Customer Reviews

Bach: Works for Trumpet

5 star:		(9)
4 star:		(2)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

I purchased this CD at a recital Ms. Balsom was performing at. After having had the privilege of not only hearing this CD, but hearing her perform in person and meeting her for myself; I can HIGHLY recommend this CD.

Ms. Balsom's mastery of the trumpet is obvious in this CD. She sings beautifully throughout the instrument's full dynamic range, and her technical prowess is certainly as good as any of the "larger name" recording artists of today. Her interpretations are very solid as well.

This is a great CD to buy for anyone looking for a good recording of Bach's music rearranged for trumpet (the modern trumpet had not been designed yet in Bach's time). It's also worth mentioning that many of the arrangements performed on this CD were arranged by Ms. Balsom herself.

I honestly enjoy these arrangements of Bach pieces for the trumpet and Ms. Balsom sounds beautiful on all of the them. I congratulate her in producing a high-quality CD and look forward to hearing more of her in the future. Her facility on the instrument is sweet and complete. If you like solo trumpet music, this will be a treat for the ears.

Balsom delivers an attractive disc here, with her impressive technical skill and a sophisticated seriousness of purpose in her programming, but there's something important missing from this album. Balsom plays with magnificent virtuosity, but she presents no message, no artistic voice, no aesthetic philosophy, no unique understanding of or approach to these works of J.S. Bach. I think she's overly preoccupied with proving herself. There's a Carnival of Venice sort of character to this disc: bars and bars of sixteenth notes flow effortlessly from her trumpet, and then bars and bars more, but for all that you get no sense of a distinct musical personality. (Her tone is very French as well: focused and bright. You can hear that she's been taking Håkan Hardenberger pills. Personally I'm not fond of this sort of trumpet sound, but I understand that it's a matter of taste.)

I have an album of Bach oboe concerti, played by Heinz Hollinger, that's similar to Balsom's effort here: flawlessly even, rapid-fire delivery of difficult lines is emphasized. But what Hollinger communicates that Balsom doesn't is a certain idiosyncrasy, a sense that only Hollinger could play those pieces quite like that, even if another oboist were to match his tempos. Even Wynton Marsalis -- who was often criticized for being mechanical and stylistically daft in his classical recordings of the '80s -- evinced an amiable flair and attitude that Balsom here lacks.

Listen, for example, to the slow, lyrical movements: the sarabande from the D minor cello suite, say. This is the sort of music through which an instrumentalist of consummate artistry -- a Milstein, or a Fournier -- could explore his own aesthetic vision while at same time revealing to us the sublime depth and breadth of Bach's artistry. With Balsom, though, there's no insight... it's all very pretty and she really means it, but you can't say much more about her reading. Not having hundreds and hundreds of notes to keep track of in this movement, she seems a bit unsure of exactly where to direct her energies.

Even so, I think that a musician must be of immense skill to merit this sort of criticism at all. Lesser players delight for being very good; Balsom here disappoints just a bit because her playing hints at true greatness but isn't quite there. Balsom is a magnificent player lacking a distinct voice, and if she develops one she will become one of the most important instrumentalists on the scene.

I bought this album not knowing anything about Ms. Balsom, but being a trumpet aficionado (Marsalis, Andre, Alpert, Masekela) was curious as to how a female trumpeter would sound (I confess to having never heard of a female trumpeter).

Well, this CD is terrific. I like Bach's work and she interprets it in a clear and commanding style. It's right up there with my favourite classical trumpet cd, Marsalis' Baroque Music for Trumpets, and I look forward to hearing from and seeing Ms. Balsom here in the States.

I was wondering whether the harpsichordist on this CD is Glenn Gould, since there is a lot of humming by him, which I found annoying. Maybe "Alistair Ross" studied under Gould. Anyway, thankfully he's not on all tracks.

Otherwise, Balsom indeed sounds great and the recording quality (apart from the above humming) is excellent, so I can basically agree with the other favourable reviews.

Of course you can only go wrong with Bach when playing is suspect or the sound quality is bad.

Neither are issues here as Balsom plays with technical command and beautiful phrasings. Also, as I learned in the liner notes, Balsom has studies with Hakan Hardenberger which is certainly great bona fides.

I'm not familiar with many other trumpet interpretations of these pieces, so the CD is an excellent addition to the catalog.

Alison brings a feminine touch to the trumpet tone as I have never heard. Her transcriptions are well picked and flawlessly executed. I would highly recommend this cd to any instrumentalist.

Unbelieveable sound from such an angel! And she's a babe!! Maurice Andre, eat your heart out!!! OK, enough of that; her sound is sweet and full; a true genius, and perfect performance.

great music really enjoy this album and hope to hear more from this artist

She has wonderful tone like her teacher Hakan Hardenberger,but more coolish.