From Publishers Weekly
In Sansom's satiric fourth mobile library mystery (after 2008's
The Book Stops Here), Israel Armstrong, an English Jewish vegetarian mobile librarian and amateur sleuth, embarks on yet another bumblingly endearing case in Tumdrum, on the northernmost coast of the north of the north of Northern Ireland. The day after Israel allows 14-year-old Lyndsay Morris to borrow a bad book (i.e., Philip Roth's
American Pastoral), Lyndsay, daughter of prominent Unionist candidate Maurice Morris, disappears. The coincidence is enough to make Israel suspect in the eyes of his boss, Linda Wei, a lesbian Chinese single mother, as well as the police and a nosy newspaper reporter. Never mind the thin plot and minimal detection. Sansom uses the naïve Israel to poke fun at politics, religion, prejudice, and pretensions of all sorts. Readers will particularly enjoy the passages devoted to the efforts to keep books like
American Pastoral out of the hands of the young and impressionable.
(Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
*Starred Review* Israel Armstrong, the English, Jewish, vegetarian mobile librarian, is back for his fourth despondent slog (after The Book Stops Here, 2008) through the north of Northern Ireland. He’s as out of his element as ever—he’d hoped for a brownstone in Brooklyn and breakfast with Paul Auster—and the mystery is as incidental to the craic as ever, too. This time, Israel’s lending of a book from “The Unshelved,” a selection of under-the-counter books that includes both Philip Roth’s American Pastoral and Bret Easton Ellis’ American Psycho, makes him a suspect in the disappearance of the borrower, the daughter of a redemption-seeking political candidate. A reluctant Israel investigates only to clear his name, with colleague and comic foil Ted Carson—the two are surely one of the genre’s great comedy teams—doing the driving. But what’s different this time is that Israel’s ongoing existential crisis, while played for laughs, isn’t only played for laughs. The death of a dear friend forces Israel into meaningful introspection, and Sansom offers genuinely affecting scenes of aging, death, and grief that make his still-generous humor all the more sweet. Though this series hasn’t always lived up to its terrific potential, The Bad Book Affair augurs very well for the future. --Keir Graff