Amazon.com Review
Stephen Crane "was an explosion of color in a gray age," writes his biographer Linda H. Davis in a well-turned phrase typical of the acuity and aplomb displayed throughout her perceptive examination of his short (1871-1900), dramatic life. Crane was only 23 when the serial newspaper publication of
The Red Badge of Courage made him famous, yet he had already developed the artistic credo that blew fresh air into the stale atmosphere of Victorian American literature. "Art is not a pulpit," this son of a Methodist minister wrote in 1893, commenting on his controversial first novel,
Maggie: A Girl of the Streets. Like his friend Joseph Conrad, Crane believed that fiction should tell the truth about human beings' behavior and motives; understanding, rather than judgment, was his goal. His own standards were casually bohemian, as Davis shows in her vigorous chronicle of his numerous love affairs, his gallant defense of a woman unjustly accused of soliciting that gained him the enmity of New York City Police Commissioner Theodore Roosevelt, a nasty lawsuit with a former lover, and a common-law marriage to a woman who ran a brothel in Florida. On the literary front, the biographer sifts out Crane's finest stories and journalism from the large amount of hackwork he cranked out for money--of which he never had enough. Davis's appreciative commentary will send readers back to Crane's fiction; her perceptive evaluation of his personality inspires renewed interest in the man who wrote it.
--Wendy Smith
From Publishers Weekly
Early in 1895 Stephen Crane explained his "double literary life" to Willa CatherAthat he wrote not only what pleased him as serious work but also "any sort of stuff that would sell." As for fame and reputation, "I can't wait ten years. I haven't time." He had just completed, at 24, The Red Badge of Courage. At 28 he would be dead of tuberculosis. In the few years between he lived recklessly and fully, shows Davis (Onward and Upward). He covered wars in Greece and Cuba after reporting from America's prairie country, Texas and Mexico. He moved to England and lived in grand yet tawdry style in a manor house where, with a former bordello madam who called herself Mrs. Crane but wasn't, he hosted the great names in English letters. In New York City he had already riskily defended a prostitute in print, opposing police commissioner Theodore Roosevelt, with whom he would clash while reporting in wartime Cuba. By the end of a rackety life complicated by women, debt and debilitating illness, Crane had published five uneven novels, two books of poetry, numberless pieces of reportage and several notable short stories. He lived and died largely on borrowed money and optimistic expectations. Although Davis exploits little not already in print nor revises the life of Crane, she does make use of the Stanley Wertheim and Paul Sorrentino Crane Log, Crane's own correspondence and R.W. Stallman's standard Stephen Crane. Curiously, little of Crane's own writings are quoted. Illustrated.
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