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Most Helpful Customer Reviews
5 of 5 people found the following review helpful:
5.0 out of 5 stars
A Landmark Recording, 8 March 2002,
By howard d clarke (new york, NY United States) - See all my reviews
This review is from: Backstreet (Audio CD)
David Sandborn is my all time favourite saxophonist. His 1980 release, 'Voyeur', initially exposed me to him and this genre of music. After that first taste, I began to obtain his back catalogue, which included the fine 'As We Speak' LP. However, it was not until I heard this LP, which I believe is his best recording to date, I realised that this was an artist in the true sense of the word. Every track is full of emotion. At times his sax sounds like it IS a human voice. Remarkable! The use of drum machines, which was a reflection of the times, did not hinder but enchanced the recordings, as guided but the deft hand of Marcus Miller. I could go on and on, but, however I will close with this - whenever I hear a track from this album, I am in Germany, I'm 22 and it is 1984 all over again!! It is truly a MUST HAVE for your cd collection:-)
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Here's A GROOVE!!!!,
By
This review is from: Backstreet (Audio CD)
It's 1982 and David Sanborn is back playing HOT funk-jazz onhis saxaphone!His Hank Crawford-inspired playing is set to ultra funky numbers like the smooth "Told U So",the electrofied "Believer" and the smoldering title track.Even at it's mellowist it's cool,loose and underproduced;just the way this kind of music should be.Smooth jazz?No nothing smooth here-there's a BIG difference between smooth and cool and THIS falls into the latter!
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Ain't Nothin' Like Hot Sax...Late At Night !,
By
This review is from: Backstreet (Audio CD)
Sanborn's '83 release brought a new meaning to late night or midnight music listening ! By no means is this elevator muzak, either ! In fact, Sanborn was on the cutting edge in using drum machines and synthesizer arrangements without stifling his sax playing or throwing the whole project out of whack. Sanborn's playing is very upfront and sharp ! While the recording may sound dated, it is only in a very good positive way to demonstrate what is lacking in some of today's so-called pop-jazz or r & b instrumentalists. Substance! With well renowned and brilliant guest artists, such as Luther Vandross and Marcus Miller, Sanborn could not have been in better company. This is a project solidly chock full of warm r & b, sensible adult pop-jazz and clever melodic hooks.Backstreet is a blue print for later pop-jazz instrumentalists like Kenny G. and Candy Dulfer. Kenny G. only wishes he could sound as good as this guy (ouch !)...
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