BBC Sessions [Live]

Cocteau Twins | Format: Audio CD

Product Details

• Audio CD (October 12, 1999)
• Original Release Date: October 12, 1999
• Number of Discs: 2
• Format: Live
• Label: Rykodisc
• ASIN: B00001X5BO
• In-Print Editions: MP3 Download
• Average Customer Review: 3.9 out of 5 stars  See all reviews (23 customer reviews)
• Amazon Best Sellers Rank: #201,945 in Music (See Top 100 in Music)
  • #49 in Music > Indie Music > Alternative Rock > British Alternative

Customer Reviews

Most Helpful Customer Reviews

13 of 13 people found the following review helpful:

5.0 out of 5 stars Exquisite Journey, December 8, 1999

By 

CDS (Wilmington, Delaware) - See all my reviews

This review is from: BBC Sessions (Audio CD)

This new double disk compilation will both exhilarate and disappoint. Nonetheless, it is well worth buying. Long-time fans will find the tracks on the first disk recorded with BBC's John Peel in the early 80's too familiar if still great. Such early classics as "Wax and Wane" and "Musette and Drums" vary little from those appearing on 1983's Garlands and Head Over Heals, although live versions. Tracks 5-8 of disk 1 actually appeared on the UK version of Garlands. Notable exceptions are a wonderful "in our anglehood" from Head Over Heals and an interesting 1983 rendition of Billie Holiday's "Strange Fruit." And disk 1 does offer newer admirers of CT an excellent retrospective that captures the essential early CT sound, a sublime display of the band's punk sensibility and origins. Disk 2, on the other hand, is exceptional. The 14 tracks, three from a 1983 Saturday Night Live performance, illustrate Liz Fraser's live vocal explorations, offering up the incredible range of her affecting voice and demonstrating the musical and technical maturing of bandmates Robin Guthrie and Simon Raymonde. Yet anyone who has seen them live will probably agree that CT can offer even more than is demonstrated here. Unlike the Pink Opaque, where "Pepper-Tree" fell so forcefully into "Musette and Drums," they have reversed the order here because the tracks are organized chronologically by recording session, with "Musette and Drums" part of the Saturday Night Live session and "Pepper-Tree" from a 1984 Peel session. If some of the drama is lost, both are still nice. On the recordings from the 90's, tracks 8-14, Liz's voice is simply breathtaking, especially on "golden-vein," "half-gifts," "seekers who are lovers," and "calfskin smack." But it's hard to play favorites. Indeed, by the end of the second disk listeners can expect to emerge from an exquisite journey through time and space changed for the better and wanting to do it all over again.

10 of 10 people found the following review helpful:

5.0 out of 5 stars Very good, November 5, 1999

By 

loteq (Regensburg/Germany) - See all my reviews

This review is from: BBC Sessions (Audio CD)

This box set is clearly a must-have for fans, but it also is a good first purchase for newcomers. However, disc one could be a surprise for those who are only familiar with the dreamy soundscapes of the Cocteau's "middle-era". Some lesser known songs have already appeared on their first 12" release "Lullabies" and on the European edition of the album "Garlands". All in all, the performance makes the Cocteaus sound darker and more rock-oriented than they used to be. Disc two is a surprise too, because the clinical production of songs from "Milk and Kisses" is stripped away, and these songs definitely sound more "underground". I think the whole album is a great new way to listen to the Cocteau Twins and it proves that they were among the most innovative and enjoyable '80s dark wave groups.

9 of 9 people found the following review helpful:

5.0 out of 5 stars Truly magnificent, June 1, 2003

By 

filterite "filterite" (Dublin, Ireland) - See all my reviews

This review is from: BBC Sessions (Audio CD)

This is an album you should enjoy and enjoy a lot. Incidentally when a BBC sessions album is released by a band it doesn't really mean it's a live album. It's just the band recording the songs at BBC's studios so that it can be broadcasted on radio at a particular time. So for those who were wondering why there were Liz's voice in the background as well as at the forefront should rest at ease - there was a little bit of studio trickery there. I just I should point that out lest someone gets confused