BODIES IN MOTION [Paperback]

Mary Anne Mohanraj (Author)

Product Details

• Paperback
• Publisher: HarperCollins (2005)
• ASIN: B000OESD1U
• Average Customer Review: 3.3 out of 5 stars  See all reviews (17 customer reviews)

More About the Author

Mary Anne Mohanraj received her Ph.D. from the University of Utah, specializing in post-colonial literature and creative writing. She is the author of several books, including her dissertation novel, BODIES IN MOTION, an exploration of sexuality, marriage, and Sri Lankan/American immigrant concerns. Her academic research includes an exploration of black masculinity in the work of horror writer Tananarive Due, and an bio-bibliography on Due published in Richard Bleiler's SUPERNATURAL FICTION WRITERS. She currently serves as a referee for FOUNDATION, THE INTERNATIONAL REVIEW OF SCIENCE FICTION, and as Director of both the SPECULATIVE LITERATURE FOUNDATION (www.speculativeliterature.org) and of DESILIT (www.desilit.org). Mohanraj has recently received an Illinois Arts Council fellowship, a Neff fellowship in English, a Steffenson-Canon fellowship in the Humanities, and the Scowcroft Prize for Fiction. She lives in Chicago and is currently writing a follow-up novel to BODIES IN MOTION, tentatively titled THE ARRANGEMENT.

Customer Reviews

Most Helpful Customer Reviews

17 of 20 people found the following review helpful:

5.0 out of 5 stars A sweet read, July 8, 2005

By 

Suchetha Wijenayake (Colombo, Sri Lanka) - See all my reviews
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This review is from: Bodies in Motion: Stories (Hardcover)

As a Sri Lankan who has also managed to spend a great deal of time in the US, I read "Bodies in Motion" with two colliding mentalities. One was looking at the characters as representatives and composites of the people I met in the US, the transplants from Sri Lanka, who came there at various stages of their lives (Sri Lankans don't have a "cute" label like ABCD's for themselves), and also rather critically to see if and how she had misread the Sri Lankan culture she never really managed to live in.

I had, of course, read some of Mary Anne's online work before, and her style was familiar to me. So no surprises there. What was surprising was the detail she managed to bring into the people, and even more, the similarity between the immigrants and the Americans they live with while still maintaining their Sri Lankan-ness. There were times when I saw them as something out of a period sitcom with the main characters still being Sri Lankan.

Mary Anne's writing style is excellent and sensual, sometimes too much so.. you have to put the book down and digest what you just read, like after a tasty and rich meal, in order to avoid a sensory overload.

The stories themselves skip lightly across the years and generations.. a glimpse here, an anecdote there, a section somewhere else. But those glimpses are what makes the book so interesting. One person's actions in a main story add depth to that person's supporting role in another. It takes skill to pull it off, but Mary Anne does it in style. (Am I gushing yet?)

Of course, like any collection of short stories, the style and topic changes. Some are evidently semi-autobiographical (read Mary Anne's website and see if you can figure out which ones), some are a somewhat confusing, and trying to read these as one continuous story is an invitation to get the wrong impression of the book. Far better to look on it as a multi-generational miniseries (a la Steven Spielberg's "Taken").

Finally, has Mary Anne misread Sri Lankan culture, as viewed from a Sri Lankan viewpoint? Not by much. There are spots where she has made a few errors, none of which are critical, and would only be caught out by a person who has had a lot of experience of Sri Lanka. They are anachronisms and make no difference to the stories, I will not mention them here. She has, however, managed to capture a lot of the Sri Lankan mentality quite well.

In conclusion, this is an awesome book, almost sensual in the way it wraps itself around you. I would not recommend reading it in one go. The best way to read it is one story at a time, when you catch a few minutes, in the bus, just before you sleep..

11 of 14 people found the following review helpful:

4.0 out of 5 stars Sri Lankan Families Struggling Against Expectations, July 13, 2005

By 

Debbie Lee Wesselmann (the Lehigh Valley, PA) - See all my reviews
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This review is from: Bodies in Motion: Stories (Hardcover)

Mary Anne Mohanraj's collection of linked stories follows the lives of two Sri Lankan families, both in Sri Lanka and in the United States over the course of decades. The characters struggle against expectations, either in a futile attempt to embrace them or an outright rejection of them. For example, in the fine "The Emigrant," seventeen year old Kuyila emigrates from the U.S. to Sri Lanka to fulfill the duties of a daughter and wife by marrying a man selected by their parents. Despite all her best efforts to be a good wife and daughter-in-law, her efforts are tossed aside in a single night during Tamil/Sinhalese riots of the 1980s. In the title story, American Chaya discovers that she cannot face who she is deep down, not even for the American man she loves. She has tried so hard to be self-sufficient that she cannot connect with those whom she loves in either culture.

Despite Mohanraj's literary talent, many of the stories feel incomplete. In these weaker stories, the endings feel rushed, as though the author stopped herself from confronting the crux of the story. She avoids risks and defining dramatic moments. In "Lakshmi's Diary" the most important moment is described nineteen years after it happened, thus lessening the complex significance for the narrator. The strongest stories, however, convey a believable sense of what it means to be these characters, both within their culture and as unique individuals. The stories of the younger generation tend to be the most convincing. I particularly liked "Tightness in the Chest," the story of Vivek, in love with his unconventional wife Raji and living in the brutally cold Vermont. Here, the roles are reversed, with Vivek taking over then household duties and enduring the unexplained absences of his wife.

The promotional material for this book compares Mohanraj to fellow Sri Lankan Michael Ondaatje, a unfair comparison for two reasons: one, their writing is dissimilar, with Mohanraj's style more direct and less poetic, and two, it sets up unrealistic expectations. Mohanraj's writing here never approaches brilliance, but she offers some quiet stories about lives that the reader comes to care about.

6 of 7 people found the following review helpful:

5.0 out of 5 stars Beautiful, July 19, 2005

By 

Carol S. Paton (Salt Lake City, Utah) - See all my reviews
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This review is from: Bodies in Motion: Stories (Hardcover)

Bodies in Motion is part of my introduction to South Asian literature. I found it an interesting primer on the culture clashes SA immigrants must face.

The writing is sensual and beautiful to read. Oceans Bright and Wide drew me right in. I really loved the perspective of a father trying to do the best thing for his daughter. Even though that best thing went against all his upbringing. Princess in the Forest is a nice glimpse at Sri Lankan myth and legend and the juxtaposition with a modern woman a thought provoking counterpoint.

I found it interesting to learn about some of the Sri Lanken culture through these characters. I may never be able to understand submitting to an arranged marraige, but I certainly spent time thinking about Riddhi's decision in A Gentle Man. Could I have done that? Could any of us, with western culture as our base?

Mary Anne gives us a view of two cultures that most of us will never experience, and perhaps not truly understand. But it is important to learn about these views. There are many people who live with one foot each in different cultures. Understanding how they might think and feel and act under those pressures is enlightening. And enlightenment is the first step to understanding.