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Editorial Reviews
Amazon.com
A subject of enduring fascination for Germans (and anybody interested in the more vivid manifestations of the '60s counterculture), the Baader Meinhof gang roared through Europe for years, dividing a population that either demonized or romanticized their exploits. In The Baader Meinhof Complex the goal for director Uli Medel (Last Exit to Brooklyn) and screenwriter Bernd Eichinger is to play the material down the middle: to portray the events of the outlaw group without deciding they are either heroes or terrorists. Some of the motives for the Baader Meinhof gang are laid out early on; for instance, that for the generation born in Germany after Hitler's nightmare had ended, a return to fascism was unacceptable--even to the point of guerrilla activities against the state. Some of Germany's biggest stars are involved in bringing the principals to life, including Moritz Bleibtreu (Run Lola Run) as the self-important ringleader Andreas Baader and Johanna Wokalek (North Face) as Gudrun Ensslin, his coconspirator and lover. The most intriguing narrative thread of the story comes from the decision by journalist Ulrike Meinhof (Martina Gedeck, from The Lives of Others) to leap from her stable life and abruptly join Baader and Ensslin on the run. The subversive activities of the Red Army Faction (as the group dubbed itself), including bombings and arson attacks, are chronicled in rapid, blunt fashion by the movie, which seems less interested in a thoughtful reflection on these incidents than in shoving them in your face. In that sense, you might begin to wish the movie had taken a side, just to provide some coherent perspective. As a rush of sensations, the film's appeal can't be denied, and it scored an Oscar nomination in the 2008 Best Foreign Language Film category. Although it runs two and a half hours, you might find yourself wishing for more screen time for the investigator (the great Bruno Ganz) tracking down the gang. His character has the gall to suggest that in trying to understand a terrorist group, it is advisable to trace back the roots of their motivations and attempt to grapple with those causes--an idea as unpopular in the 1970s as it always is. --Robert Horton
Product Description
Germany in the 1970s: Murderous bomb attacks, the threat of terrorism and the fear of the enemy inside are rocking the very foundations of the still fragile German democracy. The radicalised children of the Nazi generation led by Andreas Baader (Moritz Bleibtreu), Ulrike Meinhof (Martina Gedeck) and Gudrun Ensslin (Johanna Wokalek) are fighting a violent war against what they perceive as the new face of fascism: American imperialism supported by the German establishment, many of whom have a Nazi past. Their aim is to create a more human society but by employing inhuman means they not only spread terror and bloodshed, they also lose their own humanity. The man who understands them is also their hunter: the head of the German police force Horst Herold (Bruno Ganz). And while he succeeds in his relentless pursuit of the young terrorists, he knows he s only dealing with the tip of the iceberg.
Customer Reviews
Most Helpful Customer Reviews
54 of 60 people found the following review helpful
By darklordzden
Format:DVD
West Germany, 1967: After a disastrous engagement between the federal republic of Germany's left wing student population and parties sympathetic to the visiting Shah of Iran degenerates into street violence and results in the firebombing of a department store and an assassination attempt on the life of socialist firebrand, Rudi Dutschke, a group of increasingly disaffected German students and petty criminals begin to coalesce around the magnetic personalities of malcontent street punk, Andreas Baader, and his girlfriend, Gudrun Ensslin. Amongst those caught in their gravity is middle-class, left-wing journalist and media personality, Ulrike Meinhof. Baader and Ensslin have decided that politely protesting the policies of American and Israeli "Imperialism" with acts of civil disobedience is no longer enough and decide to engage in armed struggle against the constitutional powers of West Germany. Over the next ten years, the result of the alliance between Baader, Esselin and Meinhof, The `Red Army Faction' (aka the Baader-Meinhof Group), was to terrorise not only the FDR, but the governments and populations of countries far beyond it's borders.
Attempting to relate the tale of the rise to prominence of the RAF, much less adapt Stefan Aust's incredibly convoluted door-stopper of a book, was, I suspected, going to be nigh-on impossible - but Uli Edel's film achieves this virtually impossible task with aplomb. As well as being one of the most impressive thrillers that I've seen in years, its also one of the most fascinating portraits of the corruption and degeneration of political idealism ever to make its way to screen.
Performances are for the most part excellent and Moritz Bleibtreu perfectly embodies the essence of Aust's rendering of Baader - essentially a wayward, misogynistic hooligan who seemed more interested in playing with machine guns than liberating the "oppressed of the world". The yin to Bleibtreu's yang is Martina Gedeck's turn as Ulrike Meinhof: who appears to have been a cosseted champagne socialist who eventually became so misguided and so passionately committed to the struggle against "oppression and imperialism" that she was rather horrifyingly prepared to deliver her own children into a camp for Syrian orphans rather than see them raised under "the yoke of imperialism". There is a telling suggestion that the catalyst which may have precipitated the already fragile Meinhof's fall was the discovery of her husband's infidelity.
From a directorial stance, Edel manages to pull off the difficult trick of observing both sides of the conflict without favouring either. His rendering of the government in the FDR in sixties is anything but nostalgic and seems to suggest that it was inevitable that a group such as the RAF would eventually arise from the formenting crucible of social, political and governmental dissatisfaction that prevailed at the time. On the reverse side of the coin however, it cannot be argued that his sympathies lie with his revolutionary protagonists either, as he is only too willing to clinically dissect their personal failings as well as the raving hypocrisy of their objectives and opinions.
A fascinating portrait of an extreme group of misguided individuals living through the most turbulent period of the late twentieth century, "The Baader Meinhof Complex" is a fascinating study of personal obsession played out through political objectification and one of the best films that I've seen this year.
Highly recommended.
Attempting to relate the tale of the rise to prominence of the RAF, much less adapt Stefan Aust's incredibly convoluted door-stopper of a book, was, I suspected, going to be nigh-on impossible - but Uli Edel's film achieves this virtually impossible task with aplomb. As well as being one of the most impressive thrillers that I've seen in years, its also one of the most fascinating portraits of the corruption and degeneration of political idealism ever to make its way to screen.
Performances are for the most part excellent and Moritz Bleibtreu perfectly embodies the essence of Aust's rendering of Baader - essentially a wayward, misogynistic hooligan who seemed more interested in playing with machine guns than liberating the "oppressed of the world". The yin to Bleibtreu's yang is Martina Gedeck's turn as Ulrike Meinhof: who appears to have been a cosseted champagne socialist who eventually became so misguided and so passionately committed to the struggle against "oppression and imperialism" that she was rather horrifyingly prepared to deliver her own children into a camp for Syrian orphans rather than see them raised under "the yoke of imperialism". There is a telling suggestion that the catalyst which may have precipitated the already fragile Meinhof's fall was the discovery of her husband's infidelity.
From a directorial stance, Edel manages to pull off the difficult trick of observing both sides of the conflict without favouring either. His rendering of the government in the FDR in sixties is anything but nostalgic and seems to suggest that it was inevitable that a group such as the RAF would eventually arise from the formenting crucible of social, political and governmental dissatisfaction that prevailed at the time. On the reverse side of the coin however, it cannot be argued that his sympathies lie with his revolutionary protagonists either, as he is only too willing to clinically dissect their personal failings as well as the raving hypocrisy of their objectives and opinions.
A fascinating portrait of an extreme group of misguided individuals living through the most turbulent period of the late twentieth century, "The Baader Meinhof Complex" is a fascinating study of personal obsession played out through political objectification and one of the best films that I've seen this year.
Highly recommended.
16 of 16 people found the following review helpful
4.0 out of 5 stars
A potent depiction of extremism, its motives and consequences; a timely reflection on a pivotal episode in German history
February 13, 2010
Format:DVD
The Baader Meinhof Complex is an at once exhilarating and horrific depiction of the rise and fall of a very prominent left-wing extremist group in '70s Germany, formed from an uneasy alliance between journalist Ulrike Meinhof and the incendiary couple Andreas Baader and his girlfriend Gudrun Ensslin. The film explores the initial motivations for their radicalization, the shift from anger and rebellion to increasingly violent acts of terror, and the dissolution of the group's ideology into seeming incoherence as the personal began to overwhelm the political. While watching I wondered if the casting choices had made the characters more appealing than in real life - they were all very striking young men and women - but a bit of research shows it to be quite accurate. They did a remarkable job in capturing the likeness of the actual individuals depicted.
It is a complex film, that highlights the allure of the struggle, at the same time as it reveals the individuals behind it to be deeply human and imperfect, at times conflicted and at others resolute, even dogmatic, to the point of becoming what they had initially struggled against - these are not the mythological figures that came to be idolized by some and hated by others. A fascinating paradox explored by the film is that in war one side inevitably takes on qualities of its enemy: to fight an underground extremist group, the state must employ its tactics, must become flexible and bend the rule of law and its protection of individual rights such as privacy; to stand up against the force of a powerful regime, the anarchic underground must increasingly become autocratic, must not tolerate dissent.
The film is beautifully shot, and edited for an ideal balance of intensity and clarity. There is the feel of a living situation - characters don't have constantly to explain themselves to each other, and you feel the urgency with which they experience their own moments in time - and yet, there is enough laid out that even those unfamiliar with the actual history this is based on should be able to catch up quickly and follow along. The decision to incorporate real footage from the era creates a sense of authenticity and even current relevance that is hard to shake off, emphasizing that this film cannot simply be approached as an escapist fantasy. The reception of the film in Germany at the time of its release was telling - on the one hand there were those who felt that in taking both sides the film failed to capture the heroism and ideals of the leaders, who are still revered by many; and there were others who felt that the decision to tell most of the story from the point of view of the Baader Meinhof group members had the dangerous potential of creating an identification with them and of making their actions seem too glamorous.
In fact the film manages both to clarify and make vividly real the sense of a holy war or struggle that young people felt at the time, and to show that these extremists were not simply the vicious killers they had been demonized to be; but also to demonstrate that their ideals and imperfections led to horrific actions, that in many cases destroyed lives without having any clear outcome that could possibly motivate or justify such violence. I was very young at the time of these events and only remember vague hints of them, but even now going into the film I knew very little of the details. Definitely worth watching -- both as a valuable history lesson, and as a spur to the kinds of discussions that we need to be having about the meaning and motivations of what we call "terrorism." As the German head of police, played in this film by the always excellent Bruno Ganz, suggests: it is easy enough to demonize the "enemy" but there can be no true or lasting victory over extremism and violence without understanding its perpetrators and their perceptions.
It is a complex film, that highlights the allure of the struggle, at the same time as it reveals the individuals behind it to be deeply human and imperfect, at times conflicted and at others resolute, even dogmatic, to the point of becoming what they had initially struggled against - these are not the mythological figures that came to be idolized by some and hated by others. A fascinating paradox explored by the film is that in war one side inevitably takes on qualities of its enemy: to fight an underground extremist group, the state must employ its tactics, must become flexible and bend the rule of law and its protection of individual rights such as privacy; to stand up against the force of a powerful regime, the anarchic underground must increasingly become autocratic, must not tolerate dissent.
The film is beautifully shot, and edited for an ideal balance of intensity and clarity. There is the feel of a living situation - characters don't have constantly to explain themselves to each other, and you feel the urgency with which they experience their own moments in time - and yet, there is enough laid out that even those unfamiliar with the actual history this is based on should be able to catch up quickly and follow along. The decision to incorporate real footage from the era creates a sense of authenticity and even current relevance that is hard to shake off, emphasizing that this film cannot simply be approached as an escapist fantasy. The reception of the film in Germany at the time of its release was telling - on the one hand there were those who felt that in taking both sides the film failed to capture the heroism and ideals of the leaders, who are still revered by many; and there were others who felt that the decision to tell most of the story from the point of view of the Baader Meinhof group members had the dangerous potential of creating an identification with them and of making their actions seem too glamorous.
In fact the film manages both to clarify and make vividly real the sense of a holy war or struggle that young people felt at the time, and to show that these extremists were not simply the vicious killers they had been demonized to be; but also to demonstrate that their ideals and imperfections led to horrific actions, that in many cases destroyed lives without having any clear outcome that could possibly motivate or justify such violence. I was very young at the time of these events and only remember vague hints of them, but even now going into the film I knew very little of the details. Definitely worth watching -- both as a valuable history lesson, and as a spur to the kinds of discussions that we need to be having about the meaning and motivations of what we call "terrorism." As the German head of police, played in this film by the always excellent Bruno Ganz, suggests: it is easy enough to demonize the "enemy" but there can be no true or lasting victory over extremism and violence without understanding its perpetrators and their perceptions.
12 of 12 people found the following review helpful
Format:DVD|Amazon Verified Purchase
I lived in Germany during the RAF era. As a military brat we were in fear of this group, as both Frankfurt and Ramstein experienced terrorist attacks by this group.
The news clips that were used in this movie are genuine. I remember that old man on the German news. The terror lasted all through the 1970s.
It was therefore haunting to see this movie again. All the actors were so believable as their actual characters they were playing. Watch the 30-minute "Making of the B-M Complex" and you will learn that the director, Uli Edel, used all genuine parts, even using the actual court hall of the prison in which the real terrorists were interviewed (and denied) parole. The prison cells were designed according to old photographs of the real prison cells, down to genuine sinks. The actors spent endless hours studying the mannerisms and speech patterns of their roles. Actor Martina Gedeck almost looks like the younger sister of Gudrun Ensslin, the "brains" behind this group of misfits.
I didn't read the book; my opinions are based on memory. The scenes in this movie are non-stop action and at times overly graphic in their violence, but this is how B-M acted. Even how the group slowly fell apart due to newer generations of this group not being in sinc with the original founders, is quite obvious. The Baader-Meinhof gang was a group of highly intellectual but badly misguided and violent group of extreme-left-leaning students whose guilt of their parents perhaps got the ball rolling.
Say what you may, "This is part of our History" said Edel, and this movie shows this history well. This movie deserved the Academy Award for Best Foreign Film.
The news clips that were used in this movie are genuine. I remember that old man on the German news. The terror lasted all through the 1970s.
It was therefore haunting to see this movie again. All the actors were so believable as their actual characters they were playing. Watch the 30-minute "Making of the B-M Complex" and you will learn that the director, Uli Edel, used all genuine parts, even using the actual court hall of the prison in which the real terrorists were interviewed (and denied) parole. The prison cells were designed according to old photographs of the real prison cells, down to genuine sinks. The actors spent endless hours studying the mannerisms and speech patterns of their roles. Actor Martina Gedeck almost looks like the younger sister of Gudrun Ensslin, the "brains" behind this group of misfits.
I didn't read the book; my opinions are based on memory. The scenes in this movie are non-stop action and at times overly graphic in their violence, but this is how B-M acted. Even how the group slowly fell apart due to newer generations of this group not being in sinc with the original founders, is quite obvious. The Baader-Meinhof gang was a group of highly intellectual but badly misguided and violent group of extreme-left-leaning students whose guilt of their parents perhaps got the ball rolling.
Say what you may, "This is part of our History" said Edel, and this movie shows this history well. This movie deserved the Academy Award for Best Foreign Film.
Most Recent Customer Reviews
5.0 out of 5 stars
A powerful triumph from 'Wir Kinder Vom Bahnhof Zoo' director Uli...
I saw great promise in the abilities of German director Uli Edel way back in 1981 when I viewed one of his earliest films, the dark, realistic and depressing film, Christiane F. Read more
Published 16 days ago by Natja Kristy
4.0 out of 5 stars
Evokes Its Time
Uli Edel has here bequeathed his signature masterpiece. The global idealism of the 1960s had, by the mid-70s, spiraled downhill into the nihilistic violence of Baader-Meinhoff,... Read more
Published 27 days ago by R. L. Huff
5.0 out of 5 stars
Amazing, harrowing, depressing
This film has more verisimilitude than any similar-themed film I have seen since The Battle of Algiers. Read more
Published 1 month ago by Gene
2.0 out of 5 stars
Hard to follow
Interesting movie but it was hard to follow with the combination of subtitles and lack of knowledge about the events that happened in the movie.
Published 1 month ago by Keli Scott
5.0 out of 5 stars
Fan freaking tastic!
I would strongly recommend that anyone who watches this movie do some homework after watching, this is the most historically accurate movie I have ever seen. Read more
Published 2 months ago by Myles
5.0 out of 5 stars
A Lesson for Today in a Brilliant Film
Baader Minhoff Complex
This movie is a riveting, spellbinding portrayal of events that terrorized Europe during the late 70s and early 80s. Read more
This movie is a riveting, spellbinding portrayal of events that terrorized Europe during the late 70s and early 80s. Read more
Published 2 months ago by The Perapatetic Reader
1.0 out of 5 stars
:(
I alredy payed the item and I havent received it at home, its been too long... i may start to believe I already lost money purchasing this item... Read more
Published 3 months ago by Juan Carlos
5.0 out of 5 stars
Great
I am trying to learn German. I watched this without the subtitles and, even only understanding part of the dialogue, it was still a riveting movie.
Published 3 months ago by Eldridge
5.0 out of 5 stars
Outstanding!
An outstanding film of the radical Left in postwar Germany. It is very well made, and appears researched and objective. Read more
Published 4 months ago by A. M. Steiner
3.0 out of 5 stars
Some suspenseful and exciting scenes + Based on a true story + Okay...
- There are some suspenseful and exciting scenes. For example, the scene where the protest against the king of Iran became violent.
- This is based on a true story. Read more
- This is based on a true story. Read more
Published 7 months ago by Cestmoi
