it added a human dimension that made you love and understand the main character, Lillian, very well.
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23 of 24 people found the following review helpful By Something Random on May 23, 2010
Format: Paperback
...consider the following:

1) You're ok reading books that make a serious effort to historically locate human sexuality.

2) You recognize sex and desire are integral parts of our humanity and take many forms. This means you are comfortable reading scenes involving gay sex, sex as currency, and sex as love.

3) You're ok reading books that are not obviously character or plot driven. The best comparisons I can think of here are Jeanette Winterson or Tony Morrison. Bloom's language is not difficult but I want to warn you that the your particular reading psychology (taste) may work against you here. It is not surprising to me that so many readers had a difficult time trying to identify with Lillian. This book isn't about Lillian; Lillian is a vessel for a more general commentary the author is trying to make. I thought this was really obvious. Many readers are used to a more traditional book where the author does overtime to make the inner world of the protagonist alive so that the reader more easily identifies with the protagonist. Bloom doesn't really do anything like that. Lillian is what you make of her. Any conclusions or interpretations you take from her story are your entirely your own. Bloom makes no effort to push you any direction with regards to Lillian. Many readers find this disconcerting b/c they keep trying to force their expectations of how the book is supposed to read onto the text and become frustrated/disappointed that Lillian remains mysterious or that the book goes somewhere else. This can be observed in many other reviews for the book here.

4) You are ok with discontinuity in setting. Each location in the book is entirely new, independent of the previous ones, and contains its own set of characters.
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