Amazon.com
The Bachelor got critically slammed when it played in theaters, probably because reviewers couldn't help comparing it with the movie on which it's based, the brilliant Buster Keaton comedy
Seven Chances. But on its own terms,
The Bachelor is a modest and enjoyable picture about Jimmie (Chris O'Donnell), a happily single young man who suddenly gets an ultimatum from his grandfather's will: marry by his 30th birthday or lose an inheritance of $100 million. This is revealed the day before that very birthday. Unfortunately, Jimmie had already proposed to his girlfriend Anne (Renee Zellweger) and been turned down; she can see in his eyes that he isn't ready to get married and refuses to accept him until he is. So Jimmie needs to find a bride--fast. Though the commitment-shy man is a hoary cliché,
The Bachelor successfully exaggerates Jimmie's fears to comic proportions. O'Donnell is his usual affable self, but it's Zellweger who seizes every scene she's in and makes something really enjoyable out it. The movie's greatest weakness is that she's such a small part of the second half. Still, there's good supporting performances from Hal Holbrook, Ed Asner, James Cromwell, and Marley Shelton (as Zellweger's sister), and Peter Ustinov and Brooke Shields both have very funny scenes.
The Bachelor skirts some dangerously chauvinistic territory at times, but by and large it's a pleasant comedy with some genuine good humor.
--Bret Fetzer
From The New Yorker
Chris O'Donnell produces and stars in this slack retread of Buster Keaton's silent comic romp "Seven Chances." The story, about a man who has to get married within twenty-four hours in order to inherit his grandfather's fortune, hasn't been updated much. It's an anachronistic and, at times, culturally clueless undertaking; at one point, the bachelor is seen cavorting in a wild herd of available men, while women in pursuit fling lassos around their necks. The comedy is of the old ball-and-chain variety-there's not a hint of modern, knowing humor. Renée Zellweger co-stars as the long-suffering girlfriend who rejects the bachelor's crass proposal, and Brooke Shields (in full drag-queen mode) appears as a financially strapped socialite. -Bruce Diones
Copyright © 2006
The New Yorker