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| 1. Aria | |||
| 2. Variation 1 | |||
| 3. Variation 2 | |||
| 4. Variation 3: Canon On The Unison | |||
| 5. Variation 4 | |||
| 6. Variation 5 | |||
| 7. Variation 6: Canon On The Second | |||
| 8. Variation 7 | |||
| 9. Variation 8 | |||
| 10. Variation 9: Canon On The Third | |||
| 11. Variation 10: Fughetta | |||
| 12. Variation 11 | |||
| 13. Variation 12: Canon On The Fourth | |||
| 14. Variation 13 | |||
| 15. Variation 14 | |||
| 16. Variation 15: Canon On The Fifth | |||
| 17. Variation 16: Ouverture | |||
| 18. Variation 17 | |||
| 19. Variation 18: Canon On The Sixth | |||
| 20. Variation 19 | |||
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Most Helpful Customer Reviews
30 of 32 people found the following review helpful:
5.0 out of 5 stars
Amazing Experience,
By NYC "atravelingreader" (NY, NY USA) - See all my reviews
This review is from: Bach: The Goldberg Variations 1955 Performance: Zenph Re-performance (Audio CD)
I have lived with this historic recording through all its manisfistations - mono, enhanced mono, remix, digital remix and now Zenph rerecord. The reuslts are just incredible on this new release and Gould himself would have been the first to applaud.
These grumpy people stuck in the past are pains -- they are the same people who screamed when vinyl lp disappeared, still pine away for Milinov and the good old days. Give yourself a thrill and listen to this disc with headphones - especially the one that simulates Gould's actual left hand- right hand playing - that alone is worht the price of the cd.
23 of 26 people found the following review helpful:
4.0 out of 5 stars
An achievement,
This review is from: Bach: The Goldberg Variations 1955 Performance: Zenph Re-performance (Audio CD)
What a spectacular progress in technology. Gould himself would have been much interested in this. It is rightful that Gould, and his Goldberg variation (1955) was chosen as the first project by Zenph. Question remains in whether he would have approved the release or not. In this recording, the definition of each tone is not sharp enough to represent Gould's persistence on precision. If Gould had known that this will come out with this timbre, not with the hard monoral, would he have played according to the same interpretation? On the other hand, one could simply enjoy this as one new version of his Goldberg. It might not have been as apparent if the same technology was applied on pieces like Chopin. In this regard, performance by Cortot (there is a rumor that Zenph is working on Cortot after Gould) might be juicy. In any case, this is definitely a unique achievement that provokes an argument on "the separation of composer, performer, and the audience" that Gould had intended in his time, as well as expectations for further technological advances. Worth a try.
In addition, could somebody reproduce his hum along with the piano performance? Stand-alone performance without the sign of Gould's presence is rather eerie.
12 of 12 people found the following review helpful:
5.0 out of 5 stars
Take Two,
By
Amazon Verified Purchase(What's this?)
This review is from: Bach: The Goldberg Variations 1955 Performance: Zenph Re-performance (Audio CD)
I was skeptical about this enterprise. Why? Wasn't the original enough? In a sense, it was. I consider this a variation on that theme. I think Mr. Gould would have been intrigued himself. The sound on the instrument is wonderful, if not superior to the original mono. The technique is there. The vocalizations aren't(!). A binaural version for headphones is included.
Recommended!
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