From Publishers Weekly
Over the course of the five sections of Zucker's third collection, the poet examines wifedom as it functions in language, motherhood, religion and science (The first wife was a hard-working molecule). Zucker (
The Last Clear Narrative) attempts to unpack the many meanings of the word wife: if the language would slip I could see what limber chance remains me. Always hovering is the husband—of whom the speaker says, here comes my husband again and / my mind, I'm describing; context—and the shadow of a real or imagined lover, who haunts the poems. Zucker's formally supple pieces range from shorter lyrics to discursive, meditative sequences; the book closes with a series of chatty, confessional poems titled Autographies, in which the poet continues to plumb personal experience, often in a disarmingly direct fashion: Shall we discuss married sex? By turns meditative, fearful, angry and loving, at their most scattershot these poems about marriage, fidelity, lust and motherhood can be disorienting for the reader, perhaps intentionally so.
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Review
"I love this book's fearless engagement with the impossibility of marriage; gorgeously Zucker combines prosaic thoroughness with stopped-time incandescence. If The Bad Wife Handbook is the manifesto for a new movement, sign me up!" (Wayne Koestenbaum, author of Best-Selling Jewish Porn Films: New Poems )