Customer Reviews

Babylon and on

5 star:		(4)
4 star:		(2)
3 star:		(1)
2 star:		(0)
1 star:		(1)

 

 

With 1987's "Babylon and On" we find Squeeze re-focusing a bit & mostly returning to form after their 1985 record "Cosi Fan Tutti Frutti." Whereas "Cosi" was a very experimental record for the band with it's dense hi-tech production and disjointed sounding set of songs, "Babylon" is as straight-forward a pop record as we've heard from the band so far. It is probably the band's most accessible (but not best) album and produced their biggest US hit with the fun single "Hourglass." What is really interesting is just how "normal" this album is. This is the least eclectic batch of tunes so far by Squeeze & marks the band's transition from their former off-kilter new wave leanings to their more mature and middle-of-the-road sound to come on future records. What we get in "Babylon and On" is just plain old pop music - good pop music, mind you, written & performed with skill and with a mature undercurrent that gives the songs some emotional connection. "Cigarette of a Single Man," for example, finds the band reflecting on the need for something more than the freedom of bachelor life noting "he needs the love another has to help him, if another can" and asking repeatedly "what you got to go home to?" Difford and Tilbrook have come a long way since the infectious silliness of "Slap and Tickle." The shuffling accordion driven song "Tough Love" describes the tumultuous relationship between an abusive man and his desperate woman: "he knocked her over, he hit her and told her she's stupid, he's high as a kite once again - she knows that tough love is needed to save the love of her friend." The adult reflections on life are welcome, but it's not all doom and gloom. The aforementioned "Hourglass," "Trust Me to Open My Mouth," and "Striking Matches" are fun upbeat numbers that fit well into the classic Squeeze milieu, and the closing song "Some Americans" is a happy sounding but razor sharp commentary on the US: "Some Americans scare me, the leader of the pack/living in this theatre, I'm waiting for the trap to drop in the show - some Americans gung ho!"
"Babylon and On" is not a classic along the lines of Squeeze's masterpiece "East Side Story," but it is a very good pop album. The songs are consistently well-written, the production is crisp and has aged well, and band is in fine form. Certainly recommended for Squeeze fans and anyone with an appreciation for solid pop music.

What? No one wants to tell anyone about Babylon.... It is one of the most consistent albums Squeeze ever put out. It is 80's pop, Squeeze style. One of those pieces of music I put on and sing with from beginning to end. Difford and Tilbrook entertain and delight. It isn't Argy Bargy but if you like Squeeze then this one is a must.

Squeeze's "Babylon and On" is a great album hands down and I've always been happy with their production. I was excited to see this remastered and shelled out a lot of cash for it. Needless to say I wish I would have read a review like this to save myself the trouble. From what I can tell there is NO DIFFERENCE between this and the original cd pressing from way back when (and yes I even viewed and compared the peaks). This doesn't even sound a fake remastering job where they just add some compression and slap a remastered label on it.

The remastering overlooked by Glenn Tilbrook for the box set years ago for the first 6 albums was amazing. It's unfortunate that Babylon and On did not make it to that set. You're better off with a regular cd pressing or the MP3 download. Once again I stress, all this aside, that the album's songwriting and execution are great.

(If there is yet another remastered Babylon and On besides the Japanese "Squeeze Collection" I would still be interested.)

I feel in love with Hourglass when it hit the airwaves, but little did I know what was in store when I bought the cassette back in 1988. This is Squeeze with a classy, suave twist to them. My faves are Hourglass of course, Footprints, Cigarette of a Single Man (very Simply Reddish), and In Today's Room. Will love this album always. Will love Squeeze always.

Saw SQUEEZE on this tour in 1988-- without a doubt they were the tightest band I've ever seen live before or since. Probably thanks in part to all the great material on this album. Not EAST SIDE STORY, as everyone points out, but a topper all the way. Got a lot of airplay during it's initial release, but after that it seemed to drop off the radar. Too bad. Some great pop tunes and excellent musicianship. Any young pop musicians out there looking to improve their song writing skills would do well to study this album.

I was thrilled to listen to this CD. The last time I heard it was when it was on cassette back in the late 1980s.

This is a little more evenly good than much of the Squeeze catalog. It showcases the witty lyrics and top notch pop tune crafting that characterized Squeeze's work - with fewer forays into other musical genres and none of the unevenness of some of the other works.

Not sure what was in the water but "Strking Matches" sounds exactly like it came off of the Talking Head's album "True Stories". Not familiar enough with Squeeze to say one way or another but, maybe the Heads sounded like Squeeze on that album?