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3 of 4 people found the following review helpful:
5.0 out of 5 stars OVPP is my cup of tea.
In my comments on McCreesh's Mathew's Passion I wrote that: "I love OVPP performances. They bring out the complexity and flavor of Bach's contrapunctal thought with a clarity and beauty that full choruses never have and never will."

I stand by that comment. However, it should also be said that choruses offer an aesthetic that OVPP performances will never...
Published on March 24, 2007 by Teop Tnomrev

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4 of 9 people found the following review helpful:
3.0 out of 5 stars Scaled-down Bach
I don't care how authentic it is supposed to be, for me it just doesn't work, for the same reason that Joshua Rifkin's cantatas and Cantus Colln's B Minor Mass never worked. They're just too lacking in substance. There is much fine playing and singing to be heard here (although the solo singers sometimes aren't great), but the lack of a proper chorus, with only the...
Published on November 15, 2006 by Teemacs


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3 of 4 people found the following review helpful:
5.0 out of 5 stars OVPP is my cup of tea., March 24, 2007
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This review is from: Bach: Cantatas BWV 98, 180, 56, 55 (Cantatas for the complete liturgical year Vol 1) /La Petite Bande * S Kuijken (Audio CD)
In my comments on McCreesh's Mathew's Passion I wrote that: "I love OVPP performances. They bring out the complexity and flavor of Bach's contrapunctal thought with a clarity and beauty that full choruses never have and never will."

I stand by that comment. However, it should also be said that choruses offer an aesthetic that OVPP performances will never match. I also love Suzuki's performances, along with Koopman's, when Koopman's are well recorded (they can be uneven).

It's really an aesthetic choice and I am not about to play the "authentic performance" card. If we want authentic, then it has to be little boys, not women. Most of Bach's Cantatas were written for boy choirs. Harnoncourt has given us that route, and their intonation is enough to crack teeth. It's no wonder Bach threw his wig at them (true story).

Kuijken's soloists are not the finest on record but beautiful nonetheless. The performances are warmly and well recorded. If you stand between the speakers, you truly feel as though you are standing in the center of an ensemble cast in which all the players, singers and instrumentalists, are playing an equal part. They are much warmer and closer than Rifkin's much earlier efforts, for example.

Buy this recording for the proximity and intimacy you will feel when listening.

Buy Suzuki when you want to hear a chorus. His come closest to attaining the clarity Bach's Cantatas enjoy.

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4 of 9 people found the following review helpful:
3.0 out of 5 stars Scaled-down Bach, November 15, 2006
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Teemacs (Switzerland) - See all my reviews
This review is from: Bach: Cantatas BWV 98, 180, 56, 55 (Cantatas for the complete liturgical year Vol 1) /La Petite Bande * S Kuijken (Audio CD)
I don't care how authentic it is supposed to be, for me it just doesn't work, for the same reason that Joshua Rifkin's cantatas and Cantus Colln's B Minor Mass never worked. They're just too lacking in substance. There is much fine playing and singing to be heard here (although the solo singers sometimes aren't great), but the lack of a proper chorus, with only the soloists singing the chorales, isn't for me, I'm afraid. The aficianodos tell me that I should be rejoicing in the clarity of lines that such arrangement brings, but give me Gardiner and the Monteverdis or Suzuki and the Bach Collegium Japan and a bit of oomph! any day. Of course, if minimalist Bach is your cup of tea, just add two stars.
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Bach: Cantatas BWV 98, 180, 56, 55 (Cantatas for the complete liturgical year Vol 1) /La Petite Bande * S Kuijken
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