Back at the Chicken Shack (24bt) [Import, Limited Edition, Original recording remastered]

Jimmy Smith | Format: Audio CD

Product Details

• Audio CD (November 22, 2000)
• Original Release Date: 2007
• Number of Discs: 1
• Format: Import, Limited Edition, Original recording remastered
• Label: Blue Note Japan
• ASIN: B000056FOZ
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (33 customer reviews)
• Amazon Best Sellers Rank: #1,505,364 in Music (See Top 100 in Music)

Track Listings

1. Back at the Chicken Shack

2. When I Grow Too Old to Dream

3. Minor Chant

4. Messy Bessie

5. On the Sunny Side of the Street [*]

Editorial Reviews

Amazon.com

This is the kind of nasty, back-alley music that makes you wince in ecstasy. With Stanley Turrentine's tenor and Kenny Burrell's guitar sharing solo space, the Hammond master digs in with a blues-drenched shovel. While certainly fluent in the bop idiom, Smith's organ work maintains a direct emotional peg that reflects the swing and jump blues of a previous generation. Turrentine, a relative newcomer at this point (1960), proves a perfect foil for Smith's funky ideas, forgoing flashy bop runs in favor of soulful, expressive passages. Even on chestnuts such as "When I Grow Too Old to Dream" and "On the Sunny Side of the Street," the foursome boils the melodies down to their barest bluesy core. Back at the Chicken Shack is the prototypical soul-jazz recording. --Marc Greilsamer

Product Description

Import-only four CD set from the Jazz great. Doc. 2011. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

56 of 58 people found the following review helpful:

5.0 out of 5 stars Serious cooking at the shack, July 22, 2002

By 

G B (Connecticut) - See all my reviews

This review is from: Back at the Chicken Shack (Audio CD)

First things first: ignore the low average rating for this album -- this is one of Jimmy Smith's best (maybe THE best) albums and a major jewel in the crown of Blue Note records. It's not funky in the James Brown sense, it's funky in the heaps-and-heaps-of-soul, a-groove-six-feet-deep, "What the hell is happening back at that chicken shack?" sense.

As far as groovin', bluesy B3 jazz, you really can't do better than this album. Donald Bailey has a heavy, booting swing and Jimmy Smith's chunky basslines propel the music along. Kenny Burrell's playing is beautiful here -- very subtle and tasteful, the yin to Jimmy Smith's powerful organ yang. And as far as I'm concerned, tenor saxophonist Stanley Turrentine is lifted to deity status by his playing on this session. Saxophone playing doesn't get any more soulful and meaty than this.

The title track is just a blues, but what a blues it is. Jimmy digs in with the riff, Kenny plays one of his marvelous, low-key solos, and then Turrentine makes history with an absolutely mind-boggling huffin' and puffin' solo. Even the standards on this CD (classic interpretations of "When I Grow too Old to Dream" and "On the Sunny Side of the Street") sound bluesy. And despite the fact that the title track is the most famous piece here, I think "Messy Bessie" is the best here. Judging by the song, she must be a fun girl to hang around.

If you like this album, get its twin (recorded the same day), Midnight Special. Other great Jimmy Smith albums are Crazy! Baby, the Sermon, and Cool Blues. But I don't think any of them are as awesome as whatever the hell is going on Back at the Chicken Shack.

10 of 11 people found the following review helpful:

5.0 out of 5 stars Awesome!, February 20, 2005

By 

Claude Lapointe "maaaars" (Quebec, Canada) - See all my reviews
(REAL NAME)   

This review is from: Back at the Chicken Shack (Audio CD)

I agree 100% with Guy from New Haven. And even though I don't possess all of Jimmy's albums, this has to be his best... Maybe the the best jazz album ever!!! Never heard anything so groovy; it's B3 organ, Tenor Sax and good rhythm galore!!!

I don't know which track is best because they're all stunning but to name a few, maybe "Minor Chant" by Stanley Turrentine (who brilliantly plays the sax throughout the album), stands out a little... not by much though. "When I grow too old to dream": what a sweet melody!... Messy Bessie (by Jimmy) is so good, I would have appreciated a finale instead of the fade-out we got (but that's okay). And technically, the 1960's Blue Note pure, clear, and no-fuss analog recording sounds flawless.

If you're jaded with the traditional organ-drums-guitar formation, check this out because tenor saxophone truly adds a uniquely elegant and amazingly powerful dimension to Jimmy's already great sound! This will put a smile on your face and make your head bounce!

11 of 13 people found the following review helpful:

5.0 out of 5 stars One of the greatest jazz albums of all time..., September 14, 2004

By 

j. - See all my reviews

This review is from: Back at the Chicken Shack (Audio CD)

What's there to say about Jimmy Smith that has not already been written? He's a true jazz pioneer, the "Miles Davis" of the Hammond (electric) organ, one might say. Like Davis, Smith has changed his sound drastically over the years, from Hard-Bop of early "Sermon" years, to Soul and eventually even Big Band style. But unlike Miles Davis or John Coltrane, Jimmy Smith is virtually unknown outside of jazz circles. This is truly unfortunate (and surprising), given the fact that so many rock and roll bands have used the Hammond B-3 organ in their songs over the past three decades. If it wasn't for Smith, the instrument would arguably not have as widespread appeal among musicians. On this album, widely regarded as his strongest, Smith's playing is groovy and laid back, but not in a lazy way. Continuing with the Miles Davis analogy (because everyone, even non jazz-enthusiasts, are familiar with Davis' work), consider this Smith's version of "Kind of Blue." It's cool, calm, and collected. But at the same time, Smith accents the entire thing with a heavy dose of straight-up soul. Smith, who has had one of the most prolific careers of anyone, deserves more recognition and credit for his work in the genre. But until that happens, there will be plenty of jazz fans grooving to this album, waiting to say, "See, we told you so" to the rest of the music world.