Bach: Works for Trumpet

Johann Sebastian Bach (Composer), Alistair Ross (Performer), Colm Carey (Performer), Alison Balsom (Performer) | Format: Audio CD

Product Details

• Performer: Alistair Ross, Colm Carey, Alison Balsom
• Composer: Johann Sebastian Bach
• Audio CD (January 10, 2006)
• Number of Discs: 1
• Label: EMI Classics
• ASIN: B000CNEO1G
• In-Print Editions: MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (11 customer reviews)
• Amazon Best Sellers Rank: #16,317 in Music (See Top 100 in Music)
  • #5 in Music > Classical > Historical Periods > Baroque (c.1600-1750) > Forms & Genres > Variations
  • #19 in Music > Classical > Instruments > Keyboard > Organ
  • #27 in Music > Classical > Opera & Vocal > Vocal Non-Opera > Masses

Customer Reviews

Most Helpful Customer Reviews

24 of 26 people found the following review helpful:

5.0 out of 5 stars Alison Balsom Rocks My World!!, January 19, 2006

By 

Kevin Peterson (Milwaukee, WI) - See all my reviews
(REAL NAME)   

This review is from: Bach: Works for Trumpet (Audio CD)

I purchased this CD at a recital Ms. Balsom was performing at. After having had the privilege of not only hearing this CD, but hearing her perform in person and meeting her for myself; I can HIGHLY recommend this CD.

Ms. Balsom's mastery of the trumpet is obvious in this CD. She sings beautifully throughout the instrument's full dynamic range, and her technical prowess is certainly as good as any of the "larger name" recording artists of today. Her interpretations are very solid as well.

This is a great CD to buy for anyone looking for a good recording of Bach's music rearranged for trumpet (the modern trumpet had not been designed yet in Bach's time). It's also worth mentioning that many of the arrangements performed on this CD were arranged by Ms. Balsom herself.

18 of 21 people found the following review helpful:

5.0 out of 5 stars Ms. Balsom sounds sweet and commanding, January 21, 2006

By 

A. Yates "TrompetVrouw" (Atlanta,GA) - See all my reviews
(REAL NAME)   

This review is from: Bach: Works for Trumpet (Audio CD)

I honestly enjoy these arrangements of Bach pieces for the trumpet and Ms. Balsom sounds beautiful on all of the them. I congratulate her in producing a high-quality CD and look forward to hearing more of her in the future. Her facility on the instrument is sweet and complete. If you like solo trumpet music, this will be a treat for the ears.

39 of 49 people found the following review helpful:

4.0 out of 5 stars a magnificent player, but not yet artistically mature, September 7, 2006

By 

D. Jack Elliot (Omaha, Nebraska) - See all my reviews
(VINE VOICE)   

This review is from: Bach: Works for Trumpet (Audio CD)

Balsom delivers an attractive disc here, with her impressive technical skill and a sophisticated seriousness of purpose in her programming, but there's something important missing from this album. Balsom plays with magnificent virtuosity, but she presents no message, no artistic voice, no aesthetic philosophy, no unique understanding of or approach to these works of J.S. Bach. I think she's overly preoccupied with proving herself. There's a Carnival of Venice sort of character to this disc: bars and bars of sixteenth notes flow effortlessly from her trumpet, and then bars and bars more, but for all that you get no sense of a distinct musical personality. (Her tone is very French as well: focused and bright. You can hear that she's been taking Håkan Hardenberger pills. Personally I'm not fond of this sort of trumpet sound, but I understand that it's a matter of taste.)

I have an album of Bach oboe concerti, played by Heinz Hollinger, that's similar to Balsom's effort here: flawlessly even, rapid-fire delivery of difficult lines is emphasized. But what Hollinger communicates that Balsom doesn't is a certain idiosyncrasy, a sense that only Hollinger could play those pieces quite like that, even if another oboist were to match his tempos. Even Wynton Marsalis -- who was often criticized for being mechanical and stylistically daft in his classical recordings of the '80s -- evinced an amiable flair and attitude that Balsom here lacks.

Listen, for example, to the slow, lyrical movements: the sarabande from the D minor cello suite, say. This is the sort of music through which an instrumentalist of consummate artistry -- a Milstein, or a Fournier -- could explore his own aesthetic vision while at same time revealing to us the sublime depth and breadth of Bach's artistry. With Balsom, though, there's no insight... it's all very pretty and she really means it, but you can't say much more about her reading. Not having hundreds and hundreds of notes to keep track of in this movement, she seems a bit unsure of exactly where to direct her energies.

Even so, I think that a musician must be of immense skill to merit this sort of criticism at all. Lesser players delight for being very good; Balsom here disappoints just a bit because her playing hints at true greatness but isn't quite there. Balsom is a magnificent player lacking a distinct voice, and if she develops one she will become one of the most important instrumentalists on the scene.