From Publishers Weekly
The author of The Sweetwater Run rides onto familiar turf?the larger-than-life Wild West?with sharp-shootin' profiles of eight enticingly shady characters. Combining Texas-size doses of wit and the finesse of a seasoned storyteller, Glass explains that many of these legendary figures delighted in the exaggerated tales of their shoot-outs, swindlings and shameless thievery. Perhaps the most colorful portrait here is that of the tough-talking sure-shot and gambler Wild Bill Hickok, who always slept with his revolvers on and, as sheriff of Abilene, was known to offer troublemakers "a choice between the train out of town and the cemetery in the morning." The author laces his brief, biographical sketches with humorous tidbits: "Between jobs," Glass says, deadpan, "Jesse [James] sang in the choir at the Kearny Baptist Church." The wily highwayman Black Bart, the "scourge of Wells Fargo stagecoaches," planned and executed each robbery so carefully that he never had to fire a single shot during his entire career; and his much-dreaded "gang," who allegedly "backed him up," turned out to be painted broomsticks, strategically propped up. Two outlaw women also put in appearances?Calamity Jane and Belle Starr. The latter, after spending nine months in prison for stealing horses, invited all her pals from the jailhouse to come live with her (" 'I am a friend to any brave and gallant outlaw,' she proclaimed"). Glass's rough-hewn, grainy paintings serve up appropriately hyperbolic caricatures of these likable lawbreakers. When this kind of good writing happens to bad guys, even reluctant readers are sure to hightail it over to the bookshelf. Ages 8-12.
Copyright 1998 Reed Business Information, Inc.
From School Library Journal
Grade 3-6-Humorous and expressive illustrations accompany this collective biography of legendary men and women of the Wild West. Included are Wild Bill Hickok, Calamity Jane, Doc Holliday, Jesse James, Belle Starr, Billy the Kid, Black Bart, and Joaquin Murietta. The individual biographies range from less than 500 words to about 1200 or so for the more "renowned" figures. Glass's introductory essay explains how the actual lives of the outlaws were embellished and fictionalized by a sensationalist press (and by the outlaws themselves) and briefly touches upon the social circumstances that contributed to outlawry in the American West, factors that are also noted in individual chapters. Unfortunately, the tall-tale style of the illustrations and an accompanying lighthearted tone to the text implies that these "bad guys and gals" weren't so bad after all. While the illustrations are accomplished and vivid and the text is lean and interesting, the biographies often veer close to glorification. In an environment in which neighborhood (and national) street gangs and militia groups of all stripes are frequently in the news, Glass's stance seems a bit irresponsible.
Coop Renner, Coldwell Elementary-Intermediate School, El Paso, TXCopyright 1998 Reed Business Information, Inc.
