Bach: The Well Tempered Clavier Book II

Johann Sebastian Bach (Composer), András Schiff (Performer) | Format: Audio CD

Product Details

• Performer: András Schiff
• Composer: Johann Sebastian Bach
• Audio CD (October 25, 1990)
• Number of Discs: 2
• Label: Decca
• ASIN: B0000041RF
• In-Print Editions: MP3 Download
• Average Customer Review: 4.6 out of 5 stars  See all reviews (10 customer reviews)
• Amazon Best Sellers Rank: #14,349 in Music (See Top 100 in Music)
  • #12 in Music > Classical > Forms & Genres > Improvisation

Customer Reviews

Most Helpful Customer Reviews

21 of 21 people found the following review helpful:

5.0 out of 5 stars Very different in compositional charater - GREAT playing, July 9, 2002

By 

Craig Matteson (Saline, MI) - See all my reviews
(TOP 500 REVIEWER)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Bach: The Well Tempered Clavier Book II (Audio CD)

WTC book II is a very different set of pieces than the first book. The pieces are less compositionally tied together and are actually more interesting individual compositions, I think. But the WHOLE of the book is somewhat less than WTC I.

But who wants to hear all of the preludes and fugues in a sequence anyway? They were certainly never written to be performed that way. But they are a joy to listen to and an even greater joy to play.

This recording is more than very excellent. Schiff's playing is thoughtful, wonderfully voiced, sonorous, and emotionally correct. He never indulges in idiosyncracies to pretend to individuality. Instead, he reaches into the well of his deep musicality and gathers all the resources he needs to make these performances his own without having to resort to musical body piercings or tattoos.

You would do very well to have this and the recording of WTC I in your collection.

17 of 18 people found the following review helpful:

5.0 out of 5 stars splendid, March 3, 2000

By 

John Denver (VA) - See all my reviews

This review is from: Bach: The Well Tempered Clavier Book II (Audio CD)

I've never heard such delicate and beautiful playing of Bach's Well Tempered Clavier such as this. Schiff coaxes the most incredibly sweet sounds out of his piano and gives these works a new dimension. Some of the tempi in the fugues are slower than those of Gould's survey, as indicated by the reviewer below, but his phrasing is so flowing and smooth that it becomes more hypnotic and the listener becomes entranced by it. Add to the fact that the sound is remarkably full with just the right amount of resonance without compromising clarity (compared to Gould's discs which offer impressive crispness but is rather dry in tone) this set is satisfying in every way.

15 of 16 people found the following review helpful:

4.0 out of 5 stars Strong Bach playing from a strong pianist, March 4, 2005

By 

klavierspiel "klavierspiel" (TX, USA) - See all my reviews
(VINE VOICE)   

This review is from: Bach: The Well Tempered Clavier Book II (Audio CD)

Despite his wide-ranging repertory, Andras Schiff has established himself as something of a Bach specialist. Bach's second collection of twenty-four preludes and fugues in all major and minor keys was composed (and compiled) two decades after the first; although just as masterful in its composition it overall makes for a somewhat less satisfying total listening experience than the first set, primarily because of a certain sameness of tempo and mood that sets in around the F-sharp minor (which in itself is a lovely piece, often played separately), no. 14, and lasts until the A major, no. 19. It is precisely in some of these that one senses a certain overemphatic underlining, a straining for effect that suggests Schiff feels this way as well. The staccato treatment of the A-flat major Fugue, no. 17, a la Gould and the attempt to impose a forceful final climax on the succeeding fugue are cases in point. Nevertheless, as others have pointed out, these pieces were probably never meant by Bach to be performed or heard as a set. For every idea of Schiff's that doesn't quite work, there are many that do--his grasp of the knotty technical and structural problems of the B-flat minor Fugue, for example, is most impressive. The individual listener can easily listen to Schiff's interpretations that match his tastes and skip over those that don't. Though I myself secretly find the old Joerg Demus reading, incorrect ornaments and all, the most satisfying of all of the WTCs on piano, and of course pay homage to Gould's incomparable technical mastery, Schiff's WTC is one modern recording that I return to frequently.