11 of 11 people found the following review helpful:
5.0 out of 5 stars
Great ideas, great stories, a bit much to take in one lump, June 10, 1998
Utterly fascinating and mind-blowing. So much so, that halfway through it, I felt in danger of being overwhelmed by the sheer force of new ideas and had to stop to let what I'd already read sink in. If you read a story in this collection and it *doesn't* blow your mind, you are experiencing cognitive saturation and should take a short break to allow your mind to return to something resembling its normal size and shape before continuing -- that is, if you want the full effect. It's quite interesting picking out the themes and tropes Egan is most fond of exploring -- even more fun if you've read his longer work, since some of the ideas in his novels can be found here in their distilled essence. The only thing I found somewhat wearying is his constant use of first-person narration, which isn't a problem in small doses (and is actually quite engaging much of the time), but which by repeated use gives the unintentional impression that most of Egan's protagonists have very similar personalities, or are even, impossibly and insupportably, in some way the same person, a vaguely disorienting effect that causes the stories to blur together in the reader's memory. This is unfortunate because the stories are well worth recalling as distinct entities.
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6 of 6 people found the following review helpful:
5.0 out of 5 stars
An astonishingly good collection, December 26, 2003
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I'm slow reading Axiomatic, I guess, because I put it on my "to read"
list back in 1995, when the Commonwealth edition was published,
and missed the US release.
Better late than never -- it's a terrific collection, a must-read for
short-story and Egan fans. And I do mean *short* -- the longest story
here is 28 pages, and the average length is 16. All were first published
in 1990-92, when Egan was making his reputation. If you read the
Dozois Year's Best, you've seen "The Caress", in which a leopard-
woman chimera is created by a millionaire with way too much time
on his hands, to "realize"the eponymous, & famous, 1896 Belgian
Symbolist painting -- Egan's harried policeman-protagonist is drafted
to play the male caressor. This was his sixth(!)-published story, and it
has many of his trademarks: more good ideas than most novels, an
understated future-Australia setting, clean, transparent prose and a
helluva story.
Well -- I could rattle on about individual stories, but in my usual
slothful fashion I'll refer you to others who've already done so --
personally, I don't find 2-3 line summaries of short stories to be
helpful (but YMMV). What I *can* say is, you'll find all of the
virtues of Egan's novels here, and few of the faults. There's really
not a weak story in the bunch. You can sample the excellent
scientific-romance "Closer", and "The Moral Virologist", a rather
loathsome Tiptree-inspired ("Last Flight of Dr. Ahn"/ "Screwfly
Solution") piece (plus some later stories) at Egan's website:
www.netspace.net.au/~gregegan/ [Google if Amazon censors it]
Happy reading!
Pete Tillman
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5 of 5 people found the following review helpful:
5.0 out of 5 stars
A collection of gems, April 12, 2002
I'm writing this review not having read the book for a long time, but it grows in my estimation with time, and I often think about the stories. They are classic examples of "Hard SF," but have the perfection of logical puzzles or chess problems. They seem to spring from abstract speculations about physics, biology, or philosphy, but are turned into affecting and involving vignettes and characters that often leave you stunned and moved. I can't recommend it highly enough.
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