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The Babylonian Tarot [Cards]

Sandra Tabatha Cicero (Author)
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Book Description

January 8, 2006
Over four thousand years ago, the Sumerians built the world's first cities near the fertile floodplains of ancient Mesopotamia, or Babylonia, as it would later become known. Their sophisticated civilization was so influential that elements of Sumerian culture, including their mythology and alphabet, would survive for millennia.

Traces of Babylonian myth can even be found in the Hebrew Scriptures and, according to Golden Dawn Adept and Tarot artist Sandra Tabatha Cicero, the powerful deities and mysterious incantations of this ancient culture can also be seen as the very root of Western Ceremonial Magick. Babylonian Tarot is beautifully original in concept and design, yet faithful to tarot tradition. The only tarot deck based on the Sumerian mythos, it includes five extra cards-one Trump and four court cards-yet retains the traditional zodiacal, elemental, and planetary associations. The accompanying guidebook includes detailed descriptions of each card, as well as instructions for using the deck in magick and divination.


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About the Author

Sandra Tabatha Cicero is a Senior Adept of the Hermetic Order of the Golden Dawn and holds a bachelor's degree in Fine Arts.  

Excerpt. © Reprinted by permission. All rights reserved.

— Introduction —

Babylonian Tarot is based on the cosmology and legends of ancient
Mesopotamia which is Greek for "the land between the
rivers." Even older than mighty Egypt, Mesopotamia was the
original cradle of civilization located in the Fertile Crescent valley
between the Tigris and Euphrates rivers—an area now occupied
by modern-day Iraq. Archeologists divide Mesopotamia
into two sections: Lower Mesopotamia, which stretched from
the river delta at the top of the Persian Gulf to what is now the
city of Baghdad, and Upper Mesopotamia, which extended
from Baghdad through Eastern Syria to the foothills of the Taurus
Mountains in southeastern Turkey. It was in Mesopotamia,
or Babylonia as it is often called, that the world’s first cities
appeared during the fourth millennium B.C.E.

The city of Babylon has long been the primary symbol
for all of Mesopotamia. The Biblical stories suggest only
negative connotations of the city—hardly an unbiased account.

Ironically, many elements of Babylonian spiritual beliefs,
practice, and mythos have found their way into the Hebrew
Scriptures in such stories as the creation of the universe
and the Great Flood.

Fortunately recent archeological discoveries
have given us a more accurate and balanced description
of a vibrant and deeply religious people.

The Fertile Crescent was the home of the ancient Sumerians—
the builders of the first civilization in Mesopotamia.
Their culture eventually outlasted them and became the basis
for all later Babylonian civilization. The Sumerian way of life,
style of writing, and religious customs were preserved in the
Tigris-Euphrates river valley throughout ancient times by
the kingdoms that followed--the Akkadian, Babylonian, and
Assyrian empires.

The gods and goddesses of the Sumerians were adopted
by successive Babylonian civilizations and although the names
of these deities were often altered, their basic characteristics,
personalities, symbolism, and cosmology changed little.

The Babylonians were an agricultural people who worshipped
the natural forces of the universe that ruled the skies
and governed the fertility of the earth. The relationship between
gods and humans was compared to that between parents
and children. There were cosmic gods, underworld gods,
city gods, and gods of nature.

There were also personal gods
who were thought to favor specific individuals. Oftentimes
the functions of these different classes of divinities overlapped.

Certain gods were thought to be in charge of both
cosmic forces and their earthly counterparts—the cities of
Mesopotamia—whose existence was maintained by the surrounding
farmland.

It was considered the duty of humanity to carry out the
gods’ will on earth, implementing a divine order that would
secure the prosperity of the land and its people. The gods
were honored with great temples that were the cultural and
economic centers of the city-states. A city itself was considered
the property of its primary deity, and the temple was
the deity’s earthly abode. It was in service to the gods that
the Babylonians conceived many of their most important
contributions to civilization, including writing, which developed
from the need to keep track of temple assets. Every
human endeavor, whether for peace, war, agriculture, or
commerce, was performed for the benefit of the gods, whom
the Babylonians depended upon for every aspect of their
lives.

Below the realm of the celestial gods was the realm of
spirits, both good and evil.
Magical incantation developed as
a method of appeasing friendly spirits and driving off malicious
ones. As a result the practice of magic played a very
important role in the religious expression of Mesopotamians.

The average Babylonian employed the services of astrologers
and magi (hereditary priest-magicians) for divination,
healing, blessing of amulets and talismans, purification,
cursing, warding off evil, etc.

Private homes usually contained shrines to the owner’s personal god or goddess, where
prayers and sacrifices were made to attract the deity’s favor.

It is these most ancient deities and spirits of "the Land between
the Rivers" that are the subject of Babylonian Tarot.

The deck is comprised of eighty-three cards divided into
two sections, the Major Arcana and the Minor Arcana. The
Major Arcana consists of twenty-three Trump cards. The
Minor Arcana contains sixty cards which are divided into two
groups—the pips, which are the small or numbered cards,
and the court cards.

Seventy-eight of the cards represent the traditional cards
of the tarot with zodiacal, planetary, qabalistic, and elemental
attributions that correspond with those of modern Hermetic
decks such as the Golden Dawn Magical Tarot. There are
five additional cards in this deck, including one extra trump
(the card of Genesis) and four extra court cards. As in most
other decks, the four court cards of the King, Queen, Prince,
and Princess correspond to the four elements of Fire, Water,
Air, and Earth. Babylonian Tarot includes a fifth court card,
the Kerub, which represents the element of Spirit.

There are four suits: Wands, Cups, Arrows (comparable
to Swords), and Disks (comparable to Pentacles). In general,
Wands indicate Fire, great energy and dynamic power; Cups
denote Water, creativity, fecundity, and pleasure; Arrows indicate
Air, intellect, communication, mental faculties, and sometimes
trouble; and Disks suggest Earth, material or worldly affairs,
business, or money. A complete listing of attributions for
every card is given in the appendix.

The Babylonians provided us with humanity’s earliest
written records of social, intellectual, and religious expression.

Theirs was a long and rich history of human innovation
and advancement, progress and set-backs, hopes and fears,
successes and dreams. It is this rich source of knowledge that
inspired the creation of Babylonian Tarot, correlating many of
the major deities and legends of Mesopotamia to the wisdom
of the tarot. Although perhaps not as well-known as emissaries
from other pantheons, these heroic gods and goddesses
are nonetheless every bit as fascinating as their later counterparts
in Egypt, Greece, and Rome.

The Fertile Crescent stills
yields a rewarding harvest for those who wish to cultivate its
productive soil.

Sandra Tabatha Cicero
Metatron House
First Day of Nisan (Vernal Equinox, 2004)


Product Details

  • Cards: 216 pages
  • Publisher: Llewellyn Publications (January 8, 2006)
  • Language: English
  • ISBN-10: 0738707163
  • ISBN-13: 978-0738707167
  • Product Dimensions: 8.5 x 5.6 x 2.6 inches
  • Shipping Weight: 1.3 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #615,248 in Books (See Top 100 in Books)

More About the Author

Sandra "Tabatha" Cicero was born in rural Wisconsin. Her areas of interest include drawing, painting, poetry, theater, dance, and printmaking. A lifelong fascination with the creative arts has served to inspire her work in the magical world. After graduating from the University of Wisconsin-Milwaukee with a Bachelor's Degree in Fine Arts in 1982, Tabatha worked as an entertainer, typesetter, editor, commercial artist, and computer graphics illustrator. Tabatha is a member of several Co-Masonic, Martinist, and Rosicrucian organizations.

She met her husband and co-author Charles "Chic" Cicero in the early 1980's and the Golden Dawn system of magic has been her primary spiritual focus ever since. Tabatha spent five years working on the paintings for "The Golden Dawn Magical Tarot" which she began at the encouragement of Israel Regardie.

Both Chic and Tabatha are Chief Adepts of the Hermetic Order of the Golden Dawn as re-established by Israel Regardie. The Hermetic Order of the Golden Dawn, of which Tabatha is the G.H. Cancellaria, is an international Order with Temples in several countries. Tabatha is also the Supreme Magus (Imperatrix) of the Societas Rosicruciana in America.

The Ciceros have written numerous books on the Golden Dawn, Tarot, and Magic.

To find out more visit:
www.hermeticgoldendawn.org

The Ciceros are also regular contributors to Hermetic Virtues Magazine:
www.hermeticvirtues.org

 

Customer Reviews

6 Reviews
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Average Customer Review
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9 of 9 people found the following review helpful:
5.0 out of 5 stars First of its Kind, GREAT DECK, February 18, 2006
This review is from: The Babylonian Tarot (Cards)
I have been waiting for years for someone to come up with a tarot deck based on Mesopotamian gods. Finally! Its about time someone came up with this deck. I definitely had reservations. I wasn’t sure about a deck with an extra trump and court cards. I usually don’t like it when people tinker around with the classical tarot format. “If it ain’t broke, don’t fix it.” But then I bought my copy and opened the deck and saw the first card of Genesis, I was hooked. Now its my favorite card.

The goddesses and gods of the tarot keys are FOOL: Enkidu. MAGICIAN: Ea. PRIESTESS: Ishtar. EMPRESS: Aruru. EMPEROR: Marduk. HIEROPHANT: Nabu. LOVERS: Ishtar and Tammuz. CHARIOT: Adad. STRENGTH: Gilgamesh. HERMIT: Anu. WHEEL OF FORTUNE: Tablets of Destiny. JUSTICE: Nanshe. HANGED MAN: Tammuz. DEATH: Ereshkigal. TEMPERANCE: The Tree of Life. DEVIL: Lamastu. TOWER: Marduk and Tiamat. STAR: Siduri. MOON: Sin. SUN: Shamesh. JUDGMENT: Etana and the Eagle. UNIVERSE: Anki.

The extra court cards make sense to me too, as cards of spirit and divine blessings.

I recognize many of the images from Mesopotamian art. Some cards look more primitive as if they could have painted by the ancients. Other cards are more modern in style. All are painted with bold colors that evoke the emotions immediately.

The cards are beautiful and the book is thoughtfully written. To those of us who aren’t bored by Mesopotamian mythology, this tarot is a real blessing.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars Brilliant!, January 4, 2006
By 
This review is from: The Babylonian Tarot (Cards)
I saw a preview of this deck over two years ago when I met Chic and Tabatha at a festival. My wife and I have been waiting for it ever since. I suppose the delay may have had to do with producing the book, which is well-researched and documented and a joy to read.

The artwork on some of the cards is primitive in the technical sense, which gives them an austere and ancient feel. In many of the cards, this style gives way to a more elegant and detailed style of drafting. The coloration is simple and pleasing, inviting the inner eye to roam the landscapes of the Ancient Near East. Some of the figures are directly reproduced from ancient art and some are the artist's own interpretations; where I am familiar with the represented deity, I have been extremely pleased with the interpretations, so I am sure she has been more than fair to the ones I don't know. I am really looking forward to exploring this deck thoroughly.

This is an 83-card Tarot: there is an extra Trump called Genesis and an extra court card in each suit called the Kerub, representing the element of Spirit.

Only a very few of the attributions of deities to functions seem arbitrary to me (Siduri, Lady of Brewing, for the Star, for example), whereas most of them are knock-you-on-your-butt dead right. It is clear from the attributions and depictions that Tabatha Cicero is VERY well acquainted with the Dingirrene of ancient Mesopotamia indeed.

I remember that when Lili and I went to the preview, we were apprehensive, because it would be so easy to do a hack job on this. About three slides into the presentation we were both grinning and doing our best not to disrupt the presentation with joyful noises unto our Lords and Ladies and hostess.

Now, I personally don't know how in the world she could have missed the obvious idea of putting Ningishzida in as the Kerub of Arrows, if not some more prominent role, but at least the famous votive cup of Gudea, dedicated to Him, is featured on the Ace of Cups.

The representations of Ishtar and Ereshkigal deserve special mention. The artist obviously felt very much at home with them, and rendered them in such a way that to the discerning eye, their _melam_ is present. You need a fair amount of nerve to draw a picture of Ereshkigal, Queen of the abode of the dead, at all, so I hope the Lady likes her picture (this is, of course, the Death card, one of the few truly forced choices).



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14 of 18 people found the following review helpful:
3.0 out of 5 stars One-of-a-Kind Tarot Based on Babylonian Mythos, January 23, 2006
This review is from: The Babylonian Tarot (Cards)
Pre-dating ancient Egypt, Mesopotamia-also known as Babylonia-was the "cradle of civilization" that nurtured the world's first cities. The Fertile Crescent was the home of ancient Sumerian culture, forming the basis of the Akkadian, Babylonian, and Assyrian Empires. Biblical stories demonized the city of Babylon, but recent archeological discoveries uncovered an innovative, vibrant and deeply religious civilization.

An agricultural people, the Babylonians worshiped many types of gods and goddesses, although the relationship between deities and humans were much like that of the relationship between parents and children. The Babylonians considered it their duty to carry out the will of the gods on earth and dedicated their many contributions-including humanity's earliest written records-to various cosmic, underworld, nature, and personal deities. Throughout the successive Babylonian empires, the cosmology, symbolism, and personality of their deities changed little.

Golden Dawn Adept Sandra Tabatha Cicero has honored the rich culture of the ancient Sumerians by creating the Babylonian Tarot. Not only has she written the 189-page companion book, but has also illustrated each of the colorful cards depicting Babylonian mythos. Although Sumerian legends are lesser known, Cicero asserts that the Babylonian pantheons and stories are every bit as fascinating as their later counterparts from Egypt, Greece, and Rome.

The Babylon Tarot follows traditional attributions, but Cicero has added five extra cards: Genesis, a Major Arcana card with no attributions that precedes The Fool and "resides" in the realm between Ain Soph and Kether (Qabalah) and four Court Cards known as Kerubs, which represent the fifth element of Spirit.

Arrows (Swords) and Wands are masculine-representing Air and Fire respectively-and the Minors of these suits have a diamond shape in the background while the Cups and Disks (Pentacles) are feminine and the Minors have a Vesica Piscis (almond shape) in the background. Kerubs, Kings, Queens, Princes, and Princesses are the Court ordering following the Tens.

The Minors of the Babylonian Tarot include keywords at the bottom (e.g. Courage for 7 of Wands and Skill for the 8 of Disks) while the Majors and Court cards display the name of a particular Sumerian hero, heroine, or deity at the bottom. Strength is card 8 and the rest of the cards retain their traditional titles except the World becomes Universe. The card backs are mostly reversible, but those with a sharp eye will notice that one side of the border is a lighter shade of blue than the other side.

The cards have the same slick, matte finish as recent Llewellyn decks-as well as the same height-but the cards are ¼ inch wider than The Quest, Gilded Revelations, etc. For some reason, a black organdy bag is not included with the Babylonian Tarot but the customary white cardboard box with navy blue trimming is there.

Cicero presents detailed accounts of the Mesopotamian legends associated with each card, including excerpts from ancient literature such as the Epic of Gilgamesh, as well as upright and reversed meanings of the cards.

Two spreads were created just for the Babylonian Tarot: The 6-card Babylonian Universe Spread and the 10-card Rosette of the Gods Spread. The Appendix is a rich resource of correspondences, including astrological, elemental, and Qabalistic attributions. The Sephiroth, Worlds, and Decans associated with the Minors are outlined, as is the sub-element, World, and Hebrew letter associated with the Court Cards. My favorite chart is the Majors, which shows the Forces, Hebrew letters, Paths and locations of each card (Tree of Life). For example, you can see at a glance that The Chariot is located between Binah and Geburah and The Wheel is located between Chesed and Netzach.

Not familiar with Qabalah or the Tree of Life? No worries. Cicero doesn't even discuss Ain Soph, Sephiroth or the Worlds in the text of the companion book.

Which begs the question: why are these attributions included in the Appendix of the Babylonian Tarot when neither Qabalah nor the Western Magickal traditions are addressed in the text? Who knows...but they're my favorite part of the companion book!

The Babylonian Tarot may not be a good deck for beginners even though it (mostly) follows traditional attributions. Why? Well, for one thing, the stories selected for the cards aren't necessarily in line with the *meanings* of the cards. For example, Cicero chose Lamastu, one of the most feared entities in the Babylonian pantheon, to represent The Devil. She tells us that this "demoness" was particularly cruel to children and responsible for disease, nightmares, miscarriages, and causing crib deaths among infants. The prototype for earliest vampire and succubus legends, her clawed, bloodstained hands holds deadly serpents while a dog and piglet suckle at her bare breasts.

Yet, following in line with traditional attributes, the meanings given for The Devil are: Natural generative force. Material Force. Possessions. Sensuality. Sexual force and reproduction. Hedonism. Material temptation or excess. Self-deception. Illusion. Distorted perceptions. Mirth. (If you think "mirth" is unusual, note that this is one of the Qabalistic functions associated with The Devil.) The interpretations don't seem to jive with the story of Lamastu.

Inserted in the text of each story associated with the cards is the traditional astrological attribution. This often seems out of place, *especially* when it conflicts with the story. For example, Marduk is associated with the Emperor, and Cicero tells us that the planet Jupiter was the visible manifestation of Marduk. Yet, a few sentences down, she reminds us that the Emperor is associated with Aries. These kinds of differences could very well confuse those new to Tarot. In addition, many of the heroes/deities are war gods or those who suffer at the hands of galla demons (e.g. Tammuz as the Hanged Man). As such, there seems to be a wide contrast between the legend associated with the card and traditional meanings.

I think it's fine when a deck creator and artist wants to put a new spin on Tarot, because varied perspectives provide new ways of looking at the cards. However, when mixing various traditions, the result can be confusing at worst and disconcerting at best.

I performed the Babylonian Universe Spread and found the cards to be quite insightful and accurate. Cicero's artwork is crude in some places and lavishly refined in others, resulting in interesting artistic combinations and fertile symbolism. I did a Past, Present and Future reading for my husband and while I couldn't get much from the cards, he knew *exactly* what they meant-and proceeded to give a detailed account of their message! He doesn't read Tarot and, while he's very intuitive, it just goes to show how accessible the Babylonian Tarot could be for gleaning information just from the images.

As far as I know, this is the only Tarot deck dedicated to the legends of the Fertile Crescent. Personally, I don't resonate with Babylonian mythos or spirituality, so I found most of the mythology boring. However, it's obvious that Cicero has put a lot of time in researching the Sumerian legends, despite the ill-fitting correlations of some of the stories with the traditional meanings that she offers. If you're attracted to Babylonian, Hebrew, or Egyptian mythology, you'll likely enjoy the Babylonian Tarot. The correspondences in the Appendix are a nice extra and the lesser-known mythos may well add some breadth to your Tarot readings and meditations.

(Note: as has been the case lately, there's some sloppy editing from the Llewellyn team. There are misspellings-such as "losses" for "loses" and "shear pleasure" that should be "sheer pleasure"-as well as grammatical mistakes. Sloppy editing just happens to be a pet peeve of mine, so just a FYI.)

TO SEE 9 CARD IMAGES FROM THIS DECK, VISIT THE REVIEWS-DECKS SECTION AT JANETBOYER.COM
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Enuma Elish, Epic of Gilgamesh, Bull of Heaven, Tablet of Destiny, Tree of Life, Great Flood, Their History
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