Backless [Original recording reissued, Original recording remastered]

Eric Clapton | Format: Audio CD

Product Details

• Audio CD (September 10, 1996)
• Number of Discs: 1
• Format: Original recording reissued, Original recording remastered
• Label: Polydor / Umgd
• ASIN: B000002G8J
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 3.8 out of 5 stars  See all reviews (38 customer reviews)
• Amazon Best Sellers Rank: #7,525 in Music (See Top 100 in Music)
  • #63 in Music > Rock > Rock Guitarists > Guitar Gods

Editorial Reviews

Japanese only SHM-CD (Super High Material CD - playable on all CD players) paper sleeve pressing. Universal. 2008. --This text refers to an alternate Audio CD edition.

Customer Reviews

Most Helpful Customer Reviews

19 of 20 people found the following review helpful:

4.0 out of 5 stars A solid Clapton solo album, August 2, 2000

By 

Brian D. Rubendall (Oakton, VA) - See all my reviews
(HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Backless (Audio CD)

Though not in the same league with Clapton's best solo albums from the 1970s (that would be "461 Ocean Boulevard" and "Slowhand"), "Backless still contains enough good Clapton performances to keep it interesting. The best are the countryish "Promises," the bluesy "Walk Out in the Rain," the superbly rockin' "Tulsa Time," and "Watch Out for Lucy." The rest aren't quite as good but are a cut above your average filler material. This is the kind of album you can plug in and play in the background without getting any nasty surprises. Overall, its well worth a listen for Clapton fans and for fans of 70s rock.

11 of 11 people found the following review helpful:

4.0 out of 5 stars Country meets Blues, June 17, 1999

By A Customer

This review is from: Backless (Audio CD)

One of the most underrated albums in my opinion is Eric's 1978 "Backless" recording. It is a fantastic collection of music, starting with "Walk out in the Rain" actually written by Bob Dylan/Helena Springs. This track sets the tone for the album, mellow bluesy rock that really gets in your head after a few listenings. "Tulsa Time" may be the most known track, at the end of the album, and it is a great remake of a classic.

In between are some nice traditional blues ("Early in the Morning" - similar to the sound heard on "From the Cradle"). "Watch out for Lucy" could come straight out of a roadside beer bar, a great "live band" sound even though it's a studio recording. Criticisms of this album are commonly along the lines of "Eric goes Country...etc..", but I would urge Clapton fans to give it a try... it's good listening

12 of 13 people found the following review helpful:

5.0 out of 5 stars After hours Clapton, April 8, 2004

By 

John Stodder "a.k.a. Juan La Princi" (livin' just enough) - See all my reviews

This review is from: Backless (Audio CD)

This has become one of my favorite albums. As was the case with many of Eric Clapton's 70s recordings, there is conscious, post-traumatic sense of escape from the trappings of superstardom. "Backless" is the antithesis of the apocalyptic drama that was Cream or Derek and the Dominos. No one would ever die for this music--it's just for fun, to make you smile, and to enjoy some great playing. His two Dylan songs are nothing you would confuse with "Desolation Row"--they are simple songs that could've been written by anybody, and they are both quite enjoyable here. The real highlights, though, are the minor hits "Promises," "Watch out for Lucy," and "Tulsa Time" which have a great after-hours motel room feel about them. "Promises" is as close to perfection as you could get--a subdued vocal, lyrics ruminating about one of those relationships that get under your skin, a great rhythm track, and subtle slide guitar touches that double the wordless chorus. "Watch out for Lucy" is an irresistable toe-tapper that allows Clapton to cut loose on the guitar, and "Tulsa Time" is a rocker that provides another good setting for Clapton to cut loose. I love the organist and the drummer on this session--and found myself thinking of Garth Hudson and Levon Helm.