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Back to the Badlands: Crime Writing in the USA [Paperback]

John Williams (Author)
3.3 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

February 1, 2007
“A gazetteer of American noir.”—Daily Telegraph
 
In the summer of 1989 John Williams donned a baseball cap and took off for the States to search out the mythical America of modern crime fiction—to find James Ellroy’s Los Angeles, Elmore Leonard’s sleazy South Beach of Miami, Sara Paretsky’s Chicago, and many others on a tour of the American underbelly. The result was Into the Badlands, a riveting collection of interviews.
 
In 2005 Williams returned to discover that much had changed in the intervening years, both in crime writing and in America as a whole. As Williams crosses America in the wake of Hurricane Katrina, he finds himself in a profoundly uneasy country. Whether their territory is inner-city DC, like George Pelecanos, or the rural white poverty of the Ozark Hills, like Daniel Woodrell, the best crime writers today are sending dispatches from the edge. John Williams brings their visions together to construct a powerful, personal portrait of America today.
 
Includes interviews with James Lee Burke, James Ellroy, James Crumley, Sara Paretsky, Eugene Izzi, Elmore Leonard, George V. Higgins, Vicki Hendricks, Kem Nunn, Kinky Friedman, Daniel Woodrell, and George P. Pelecanos.


Editorial Reviews

From Publishers Weekly

British author/provocateur/former rocker Williams revisits an earlier collection of interviews focusing on crime writers and the locales they haunt, stirring up a casserole of crime, coolness and casualties, the latter being the cities memorialized by the writers. The first part of the book contains a selection of interviews conducted in 1989 for the original volume, and the rest is material gathered during a visit in 2005. Miami-based Carl Hiassen says of his city, "Is this the drug capital of America? Of course it is, because it's the entry point for most of the drugs. It's not that it's an evil city, it's just geographic." James Lee Burke reveals, "I was a social worker on skid row in Los Angeles, I worked on the pipeline, I was a land surveyor...I've been a truck driver, worked for the U.S. Fire Service, taught at five colleges and I've been unemployed a lot too." The stories continue in that vein, as most of the authors exhibit remarkable candor. Elmore Leonard says of having his books adapted to film, "I'm very optimistic about each film. All along the way I'll think 'This could be a good picture, who knows?' And I'll do what the director says even though I think he's wrong." The evocation of place-Austin, the Ozarks, gulf coast Louisiana-is superbly rendered. If you enjoy crime fiction, if you live in a city, if you listen to music, there's something here for you.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

*Starred Review* In 1989, Welsh mystery writer Williams (The Cardiff Trilogy) combined travel memoir and crime-fiction criticism into a beguiling little book called nto the Badlands. Playing the role of a hard-boiled De Tocqueville, he traveled about the U.S., interviewing his favorite crime writers (Leonard, Hiaasen, Ellroy, among them) and visiting the cities in which they set their books. He returned to the U.S. in 2003 and repeated the process with a new group of writers, mainly less mainstream authors of the kind who turn up on the favorites list of anyone who favors edgy, noir-tinged crime writing (Daniel Woodrell, Vicki Hendricks, Kem Nunn). In addition to the new material, this volume includes several of the essays from the original; rather than seeming like filler, though, the older chapters work in concert with the newer to provide a perfect cross section of hard-boiled crime writing, tailored not to the casual reader but to the connoisseur. And the countercultural edge Williams brings to his travel commentary works, too, not because we need to be told that gentrification ruins a good mystery setting but because his observations are always made with self-deprecating humor ("People like me end up spending our time complaining about how much better things used to be before people like me showed up and ruined them"). Best of all, though, is Williams' taste in writers: Gar Anthony Haywood, Jesse Sublett, and Terrill Lankford aren't household names, but if you love hard-boiled fiction, they are names you know, and people you'd like to know better. Bill Ott
Copyright © American Library Association. All rights reserved

Product Details

  • Paperback: 273 pages
  • Publisher: Serpent's Tail; 2nd Ed edition (February 1, 2007)
  • Language: English
  • ISBN-10: 1852429216
  • ISBN-13: 978-1852429218
  • Product Dimensions: 7.7 x 5.3 x 0.8 inches
  • Shipping Weight: 7.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #933,226 in Books (See Top 100 in Books)

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2 of 2 people found the following review helpful:
5.0 out of 5 stars Excellent Crime Travelogue, March 18, 2007
This review is from: Back to the Badlands: Crime Writing in the USA (Paperback)
This excellent literary travelogue is a little bit of an odd beast in that it is essentially an updated version of William's 1989 book "Into the Badlands" (which I read about five years ago). Back then, Williams visited the U.S., interviewing various crime writers about their hometowns and their writing process. He then repeated the process in 2005, leading to this book. Williams' M.O. is to stay in a cheaper (i.e. seedier) parts of town and either walk around on his own in search of interesting bars or music stores, or get the writer he's meeting to give him an insider's tour. He's clearly a believer in crime fiction as social portraiture and commentary, and also has a bit of a music industry background. These perspectives combine to make him an interesting external chronicler of contemporary America.

The first hundred pages reprint portions from the 1989 edition on Miami (Carl Hiassen), New Orleans (James Lee Burke), Los Angeles (James Ellroy and Gar Anthony Haywood), Missoula (James Crumley), and Detroit (Elmore Leonard). These are interesting to read today not only for a perspective on how these various places have changed in the intervening 18 years, but for their insight on writers whose careers have since blossomed (the notable exception being Gar Anthony Haywood). A postscript gives a brief, and not always flattering, update on the career trajectories of these six writers.

Sharp readers will also find other little nuggets that have aged well -- for example, in the section about L.A., one of the people who hosts Williams is scruffy young intellectual named Mike Davis, who has since risen to international prominence as an urbanist. It's not clear why these particular sections were chosen for this edition, nor why the decision wasn't made to simply republish them all, but the "missing" chapters are available for free at Williams' web site. These include another section on Miami (James Hall), and chapters on New Mexico (Tony Hillerman), San Francisco (Joe Gores), Chicago (Sara Partesky, Eugene Izzi), Boston (George V. Higgins), and New York (Andrew Vachss).

Since his 1989 trip, Williams has gone on to write a series of excellent Cardiff-based crime novels himself (all of which are well worth seeking out). At the same time he's become more steeped in American crime writing, which gives the five newer chapters a touch more depth. Here, he visits Washington, D.C. (George Pelecanos), Hollywood Beach, FL (Vicki Hendricks), LA/San Diego (Ken Nunn), Austin (Jesse Sublett, Kinky Friedman), and the Ozarks (Daniel Woodrell). The only place in the whole book I'm particularly familiar with is D.C., and that chapter does a good job of giving the reader a taste of what the city is really like, and delivers a solid profile of Pelecanos (one of my favorite writers) as well.

The book concludes with a bittersweet epilogue in which Williams reflects on the change that's come about in the intervening 16 years between his trips. Of course the internet has made the enterprise of traveling to new places and discovering new authors much easier -- but he feels that something is lost in the process. In the literary world, he sees crime fiction emerging from its ghetto and standing with the mainstream. Most refreshingly, Williams isn't afraid to pull punches, noting that much of the best crime fiction now comes from other countries, and that several of the writers he originally interviewed in 1989 have spent the years cranking out commercial dross. The book is a must read for anyone interested in modern American crime writing, and will be of interest to anyone interested in an outsider's view of the U.S.
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3.0 out of 5 stars A book in parts, August 3, 2007
By 
Peter (Melbourne Australia) - See all my reviews
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This review is from: Back to the Badlands: Crime Writing in the USA (Paperback)
I enjoyed the 1989 edition a lot as the writer was young and seemed more full of energy in his wanderings and the interviews were with a top group of authors.

The 2007 edition is still pretty good but there was no need to have reprinted half the first book and this time the author seems to have gone off the tracks with some authors who don't have the oompth that the 1989 edition had.

The George Pelecanos section was excellent though.
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1 of 2 people found the following review helpful:
2.0 out of 5 stars Boring Road Trip, Weak Interviews, August 26, 2007
By 
B. Erisman (Albuquerque, NM) - See all my reviews
(REAL NAME)   
This review is from: Back to the Badlands: Crime Writing in the USA (Paperback)
Williams sets out to visit American cities where crime novels are set and to meet some of the most noted crime writers around. Mission accomplished. Too bad he didn't add "writing a captivating story" about the experience to his mission.

Mostly William's roams from bar to pub to tavern and muses about bad beer and the music in the background. On the occasion when Williams does hook up with a writer, the "interview" barely travel beyond a recounting of the author's titles and information that could be gathered from reading the authors bio's on their book flaps or other readily available resources.

If you are a newbie to crime, Williams does pick some great writers and titles - but I'd rather the list be a list rather than a weak travelogue.

Just skip to the bibliography in the back of Badlands and find something better to read.
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Inside This Book (learn more)
First Sentence:
THE CAB DRIVER didn't want to go to South Beach. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
iguana love, big nowhere, crime fiction
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New Orleans, Elmore Leonard, New York, Tapping the Source, Huntington Beach, Los Angeles, James Lee Burke, George Pelecanos, Kern Nunn, West Plains, James Ellroy, Miami Beach, Tomato Red, Ben's Chili Bowl, Carl Hiaasen, Kinky Friedman, Miami Vice, South Beach, The Wrong Case, John Williams, Miami Purity, Charles Willeford, Dave Robicheaux, Imperial Beach, James Crumley
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