From Publishers Weekly
Ohlin's debut novel,
The Missing Person (2005), featured a believably odd plot and displayed her chops in nailing contemporary idioms. The 17 stories of this collection do the same in miniature, but never quite fuse her characters and their circumstances. The title story refers to the name of the Long Island town where computer programmer Robert, 29, meets medical assistant Astrid; they begin a highly charged, highly compartmentalized relationship within a bubble of work-phone-apartment that may have a more solid foundation on its flaws than on its virtues. The opening "King of Kohlrabi" features a typically precocious teen, Aggie, who must cope with her father's abandoning his family for his law partner, Margaret; the story pivots around her clear voice as events, beginning with a minor car accident, spin out of control. In "I Love to Dance at Weddings," Leda, following the death of her husband of 27 years, marries three times in succession, arousing a tangle of emotions in her son, Nick, and Nick's wife, Nathalie. Ohlin is expert in rendering the haze of alienation that hangs over all her characters' relationships and their various suburban settings. The stories read like hopeless, tightly constructed variations on unhappiness, a Babylon where communication is as impossible as it is pointless.
(Aug. 1) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
This diverse collection of short stories covers some of the same themes of family and change found in Ohlin's debut novel,
The Missing Person (2005). In the title story, a man falls in love for the first time, only to discover that his mysterious beloved is a pathological liar. In "Edgewater," Flannery O'Connor's "Good Country People" is turned upside down when a woman steals the fake leg of her would-be seducer. Ohlin's writing is by turns serious and humorous without being either melodramatic or slapstick. It is full of language quirks that are personal but also easily understandable to the reader. T.S. Eliot called this literary technique the "objective correlative," and the stories "The Tennis Partner" and "In Trouble with the Dutchman" both have excellent examples. Many of the stories deal with what remains unspoken between husband and wife. Two interlocking stories, "The Swanger Blood" and "An Analysis of Some Recent Troublesome Behavior," about a troubled family, seem to be the beginning of a longer novel or series of stories.
Marta SegalCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.