Most Helpful Customer Reviews
45 of 45 people found the following review helpful:
5.0 out of 5 stars
The Best Ballet Documentary Ever, June 27, 2000
From the opening sequence of swans waiting to go onstage to the closing shot of a young ballerina just after her triumphant debut in Swan Lake, this documentary is masterfully conceived and filmed. Amid scenes of corps de ballet rehearsals, classes, coaching sessions and backstage preparations, the focus is the upcoming debut of Altynai Asylmuratova as Odette/Odile in Swan Lake. There is something fascinating here for everyone: for dancers, a chance to compare training methods and styles; for balletomanes, scenes of past, present and future great dancers; and for people new to ballet, an illuminating look at the hard work it takes to become a great dancer. For a sense of continuity, also see "Children of Theatre Street," a 1978 documentary about students at the Kirov (there's a very brief shot of Asylmuratova as a student, sitting at a desk, then looking at the camera), and "The Leningrad Legend," a documentary about Makarova's first return to the Kirov after her defection many years before (Asylmuratova has become the Kirov's prima ballerina, and several of her former classmates are also rising stars of the company).
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16 of 16 people found the following review helpful:
5.0 out of 5 stars
Riveting insider's view of one of the world's top companies, February 26, 1999
By A Customer
You'll not find a more revealing, intimate, insider's view of the training and rehearsal process at the illustrious Kirov Ballet. Filmed in 1984, "Backstage at the Kirov" follows a very young Altynai Assylmuratova as she prepares for her first performance as the Swan Queen in "Swan Lake." We see her giggling her way through rehearsals, being immaculately coached by a former Swan Queen on the finest details of interpretation and working with her husband, who will dance with her on opening night. We see a revealing one-on-one interview in which she discusses her setbacks (a severe injury), her fears and her dreams. In the performance sequences, we find one of the world's greatest ballet companies perform original Petipa choreography with, we imagine, the same passion and attention to detail as in the premiere staging of "Swan Lake". We gain enviable insight into the respect for tradition and reverence for the art for which the Russian ballet companies are best known. This video is an excellent choice for students of the dance, balletomanes and anyone interested in the care and cultivation of the European classical arts.
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14 of 14 people found the following review helpful:
5.0 out of 5 stars
Fascinating behind the scenes look at the top ballet company, October 8, 2004
The Kirov Ballet even during the height of the cold war was known as a ballet company with uncomprimising standards of excellence, a world-famous training school (the Vaganova Academy) and a distinctive style of dancing that is instantly recognizable for balletomanes. (Namely, an extremely fluid, flexible upper body.)
This behind the scenes look at the Kirov is fascinating. First of all, you see that being one of the world's top ballet companies comes with a cost: the balletmasters are strict drill sergeants, painstakingly criticizing the corps for every bent leg or unpowdered face. It's a little cringeworthy to see a ballet instructor berate a young academy student so mercilessly, or the corps getting a tongue-lashing during an intermission of Swan Lake. We also see the pecking order of the ballet company: prima ballerina Galina Mezentseva behaves with a confidence and hauteur that the giggly, chatty corps girls lack.
The documentary focuses in particular on the absolutely lovely Altynai Asylmuratova, who's a corps member who's being groomed for starring roles. (She would go on to become a world-famous ballerina.) Her husband is a soloist, and Altynai is 21 and already dancing with incredible grace and beauty. There are interviews with Altynai and she's adorable, both on and off-stage. She smiles and giggles almost constantly. She seems down-to-earth and sweet, and candid: the instructors talk about the importance of daily class, and Altynai admits she hates attending class. She wants to sleep in.
The only criticism I have is that after all the preparation we see for Altynai's Swan Lake, there's frustrating little footage of the actual performance. I could spend the rest of my life watching Altynai dance and at 80 minutes the directors certainly could have included more of Altynai's Odette/Odile.
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